"I Honestly Love You" is a song recorded by Olivia Newton-John released in 1974 on the album Long Live Love in United Kingdom and If You Love Me, Let Me Know in the United States. The song became a worldwide pop hit, her first number-one single in the United States and Canada. The single was first released in Australia as "I Love You, I Honestly Love You", as per its chorus. The song was written by Jeff Barry and Australian singer and composer Peter Allen. The latter recorded it around the same time for his album Continental American.
"Let Me Be There" is a popular song written by John Rostill. It was first recorded by Olivia Newton-John and released in September 1973 as the second single from her studio album of the same name. The country-influenced song was Newton-John's first Top 10 single in the US, peaking at No. 6, and also won her a Grammy Award for Best Female Country Vocalist. Mike Sammes sings a bass vocal harmony on the song.
The song was originally written by Michael Allison and Peter Sills for British singer Cliff Richard, whom Olivia Newton-John was a backing singer for in the early 1970s. Richard originally attempted a recording of the song in December 1975 studio sessions for his 1976 studio album I'm Nearly Famous, but it remained unreleased. He recorded the song again for his 1977 studio album Every Face Tells a Story, for which it became the title track.
"Hopelessly Devoted to You" is a song recorded by British-Australian singer, songwriter and actress Olivia Newton-John for Grease: The Original Soundtrack from the Motion Picture (1978). It was written and produced by John Farrar and originally performed by Newton-John in the film version of the musical Grease (1978). The song was released in Australia in August 1978 and peaked at number two. It reached number three on the US Billboard Hot 100 and number seven on the Adult Contemporary chart. On the country chart, "Hopelessly Devoted to You" peaked at number 20 and was her first top 20 country hit in two years. Newton-John performed the song at the 21st Grammy Awards in 1979.
"Have You Never Been Mellow" is a song recorded by British-Australian singer Olivia Newton-John for her 1975 fifth studio album of the same name. Written and produced by John Farrar, the song was released as the lead single from the album in January 1975.
"Let It Shine" is a 1973 single written by Nashville songwriter Linda Hargrove.
Windsong is the ninth studio album recorded by American singer-songwriter John Denver, which was released in September 1975. Denver's popularity was at its peak by this time.
"Back Home Again" is a popular song written and performed by the American singer-songwriter John Denver. "Back Home Again" was released as a single from his album of the same name in 1974.
"Looking for Space" is a popular song written and performed by the American singer-songwriter John Denver. Released as a single from his album Windsong, "Looking for Space" peaked at No. 29 on the Billboard Hot 100 in April 1976. On the easy listening chart, the song reached No. 1 to become his seventh to top that chart.
"Please Mr. Please" is a song written by Bruce Welch and John Rostill, both members of British pop singer Cliff Richard's backing band, The Shadows. Welch had originally recorded the song himself in 1974 with no commercial success.
"Make a Move on Me" is a song recorded by singer Olivia Newton-John for her eleventh studio album. Physical (1981). It was written by John Farrar and Tom Snow, and produced by the former. The follow-up single to the number-one hit "Physical", it was released in January 1982 and peaked at number five on the US Billboard Hot 100 that April. It also became her twelfth and final single to be certified Gold by the Recording Industry Association of America (RIAA).
"If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the Billboard country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. It was nominated for the 1974 Country Music Association Award for Single of the Year.
"Suddenly" is a duet performed by Olivia Newton-John and Cliff Richard from the soundtrack Xanadu, and is the love theme from the 1980 film of the same name. It was written and produced by John Farrar.
"Love in Store" is a song by British-American rock group Fleetwood Mac. The song is the opening track on the 1982 album Mirage, the fourth album by the band with Lindsey Buckingham acting as main producer with Richard Dashut and Ken Caillat. "Love in Store" was written by Christine McVie and Jim Recor and it became the album's third single in the US. Released in November 1982, it went on to peak at No. 22 for three weeks as the follow-up to Top 20 hits "Hold Me" and "Gypsy". It also peaked at #11 on the Adult Contemporary chart. The song features lead vocals by Christine McVie with prominent vocal harmonies by Stevie Nicks and background vocals by Lindsey Buckingham.
"Hurt" is a 1954 song by Jimmie Crane and Al Jacobs. "Hurt" was originally performed by Roy Hamilton, whose version peaked at number eight on the R&B Best Seller chart and spent a total of seven weeks on the chart. A version by Ricky Denell also received considerable radio airplay in 1954 on pop radio stations. The song is considered to be the signature hit of Timi Yuro, whose version went to number four on the Billboard pop chart in 1961. Juice Newton's 1985 version scored number one on Billboard's Country chart.
"Something Better to Do" is a song written by John Farrar and recorded by Olivia Newton-John. The song was released in September 1975 as the lead single from Newton-John's sixth studio album, Clearly Love. The narrator of the song muses that she's having a hard time adjusting to life without her departed lover; even the birds are wasting their songs singing to her, and until her beloved returns, "the birds will have to find something better to do."
"Come On Over" is a ballad written by Barry and Robin Gibb and recorded by the Bee Gees for their album Main Course, with lead vocals by Robin, joined by Barry in the chorus of the song. A live version was recorded in Los Angeles during their Children of the World Tour and appeared on their first live album Here at Last...Bee Gees...Live. The song was more reminiscent of their older style compared to the new R&B sound of "Jive Talkin'" and "Nights on Broadway". It would become a #1 adult contemporary hit for Olivia Newton-John in 1976.
"Don't Stop Believin'" is the title track from the 1976 album by Olivia Newton-John. Written and composed specifically for Newton-John by John Farrar. It was released in August 1976 as the album's lead single. It peaked at number thirty-three on the Billboard Hot 100. It was her seventh number one on the Easy Listening chart, spending one week at the top of the chart in September 1976. The single also went to number fourteen on the country chart.
"Love Is Alive" is a song by Gary Wright taken from the 1975 album The Dream Weaver. It features Wright on vocals and keyboards and Andy Newmark on drums, with all music except for the drums produced on the keyboards. The album's title cut and "Love Is Alive" both peaked at No. 2 on the Billboard Hot 100 singles chart. "Love Is Alive" spent 27 weeks on the chart, seven weeks longer than "Dream Weaver". Billboard ranked "Love Is Alive" as the No. 9 song of 1976.
"Don't Throw It All Away" is a song written by British musician Gary Benson and first released by the Shadows on their 1975 album Specs Appeal. Benson released his version as a single later the same year, which reached number 20 on the UK Singles Chart in the fall of 1975.
