"Feed the Tree" | ||||
---|---|---|---|---|
Single by Belly | ||||
from the album Star | ||||
B-side | "Trust in Me", "Dream on Me", "Star" | |||
Released | January 11, 1993 [1] | |||
Studio | Sound Emporium (Nashville, Tennessee) [2] | |||
Genre | Alternative rock | |||
Length | 3:28 | |||
Label | Sire, Reprise, 4AD (UK) | |||
Songwriter(s) | Tanya Donelly | |||
Producer(s) | Belly, Gil Norton | |||
Belly singles chronology | ||||
| ||||
Music video | ||||
"Feed the Tree on YouTube |
"Feed the Tree" is a song by American alternative rock band Belly, released as the band's first single from their debut album, Star , in 1993. It is the band's biggest hit, reaching number one on the US Billboard Modern Rock Tracks chart and number 32 on the UK Singles Chart. According to lead singer Tanya Donelly, the song is a metaphor about commitment and respect, with the tree being a place on a large farm where a family would be buried. [3]
The song was ranked number 24 on VH1's "40 Greatest One-Hit Wonders of the 90s". [4] It was also a popular radio hit in Australia, coming in at number 25 on the Triple J Hottest 100 countdown for 1993. [5]
Pitchfork said the song, "takes advantage of Donelly's talent for punching holes in the wall with a killer chorus. Tom Gorman's serpentine riff coils around the verses while bassist Fred Abong and drummer Chris Gorman keep their rhythms flippy-floppy." [6]
All songs were written by Tanya Donelly except where noted.
US CD and cassette single [7] [8]
UK 7-inch and cassette single [9] [10]
| UK 12-inch and CD single [11] [12]
|
Chart (1993) | Peak position |
---|---|
UK Singles (OCC) [13] | 32 |
US Billboard Hot 100 [14] | 95 |
US Modern Rock Tracks ( Billboard ) [15] | 1 |
Lovesongs for Underdogs is the solo debut album by American musician Tanya Donelly, who had formerly recorded with Throwing Muses, The Breeders, and Belly. It was released on September 8, 1997 and issued by 4AD and Sire Records.
Tanya Donelly is an American singer-songwriter and guitarist based in New England. She came to prominence as a co-founder of the band Throwing Muses with her step-sister Kristin Hersh. Donelly went on to co-form the alternative rock band The Breeders alongside Kim Deal in 1989, before leaving to front her own band Belly in 1991. By the late 1990s, she settled into a solo recording career, working largely with musicians connected to the Boston music scene.
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. It also became a top-20 hit in Ireland, New Zealand, and the United Kingdom.
"Enjoy the Silence" is a song by English electronic music band Depeche Mode. Recorded in 1989, it was released as the second single from their seventh studio album, Violator (1990), on 5 February 1990. The single is certified Gold in the US and Germany. The song won Best British Single at the Brit Awards 1991.
"Policy of Truth" is a song by English electronic music band Depeche Mode, released on 7 May 1990 as the third single from their seventh studio album Violator (1990). It is the only Depeche Mode single to chart higher on the U.S. Billboard Hot 100 chart than on the UK Singles Chart, and it became the band's second chart-topper on the Billboard Modern Rock Tracks chart.
"World in My Eyes" is a song by English electronic music band Depeche Mode. It was released on 17 September 1990 as the fourth and final single from their seventh studio album, Violator (1990). The song peaked at number two in Denmark and Spain, number 17 on the UK Singles Chart, and number 52 on the US Billboard Hot 100.
"I Feel You" is a song by English electronic music band Depeche Mode, released on 15 February 1993 by Mute as their 27th UK single and the first single from their eighth studio album, Songs of Faith and Devotion (1993). The song peaked at number eight on the UK Singles Chart and also made number one and number three on the US Billboard Modern Rock Tracks chart and the Billboard Hot Dance Club Play chart. It is one of the band's highest-charting singles worldwide. The accompanying music video was directed by Anton Corbijn.
"Walking in My Shoes" is a song by British electronic music band Depeche Mode. It was released on 26 April 1993 by Mute and Sire as the second single from their eighth studio album, Songs of Faith and Devotion (1993). The song reached number 14 on the UK Singles Chart and matched the success of the previous single "I Feel You" on the US Billboard Modern Rock Tracks chart, where it reached one. The B-side is "My Joy", the only exclusive B-side from the Songs of Faith and Devotion album, and is a rock track in the vein of "I Feel You".
"Condemnation" is a song by English electronic music band Depeche Mode, released on 13 September 1993 by Mute Records as the third single from the band eighth studio album, Songs of Faith and Devotion (1993). The song reached No. 9 on the UK Singles Chart, No. 3 in Sweden, and No. 1 in Portugal. Its music video was directed by Anton Corbijn.
"In Your Room" is the fourth and final single released from English electronic music band Depeche Mode's eighth studio album, Songs of Faith and Devotion (1993). Released on 10 January 1994, the song reached number eight on the UK Singles Chart and peaked at number two in Denmark, Finland, and Sweden. It is the last single to feature Alan Wilder as a member before his departure in 1995.
"It's No Good" a song by English electronic music band Depeche Mode, released on 31 March 1997 as the second single from their ninth studio album, Ultra (1997). It was commercially successful, reaching number one in Denmark, Spain, Sweden and on the US Billboard Hot Dance Club Play chart. It entered the top 10 in Finland, Germany, Iceland, Italy, and the United Kingdom, where it peaked at number five.
"A Little Respect" is a song written and recorded by British synth-pop duo Erasure, released in September 1988 by Mute. It was written by Vince Clarke and Andy Bell. The lyrics are a plea to a lover to show compassion and respect. The heavily synthesized instrumentation is accentuated by acoustic guitar and Bell's vocal falsetto in the chorus. It was their tenth single and was taken from their third studio album, The Innocents (1988). Known as one of their signature songs, the single reached number four on the UK Singles Chart and was Erasure's second consecutive top-20 hit on the US Billboard Hot 100, where it made number 14, and reached number two on the US Billboard Dance Club Play chart.
"Drama!" is the first single released from English synth-pop duo Erasure's fourth studio album, Wild! (1989). Written by Vince Clarke and Andy Bell, the song begins with a low-key keyboard line and a subdued vocal from Bell. As the song progresses, the instrumentation and vocals become more hectic, ultimately ending as a full-blown dance track. "Drama!" contains a "Guilty!" exclamation throughout, provided by Scottish band the Jesus and Mary Chain, who were recording in the studio next door. The song was met with critical acclaim from both music critics and fans.
"Blue Savannah" is a song by English synth-pop duo Erasure from their fourth studio album, Wild! (1989). Written by members Vince Clarke and Andy Bell, the song was released as a single in Japan on 25 January 1990 and was issued in the United Kingdom the following month. Alfa Records released it in Japan as the album's lead single, Mute Records released it in Europe as the album's third single, and Sire Records released it in the United States as the album's second single. Considered one of the band's signature songs, the duo still perform it regularly in concerts. It has been described as an uplifting love song; the instrumentation is crisp and heavily synthesized, accented with sweeping, programmed piano.
"Chorus" is a song by English synth-pop duo Erasure, released in June 1991 as the first single from their fifth studio album of the same name (1991). Produced by Martyn Phillips and written by Erasure members Vince Clarke and Andy Bell, the song features Clarke's electronic soundscapes and Phillips' computerised production. The single was released by Mute Records in the United Kingdom and Sire Records in the United States. It peaked at number three in both Denmark and the UK while reaching number four in Ireland. In the US, it peaked at number 83 on the Billboard Hot 100 and number four on the Billboard Modern Rock Tracks chart.
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"Breath of Life" is a song by English synth-pop duo Erasure, released as the fourth and final single from their fifth studio album, Chorus (1991), in March 1992. It was written by Erasure members Vince Clarke and Andy Bell with additional input from Pat O'Brien. An uptempo synth-pop song, its dance music elements were strongly accentuated for the club remixes. For the single release, it was remixed slightly, including a shortened intro. In the United States, it was the third single released from the album.
"Cannonball" is a song by American alternative rock band the Breeders from their second studio album, Last Splash (1993). It was released as a single on August 9, 1993, on 4AD and Elektra Records, reaching No. 44 on the US Billboard Hot 100 and No. 40 on the UK Singles Chart. In November 1993, the single was released in France, where it charted for 30 weeks, peaking at No. 8. The song demo was originally called "Grunggae" as it merged "island riffs and grunge". This demo was later included in the 20th anniversary re-release of the album LSXX.
"Constant Craving" is a song written by Canadian singer-songwriter k.d. lang and Ben Mink, performed by lang and included on her second solo album, Ingénue (1992). The song was released in the United Kingdom in April 1992 and won lang a Grammy Award in the category for Best Female Pop Vocal Performance in 1993, as well as an MTV Video Music Award for Best Female Video. The accompanying music video was directed by Mark Romanek.
"Love Has No Name" is a song from British-New Zealand electronic dance music group Babble, which was released in 1996 as the sole single from their second and final studio album Ether. The song was written by Alannah Currie (lyrics) and Tom Bailey (music), and was produced by Bailey, Currie and Keith Fernley. It reached number 10 on the US Billboard Hot Dance Music Club Play chart.
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