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"Mercy Mercy Me (The Ecology)" is the second single from Marvin Gaye's 1971 album, What's Going On. Following the breakthrough of the title track's success, the song, written solely by Gaye, became regarded as one of popular music's most poignant anthems of sorrow regarding the environment. Led by Gaye playing piano, strings conducted by Paul Riser and David Van De Pitte, multi-tracking vocals from Gaye and The Andantes, multiple background instruments provided by The Funk Brothers and a leading sax solo by Wild Bill Moore, the song rose to number 4 on Billboard's Pop Singles chart and number one for two weeks on the R&B Singles charts on August 14 through to August 27, 1971. The distinctive percussive sound heard on the track was a wood block struck by a rubber mallet, drenched in studio reverb. The song also brought Gaye one of his rare appearances on the Adult Contemporary chart, where it peaked at number 34. In Canada, "Mercy Mercy Me" spent two weeks at number 9.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"The Tracks of My Tears" is a song written by Smokey Robinson, Pete Moore, and Marv Tarplin. It is a multiple award-winning 1965 hit R&B song originally recorded by their group, The Miracles, on Motown's Tamla label. The Miracles' million-selling original version has been inducted into The Grammy Hall of Fame, has been ranked by the Recording Industry Association of America and The National Endowment for the Arts at No. 127 in its list of the "Songs of the Century" – the 365 Greatest Songs of the 20th Century, and has been selected by Rolling Stone as No. 50 on its list of "The 500 Greatest Songs of All Time", among many other awards. In 2021, Rolling Stone ranked The Miracles' original recording of "The Tracks of My Tears" as "The Greatest Motown Song of All Time."
"I Write the Songs" is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976.
"You Should Be Dancing" is a song by the Bee Gees, from the album Children of the World, released in 1976. It hit No. 1 for one week on the American Billboard Hot 100, No. 1 for seven weeks on the US Hot Dance Club Play chart, and in September the same year, reached No. 5 on the UK Singles Chart. The song also peaked at No. 4 on the Billboard Soul chart. It was this song that first launched the Bee Gees into disco. It was also the only track from the group to top the dance chart.
"Looks Like We Made It" is a song by American singer Barry Manilow, from his 1976 album This One's for You, composed by Richard Kerr with lyrics by Will Jennings. The single was released April 20, 1977.
"Play That Funky Music" is a song written by Rob Parissi and recorded by the band Wild Cherry. The single was the first released by the Cleveland-based Sweet City record label in April 1976 and distributed by Epic Records. The performers on the recording included lead singer Parissi, electric guitarist Bryan Bassett, bassist Allen Wentz, and drummer Ron Beitle, with session players Chuck Berginc, Jack Brndiar (trumpets), and Joe Eckert and Rick Singer (saxes) on the horn riff that runs throughout the song's verses. The single hit No. 1 on the Billboard Hot 100 on September 18, 1976; it was also No. 1 on the Billboard Hot Soul Singles chart. The single was certified platinum by the Recording Industry Association of America for shipments of over 2 million records and eventually sold 2.5 million in the United States alone.
"Evil Woman" is a song written by lead vocalist Jeff Lynne and recorded by Electric Light Orchestra (ELO). It was first released on the band's fifth album, 1975's Face the Music.
"Take It to the Limit" is a song by the Eagles from their fourth album One of These Nights from which it was issued as the third single on November 15, 1975. It reached No. 4 on the U.S. Billboard Hot 100 and was also the Eagles' greatest success to that point in the UK, going to No. 12 on the charts. Billboard ranked it as the No. 25 song for 1976.
"Baby, I Love Your Way" is a song written and performed by English singer Peter Frampton, released as a single in September 1975. It first featured on Frampton's 1975 album, Frampton, where it segues from the previous track "Nassau".
"Silver Star" is the lead song on the Four Seasons album Who Loves You. As was the case of all the songs on the LP, it was written by Bob Gaudio and Judy Parker and produced by Gaudio. Drummer Gerry Polci sang lead. Frankie Valli's contribution was limited to harmony vocals, since he was gradually losing his hearing in the 1970s due to otosclerosis. An operation restored most of Valli's hearing in the 1980s.
"Show Me the Way" is a song by the English rock musician Peter Frampton. Originally released in June 1975 as the lead single from his fourth studio album Frampton, it gained popularity after being recorded live and released in February 1976 as the lead single from his live album Frampton Comes Alive! In the US, the song reached number 6 on the Billboard Hot 100 and number 10 on the UK Singles Chart, becoming his biggest US hit until "I'm in You" in 1977.
"There'll Be Sad Songs (To Make You Cry)" is a song by English singer Billy Ocean from his sixth studio album, Love Zone (1986). The song was written and produced by Wayne Brathwaite and Barry Eastmond; Ocean was also credited as a co-writer for the song. The song reached number one on the Billboard Hot 100 for the week beginning 5 July 1986, where it remained for one week, becoming the 600th song to ascend to that position. It also topped the adult contemporary and R&B charts in the United States that same summer.
"I'm Sorry" is a song written and recorded by American country-folk singer-songwriter John Denver. Released in 1975, it was his final number-one pop hit released during his career.
"I'd Really Love to See You Tonight" is a song written by Parker McGee and recorded by England Dan & John Ford Coley from their 1976 album Nights Are Forever. It eventually peaked at No. 2 on the Billboard Hot 100 chart for two weeks, behind Wild Cherry's "Play That Funky Music" and No. 1 on the Easy Listening chart. Billboard ranked it as the No. 21 song for 1976. It also reached No. 26 on the UK Singles Chart.
"Back Home Again" is a popular song written and performed by the American singer-songwriter John Denver. "Back Home Again" was released as a single from his album of the same name in 1974.
"Looking for Space" is a popular song written and performed by the American singer-songwriter John Denver. Released as a single from his album Windsong, "Looking for Space" peaked at No. 29 on the Billboard Hot 100 in April 1976. On the easy listening chart, the song reached No. 1 to become his seventh to top that chart.
"Love So Right" is an R&B ballad recorded by the Bee Gees. It was the second single released on the album Children of the World.
"Love Really Hurts Without You" is a song recorded by British R&B recording artist Billy Ocean. The song – written by Ocean under his real name Leslie Charles with the track's producer Ben Findon – was the second single recorded in the name Billy Ocean and provided Ocean with his first chart record in 1976.
"So Sad (To Watch Good Love Go Bad)" is a song written by Don Everly, which was released by The Everly Brothers in 1960. The song was later a country hit for multiple artists in the 1970s and 80s.
References
- ↑ "CashBox Singles Reviews" (PDF). Cash Box. September 4, 1976. p. 20. Retrieved December 11, 2021.
- ↑ "Hits of the Week" (PDF). Record World. September 4, 1976. p. 1. Retrieved March 4, 2023.
- Whitburn, Joel (1996). The Billboard Book of Top 40 Hits, 6th Edition (Billboard Publications)
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