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In typography, a font superfamily or typeface superfamily is a font family containing fonts that fall into multiple classifications. [1]
The norm in a superfamily is to start from an identical character shape; class-specific features such as serifs are added to that shape. The result is a set of fonts with a similar appearance that belong to different classes such as sans, serif, slab serif, rounded. [2] [3]
Superfamilies may include fonts grouped together for a common purpose that are not exactly complementary in letterform structure. They can allow organizations to expand their image and style while maintaining stylistic consistency. For example, BBC Reith font superfamily was commissioned by the BBC in 2018 to facilitate 'typographic expression' and consists of three styles (condensed, sans, serif) as well as a multitude of weights. [4] [5]
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque, § Neo-grotesque, § Geometric, § Humanist, and § Other or mixed.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Helvetica, also known by its original name Neue Haas Grotesk, is a widely-used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.
Erik Spiekermann is a German typographer, designer and writer. He is an honorary professor at the University of the Arts Bremen and ArtCenter College of Design.
Lucida is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid'.
Roboto is a neo-grotesque sans-serif typeface family developed by Google as the system font for its mobile operating system Android, and released in 2011 for Android 4.0 "Ice Cream Sandwich".
In typography, a slab serif typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular (Rockwell), or rounded (Courier). Slab serifs were introduced in the early nineteenth century.
DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications.
FF Scala is an old-style serif typeface designed by Dutch typeface designer Martin Majoor in 1991 for the Muziekcentrum Vredenburg in Utrecht, the Netherlands. The FF Scala font family was named for the Teatro alla Scala (1776–78) in Milan, Italy. Like many contemporary Dutch serif faces, FF Scala is not an academic revival of a single historic typeface but shows influences of several historic models. Similarities can be seen with William Addison Dwiggins' 1935 design for the typeface Electra in its clarity of form, and rhythmic, highly calligraphic italics. Eric Gill's 1931 typeface Joanna, with its old style armature but nearly square serifs, is also similar in its nearly mono-weighted stroke width.
Joanna is a serif typeface designed by Eric Gill (1882–1940) from 1930 to 1931 that was named for one of his daughters. Gill chose Joanna for setting An Essay on Typography, a book by Gill on his thoughts on typography, typesetting and page design. He described it as "a book face free from all fancy business".
Generis is the name of a typeface designed by type designer Erik Faulhaber. Generis was first published in November 2006 by Linotype.
Droid is a font family first released in 2007 and created by Ascender Corporation for use by the Open Handset Alliance platform Android and licensed under the Apache License. The fonts are intended for use on the small screens of mobile handsets and were designed by Steve Matteson of Ascender Corporation.
Martin Majoor is a Dutch type designer and graphic designer. As of 2006, he had worked since 1997 in both Arnhem, Netherlands, and Warsaw, Poland.
The Public Type or PT Fonts are a family of free and open-source fonts released from 2009 onwards, comprising PT Sans, PT Serif and PT Mono. They were commissioned from the design agency ParaType by Rospechat, a department of the Russian Ministry of Communications, to celebrate the 300th anniversary of Peter the Great's orthography reform and to create a font family that supported all the different variations of Cyrillic script used by the minority languages of Russia, as well as the Latin alphabet.
Open Sans is an open source humanist sans-serif typeface that was designed by Steve Matteson under commission from Google. It was released in 2011 and is based on his earlier design called Droid Sans, which was specifically created for Android mobile devices but with slight modifications to its width.
Noto is a free font family comprising over 100 individual computer fonts, which are together designed to cover all the scripts encoded in the Unicode standard.As of November 2024, Noto covers around 1,000 languages and 162 writing systems. As of October 2016, Noto fonts cover all 93 scripts defined in Unicode version 6.1, although fewer than 30,000 of the nearly 75,000 CJK unified ideographs in version 6.0 are covered. In total, Noto fonts cover over 77,000 characters, which is around half of the 149,186 characters defined in Unicode 15.0.
San Francisco is a neo-grotesque typeface made by Apple Inc. It was first released to developers on November 18, 2014. It is the first new typeface designed at Apple in nearly twenty years and has been inspired by Helvetica and DIN.
IBM Plex is an open source typeface superfamily conceptually designed and developed by Mike Abbink at IBM in collaboration with Bold Monday to reflect the design principles of IBM and to be used for all brand material across the company internationally. Plex replaces Helvetica as the IBM corporate typeface after more than fifty years, freeing the company from extensive license payments in the process.