Floodtide | |
---|---|
![]() Original pressbook | |
Directed by | Frederick Wilson |
Written by |
|
Produced by | Donald B. Wilson |
Starring | |
Cinematography | George Stretton |
Edited by | Peter Bezencenet |
Music by | Robert Irving |
Production company | Aquila Film |
Distributed by | General Film Distributors (UK) |
Release dates |
|
Running time | 90 minutes |
Country | United Kingdom |
Language | English |
Floodtide is a 1949 British romantic drama film directed by Frederick Wilson and starring Gordon Jackson, Rona Anderson, John Laurie and Jimmy Logan. [1] [2]
The film was one of the four of David Rawnsley's films that used his "independent frame" technique, a form of back projection. [3]
A young Scotsman becomes a ship designer instead of following the family tradition and entering farming. He works his way up the firm, marries the boss's daughter, and revolutionises shipbuilding.
The Monthly Film Bulletin wrote: "The Clydebank shipyards make an effective setting for a story which, though conventional and often absurd, at least is unpretentiously told. Thanks to capable direction and camerawork the Glasgow background is convincing, though the same can hardly be said of such details as the design for the model ship. Gordon Jackson gives a sincere performance as David Shields, with Rona Anderson as Mary. Jimmy Logan and Elizabeth Sellars in supporting parts provide the two most successful characterisations." [4]
The Radio Times wrote, "the grim grandeur of the Clyde shipyards provides the setting for this lacklustre melodrama which trades on the British docudramatic tradition while dealing in potboiling clichés". [5]
The Oxford Times wrote, "this is a classic town-and-country saga that is spiritedly played by an exceptional Scottish ensemble." [6]
Gordon Cameron Jackson, was a Scottish actor best remembered for his roles as the butler Angus Hudson in Upstairs, Downstairs and as George Cowley, the head of CI5, in The Professionals. He also portrayed Capt Jimmy Cairns in Tunes of Glory, and Flt. Lt. Andrew MacDonald, "Intelligence", in The Great Escape.
Rona Anderson was a Scottish stage, film, and television actress. She appeared in TV series and on the stage and films throughout the 1950s. She appeared in the films Scrooge and The Prime of Miss Jean Brodie and on TV in Dr Finlay's Casebook and Dixon of Dock Green.
Meet Mr. Lucifer is a 1953 black-and-white British comedy satire film directed by Anthony Pelisser starring Stanley Holloway, Peggy Cummins and Jack Watling. It is based on the 1951 play Beggar My Neighbour by Arnold Ridley. It opened on 26 November 1953 at the Haymarket Gaumont cinema in London. It was filmed at Ealing Studios, London, and is one of the Ealing comedies.
A Time to Kill is a 1955 British second feature ('B') crime film directed by Charles Saunders and starring Jack Watling, Rona Anderson, John Horsley, Russell Napier, Kenneth Kent, and John Le Mesurier. It was written by Doreen Montgomery.
Man with a Gun is a low-budget 1958 British second feature ('B') crime film directed by Montgomery Tully and starring Lee Patterson, Rona Anderson and John Le Mesurier. The screenplay was by Michael Winner.
Once a Sinner is a 1950 British drama film directed by Lewis Gilbert and starring Pat Kirkwood, Jack Watling and Joy Shelton.
Inquest is a 1939 British crime film directed by Roy Boulting and starring Elizabeth Allan, Herbert Lomas, Hay Petrie and Barbara Everest. It was based on the play Inquest by Michael Barringer which had previously been adapted as Inquest in 1931. The film was a quota quickie made at Highbury Studios to be used as a supporting feature.
Torment is a 1950 British second feature thriller film directed by John Guillermin and starring Dermot Walsh, Rona Anderson and John Bentley.
The Last Man to Hang? is a 1956 crime film directed by Terence Fisher and starring Tom Conway and Elizabeth Sellars. It was produced by John Gossage for Act Films Ltd.
The Delavine Affair is a 1955 British second feature crime film directed by Douglas Peirce and starring Peter Reynolds, Honor Blackman and Gordon Jackson. The screenplay was by George Fisher and Basil Boothroyd, based on the 1952 novel Winter Wears a Shroud by Robert Chapman.
Circumstantial Evidence is a 1952 British crime film directed by Daniel Birt and starring Rona Anderson, Patrick Holt and Frederick Leister. It was made as a supporting feature.
Her Favourite Husband is a 1950 British-Italian comedy film directed by Mario Soldati and starring Jean Kent, Robert Beatty and Margaret Rutherford. The screenplay was by Noel Langley, based on an adaptation by Stefano Vanzina, Mario Monicelli and Soldati of the 1947 play Quel bandito sono io! by Peppino De Filippo. The film's art direction was by Piero Gherardi.
No Trace is a 1950 British second feature crime film directed by John Gilling and starring Hugh Sinclair, Dinah Sheridan and John Laurie. A crime writer murders a blackmailer, and is then asked to help solve the case by the police.
Recoil is a 1953 British 'B' crime film directed by John Gilling and starring Kieron Moore, Elizabeth Sellars and Edward Underdown.
Little Red Monkey is a 1955 British thriller film directed by Ken Hughes and starring Richard Conte, Rona Anderson and Russell Napier. The screenplay was by Hughes and James Eastwood, based on the 1953 BBC Television series of the same name written by Eric Maschwitz.
Just for Fun is a 1963 British musical film directed by Gordon Flemyng and starriing Mark Wynter and Cherry Roland. It was written by Amicus co-founder Milton Subotsky. Cinematography was by Nicolas Roeg.
Dangerous Afternoon is a 1961 British 'B' crime film directed by Charles Saunders and starring Ruth Dunning. The screenplay was by Brandon Fleming based on the 1951 play of the same title by Gerald Anstruther.
Death Goes to School is a 1953 British mystery film directed by Stephen Clarkson and starring Barbara Murray, Gordon Jackson and Pamela Alan. It was made at Merton Park Studios as a second feature.
Double Exposure is a 1954 British crime film directed by John Gilling and starring John Bentley, Rona Anderson and Garry Marsh. It was made at Southall Studios as a second feature. The film's sets were designed by Wilfred Arnold.