First Love | |
---|---|
![]() Theatrical release poster | |
Directed by | Joan Darling |
Written by | Jane Stanton Hitchcock David Freeman |
Based on | Sentimental Education by Harold Brodkey |
Produced by | Lawrence Turman David Foster |
Starring | William Katt Susan Dey John Heard Beverly D'Angelo Robert Loggia |
Cinematography | Bobby Byrne |
Edited by | Frank Morriss |
Music by | John Barry (uncredited) |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 91 minutes |
Country | United States |
Language | English |
Budget | $3 million |
Box office | $9.4 million |
First Love is a 1977 American romantic drama film starring William Katt and Susan Dey and directed by Joan Darling. The movie is based upon the 1957 short story Sentimental Education by Harold Brodkey. The original music score was composed by John Barry. However, much of his score was unused in favor of songs from Cat Stevens and Paul Williams, and material from Carmine Coppola and Jean Sibelius, resulting in Barry removing his name from the credits. [1]
College student David is having sex with a woman named Shelly until his girlfriend then pounds on his dorm room, demanding to know who is in there with him. Wearing only a towel, Shelly goes into the room next door, which belongs to David's friend Elgin. Shelly says that she will only be there until David finishes having sex with his girlfriend; but it takes a lot longer. David later thanks Elgin by setting him up with Shelly.
Elgin first sees Caroline during a meal. After the meal, Elgin and Shelly separate from David and his girlfriend, ending up in his room. Shelly declares that she likes Elgin, offers to have sex with him and disrobes. Shocked, Elgin spurns her advances.
Elgin is later working as the busboy at the school's cafeteria. There, he has his first conversation with Caroline but ends up spilling tea on her and her book. She still leaves her dormitory name on a sheet of paper and he goes to see her with a new copy of the book. She eventually agrees to go and have coffee with him. She alludes to having another boyfriend, but he is smitten and decides to join a class she is in, three weeks after it had started. Caroline reveals that her father is dead. She and Elgin later go on their first real date to the symphony.
Caroline introduces Elgin to the other man, John, who is already married. She is shaken by this meeting and asks to spend a night with Elgin, because she does not want to be alone. They start having sex but are interrupted by David who says that Elgin is late for work. Elgin runs to work and David convinces Caroline to take a ride back to her dorm on his motorcycle. Elgin spots them together and fights David in a jealous rage. Caroline then tells him that she is not interested in David. Elgin is relieved but later gets fired for being late to work.
David and Caroline watch Elgin while he plays a successful game of soccer. Elgin and Caroline were having sex again when he asks about John, who worked with her father as a lawyer, and whom she had known all her life. He gets jealous after learning that she slept with John, but Caroline gets mad about the entire conversation. Elgin gets nervous when he cannot get hold of her, but finds a note which tells him to join her, alone, at her family's estate. Elgin meets Caroline and they pick up where they left off, but she resists him while they are in her childhood playhouse. She told him that this is the place where her father committed suicide. The phone rings before they drive together back to school. En route, Caroline says that it was John on the phone. Caroline explains that John wants her back, and they cannot see each other any more. Elgin pulls his motorcycle out from the back of the car and leaves alone. Elgin returns to his dorm to find Shelly sitting by his door. Shelly declares her love for David, but thinks that he does not feel the same. Elgin turns Shelly down for sex a second time.
Elgin runs into Caroline saying goodbye to John. She told Elgin that she is with John and that it is over between them. Elgin gets drunk and again finds Shelly at his door. Elgin accepts Shelly's third proposition; but she leaves in the middle of their tryst when he calls her Caroline. Elgin goes to Caroline's shared class, but leaves in the middle of the lecture when she does not show up. Elgin then visits John at his office. He professes his love to Caroline and asks John if his intentions are honorable. John says that he has a shaky marriage, but his kids are important and does not know if he can divorce his wife. Caroline shows up in Elgin's room in the middle of the night, has sex with him, and then brings him breakfast in the morning. John decides that he will not get the divorce, but Elgin is mad that he is second best. Elgin takes Caroline back, despite this fact. This eventually tears him up inside and he tells Caroline his love for her is gone and their relationship is over. He says goodbye to her as she leaves him alone on a train. He later continues his old habit of playing solitary soccer.
The film was shot on location in Portland, Oregon, including at Reed College and the Pittock Mansion. [2]
In the United States, the film is rated R for its nudity and sexual content.
Janet Maslin of The New York Times found director Joan Darling "peculiarly misogynistic" in the way the two female lead characters "both pounce avariciously upon Mr. Katt, who seems passive and rather saintly under pressure ... Both Miss Hitchcock's script and Miss Darling's directing suggest that he is far too good for either lover." [3] Gene Siskel of the Chicago Tribune gave the film 2 stars out of 4 and called it "an in-and-out-of-love story with its characters' actions determined only by a writer's whimsy. You watch the picture and realize that the opposite of what is happening could be taking place and it would make just as much or little sense." [4] Arthur D. Murphy of Variety wrote that Katt and Dey were both "excellent" but "an unfortunate element in the story is the never-ending pall of doom that hangs over everything ... where it should have been bittersweet, it's bland-gloomy." [5] Charles Champlin of the Los Angeles Times stated that director Joan Darling "seems indeed to have a nice way with her performers, but some problems of script and casting defeat the film's obvious intentions and make what ought to have been a slight and tender work not only disappointing but actively unpleasant." [6] K.C. Summers of The Washington Post wrote that the film "is the basically ho-hum story of a romance between an inexperienced college boy and a girl who's been around some. Everyone tries very hard, and there are a few feeble attempts at suspense, but the viewer never really gets involved enough to care how the affair ends up." [7] David Ansen of Newsweek declared, "There is one good reason to see First Love, and his name is William Katt ... he manages to radiate sweetness without being cloying, ingenuousness without coyness and sexuality without narcissism." However, Ansen added, director Darling "hasn't quite mastered the transition from TV to screen; everything is staged up front, every emotion hit squarely on the head, and the result is a certain monotony of tone." [8] Tom Milne of The Monthly Film Bulletin wrote, "Fulsomely cradled in slow motion and caressing dissolves, sprinkled with cultural references to Dante and idealistic philosophies, indulging much lachrymose drivel about first love and its irreparable loss, this Son of Love Story similarly tries to prove that the spirit of romance is not dead and proceeds to administer a cruel coup de grâce ." [9]
Michael Eisner of Paramount said the film did not lose money "but was not a success". [10]
The film was released on VHS and DVD. It currently is available for streaming through some services. [11]
The Goodbye Girl is a 1977 American romantic comedy-drama film directed by Herbert Ross, written by Neil Simon and starring Richard Dreyfuss, Marsha Mason, Quinn Cummings and Paul Benedict. The film, produced by Ray Stark, centers on an odd trio of characters: a struggling actor who has sublet a Manhattan apartment from a friend, the current occupant, and her precocious young daughter.
Lady Caroline Lamb is a 1972 British epic romantic drama film based on the life of Lady Caroline Lamb, novelist, sometime lover of Lord Byron and wife of politician William Lamb, 2nd Viscount Melbourne. The only film written and directed by Robert Bolt, it starred his wife, Sarah Miles, as Lady Caroline, Jon Finch, Richard Chamberlain, Laurence Olivier, Ralph Richardson, John Mills, Margaret Leighton and Michael Wilding.
Susan Hallock Dey is an American retired actress, known for her television roles as Laurie Partridge on the sitcom The Partridge Family from 1970 to 1974, and as Grace Van Owen on the drama series L.A. Law from 1986 to 1992. A three-time Emmy Award nominee and six-time Golden Globe Award nominee, she won the Golden Globe for Best Actress in a Drama Series for L.A. Law in 1988.
The Slipper and the Rose: The Story of Cinderella is a 1976 British musical retelling the classic fairy tale of Cinderella. The film was chosen as the Royal Command Performance motion picture selection for 1976.
Caroline in the City is an American television sitcom that ran on NBC from 1995 until 1999. It stars Lea Thompson as cartoonist Caroline Duffy, who lives in Manhattan. The rest of the cast includes Eric Lutes, Malcolm Gets, Amy Pietz, and Andy Lauer. The series premiered on September 21, 1995, in the "Must See TV" Thursday night block between Seinfeld and ER and ran for 97 episodes over four seasons before it was cancelled; the final episode was broadcast on April 26, 1999. The series' rights are currently held by CBS Media Ventures.
Mona Lisa Smile is a 2003 American drama film produced by Revolution Studios and Columbia Pictures in association with Red Om Films Productions, directed by Mike Newell, written by Lawrence Konner and Mark Rosenthal, and starring Julia Roberts, Kirsten Dunst, Julia Stiles, and Maggie Gyllenhaal.
Real Life is a 1979 American comedy film starring Albert Brooks, who also co-authored the screenplay alongside Monica Johnson and Harry Shearer. It is a spoof of the 1973 reality television program An American Family and portrays a documentary filmmaker named Albert Brooks who attempts to live with and film a dysfunctional family for one full year.
A Little Romance is a 1979 American romantic comedy film directed by George Roy Hill and starring Laurence Olivier, Thelonious Bernard, and 13-year-old Diane Lane in her film debut. The screenplay was written by Allan Burns and George Roy Hill, based on the novel E=mc2 Mon Amour (1977) by Patrick Cauvin. The original music score was composed by Georges Delerue. The film follows a French boy and an American girl who meet in Paris and begin a romance that leads to a journey to Venice where they hope to seal their love forever with a kiss beneath the Bridge of Sighs at sunset.
More American Graffiti is a 1979 American coming-of-age comedy film written and directed by Bill L. Norton, produced by Howard Kazanjian. The film, shot in multiple aspect ratios for comedic and dramatic emphasis, is the sequel to the 1973 film American Graffiti. While the first film followed a group of friends during the evening before they depart for college, the sequel depicts where they end up on consecutive New Years Eves from 1964 to 1967.
Goin' South is a 1978 American Western comedy film directed by and starring Jack Nicholson, with Mary Steenburgen, Christopher Lloyd, John Belushi, Richard Bradford, Veronica Cartwright, Danny DeVito and Ed Begley Jr..
A Star Is Born is a 1976 American musical romantic drama film directed by Frank Pierson, written by Pierson, John Gregory Dunne, and Joan Didion. It stars Barbra Streisand as an unknown singer and Kris Kristofferson as an established rock and roll star. The two fall in love, only to find her career ascending while his goes into decline. A Star Is Born premiered at the Mann Village Theater on December 18, 1976, with a wide release by Warner Bros. the following day. A huge box office success, grossing $80 million on a $6 million budget in North America, the film became the 2nd highest-grossing that year. Reviews praised its performances and musical score, but criticized the screenplay and runtime. At the 49th Academy Awards, the film won Best Original Song for its love theme "Evergreen".
Naked Weapon (赤裸特工) is a 2002 Hong Kong action-thriller film directed by action choreographer Tony Ching, starring Maggie Q, Anya Wu and Daniel Wu.
Sunburn is a 1979 British-American comedy detective film directed by Richard C. Sarafian and written by James Booth, John Daly and Stephen Oliver. It is based on the novel The Bind by Stanley Ellin. The film stars Farrah Fawcett, Charles Grodin, Art Carney, Joan Collins, William Daniels and John Hillerman. The film was released on August 10, 1979, by Paramount Pictures.
The Greeks Had a Word for Them is a 1932 American pre-Code comedy film directed by Lowell Sherman, produced by Samuel Goldwyn, and released by United Artists. It stars Ina Claire, Joan Blondell, and Madge Evans and is based on the play The Greeks Had a Word for It by Zoe Akins. The studio originally wanted actress Jean Harlow for the lead after her success in Public Enemy (1931), but she was under contract to Howard Hughes, and he refused to loan her out. The film served as inspiration for films such as Three Blind Mice (1938), Moon Over Miami (1941), and How to Marry a Millionaire (1953). Ladies in Love (1936) also has a similar pattern and was produced like "Three Blind Mice" by Darryl F. Zanuck.
"While You Were Sleeping" is the 16th episode of the fifth season of the American series The Vampire Diaries and the series' 105th episode overall. "While You Were Sleeping" was originally aired on March 20, 2014, on The CW. The episode was written by Caroline Dries and directed by Pascal Verschooris.
The Magic Garden of Stanley Sweetheart is a 1970 American film distributed by Metro-Goldwyn-Mayer (MGM) about a confused college student's experiences with sex, relationships, and drugs in late 1960s New York City. Produced by Martin Poll and directed by Leonard J. Horn, the film was based on the semi-autobiographical novel of the same name by Robert T. Westbrook, who was also an associate producer of the film. It was the film debut of Don Johnson, who appeared in the title role.
"The More You Ignore Me, the Closer I Get" is the 6th episode of the sixth season of the American series The Vampire Diaries and the series' 117th episode overall. "The More You Ignore Me, the Closer I Get" was originally aired on November 6, 2014, on The CW. The episode was written by Chad Fiveash and James Stoterau and directed by Garreth Stover.
Dogs is a 1977 American natural horror film directed by Burt Brinckerhoff about a pack of dogs that go on a killing spree.
"Tony" is the sixth episode of the second series of the British teen drama Skins, which first aired on 17 March 2008 on E4 in both Ireland and the United Kingdom. The episode was written by Jamie Brittain, and was directed by Harry Enfield.
Palmer is a 2021 American drama film directed by Fisher Stevens and written by Cheryl Guerriero. The film stars Justin Timberlake, Juno Temple, Alisha Wainwright, June Squibb, and Ryder Allen. Palmer was digitally released by Apple TV+ on January 29, 2021. The film received positive reviews from critics, who praised the performances and themes though noted its familiarity.