Fiona Clark | |
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Born | Fiona Mary Clark 1954 (age 70–71) Inglewood, New Zealand |
Education | Elam School of Fine Arts |
Known for | Photography |
Fiona Mary Clark (born 1954) is a New Zealand social documentary photographer, one of the first photographers to document New Zealand's LGBT scene. In the 1970s and 1980s she photographed Karangahape Road, and the clubs Mojo's, Las Vegas Club and the KG Club.
Clark was born in Inglewood in 1954 and attended Inglewood High School. [1] Clark has said that her time at Inglewood High School taught her about survival as a young woman, citing the violence and the two murders that occurred there. [2]
Clark's family were farmers, but she has said they were not "typical farmers". Her brothers were arrested for protesting against the Vietnam War and encouraged her and her siblings to attend university. [3]
Clark moved to Auckland at the age of 16 to attend the Elam School of Fine Arts. [4] [5] She was initially enrolled in performing arts, but moved into the photography department in her third year in 1974. [3] In 1975, Clark moved to Tikorangi, where she still lives.
Clark's work is predominantly social documentary photography. She was one of the first photographers to cover New Zealand's LGBT scene, notably documenting the queer community in the 1970s and 1980s, K Road, and the clubs Mojo's and Las Vegas Club. Clark also documented the emerging punk subculture in New Zealand. [2]
In 1975 her work faced censorship and public outcry, with two of her photographs being removed from The Active Eye exhibition. [6] [5] As part of this outcry, the Auckland City Gallery had to close briefly because of the criticisms, 200 people complained to the Auckland Council over the photographs, and a private complaint was made to the police alleging public indecency. [3] Some of the photographs went missing in 1976 from the Auckland City Gallery before the police could review them - in 2017 Clark said that still does not know what happened to them. [3]
This outcry extended to her wider work also, with some art dealers saying that they would refuse to handle her photography and Kodak acknowledging that they would not develop her photographs that were considered obscene. [2]
From 1979 to 1982, when Clark was living in Waitara, she created a series of 104 photographs titled Te Iwi o Te Wāhi Kore. The phrase translates to 'the people with nothing' and addresses the historical confiscation of iwi land across the Mount Taranaki coastline. [4] The photographs became an important political tool and were presented numerous times in the early 1980s, most significantly for Motunui – Waitara Treaty of Waitangi Claim (Wai-6) to assert iwi as kaitiaki of their ancestral land. [4] Clark's images were used to show the magnificence of the area and present kai moana as a taonga that brings pride and prestige to the community as one of their last remaining culturally significant environmental assets. [4] Te Iwi o Te Wāhi Kore was exhibited again in 2017 at the Dowse Art Museum in Lower Hutt. [7]
In 2002, in reflection of the exhibition The Active Eye, Clark published the book Go Girl and exhibited a collection of photographs at the Govett-Brewster Art Gallery. [8] [9]
In 2021 a documentary about Clark was made by Lula Cucchiara about Clark's work. [2] [10]
Clark is a lesbian. [3] In an interview she said:
I used to have a saying on my wall: ‘Once I was a tomboy and now I’m a full-grown lesbian.’ One day I crossed out the last half and wrote ‘but now I’m queer’. Even that label will probably change. [3]
Clark was friends with, and used to photograph often, Carmen Rupe who called her "my photographer Fiona." [3] Rupe used some of these photos for her Christmas and business cards. [3]
In 1977 Clark, aged 23, was involved in a motorcycle crash which broke her jaw and shattered many bones in her face, leaving her with an inverted eye. [2]
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