For My Best Family

Last updated

For My Best Family
Artist
Year2024
Medium
Location Fondazione Prada, Milan

For My Best Family was a 2024 art exhibition by Meriem Bennani and Orian Barki, funded by the Milan host facility Fondazione Prada. Developed over a two-year period, it featured two components on different levels of the Prada, a mechanical installation named Sole Crushing and a computer-animated film entitled For Aicha. The latter revisited the universe of Bennani and Barki's 2020 web series 2 Lizards , and was the first animated feature produced in Morocco.

Contents

The exhibition ran at the Prada premises between 31 October 2024 and 24 February 2025, and was well-received by Italian outlets. Both portions of Family resurfaced as separate attractions in late 2025: an extended version of Aicha which received festival release as the retitled Bouchra , and a standalone edition of Sole Crushing that debuted in Paris.

Overview

For My Best Family was held across two levels of Milan's Fondazione Prada during its run. The ground floor was occupied by a mechanical installation named Sole Crushing , while the upstairs Cinema Godard section on the first floor showed a computer-animated film entitled For Aicha. [1] [2] [3]

Sole Crushing comprised no fewer than 190 flip-flops laid out across six platforms, [2] [4] which "slap against panels, creating a riotous, polyphonic composition and choreography....Most of them face a small, central podium bearing a single pair of flip-flops whose slapping movements are occasionally isolated, creating a sense of conversation between an individual and a crowd." [2] For Aicha—the 73-minute progenitor of what became Bouchra [5] [6] [7] —told the story of a 35-year-old queer Moroccan canid filmmaker [8] [9] [a] coming to terms with her sexuality and career through a series of phone calls to her Casablanca mother. [11] Sole Crushing's sound played during Aicha, particularly during the plot's "points of tension": "As the two main characters reach their resolution, so does the composition of the footwear when they finish their symphony." [14]

Development

With funding from the Fondazione Prada, Meriem Bennani worked on For My Best Family over a two-year period, [15] with different collaborators on each portion: Sole Crushing featured Reba Senhaji (a musician performing as Cheb Runner), [2] [16] [17] while For Aicha reunited her with creative partner Orian Barki (with whom she co-created the 2020 web series 2 Lizards ). [8] All three were natives of the Middle East and North Africa (MENA) region: Bennani and Runner from Morocco, [17] [18] and Barki from Tel Aviv, Israel. [19] In response to Prada's development deal, Bennani insisted that the exhibition include a feature film. [20]

Family was Bennani's "first solo exhibit in an Italian institution." [4] In Prada's promotion, she discussed the two components thus:

"[O]ne of the central themes of For My Best Family is knowing how to be together, wondering where a person begins and ends. The film focuses on a mother and daughter learning to be together, while in the installation the concept is more abstract and refers to collectivity in a broader sense, nonverbal moments of encounter in which there seems to be a force that takes the form of a multiform body. Like a puppet, the multitude becomes a single thing, a single voice, a single way of acting, and everyone knows exactly what they have to do at that moment, rhythmically or singing, for example how to use their bodies and stomp their feet. I like to use animation as a means of questioning togetherness and what it means to be alive." [21]

For Aicha was the first animated feature produced in Morocco, [12] and was set in the same universe as 2 Lizards. [2] Nearly 20 crew members in New York City animated the film on the Blender platform [6] [12] under a budget [12] and 112-year deadline; [22] motion capture was also used. [22] Online videos of fans at Casablanca football matches served as Bennani's inspiration for Sole Crushing. [20]

Another 2 Lizards crew member, Flavien Berger, worked on the music in Aicha. [20] Influenced by Berber customs [23] and based on his initial perception of the characters, [24] Berger's score would eventually bring Who Framed Roger Rabbit to mind for Bennani and Barki. [24] Runner composed the cues heard in Aicha's Casablanca radio broadcasts; [20] he and Bennani also wrote the 45-minute backing track for Sole Crushing. [2] [16]

Themes

The two components of Family "explore the centrality of human relationships, whether familial or collective," [25] and "seek to understand the dynamics of being connected, like a family," [14] while also recalling the artistic traits of early 20th-century animation. [4] Both use breathing as a metaphorical motif: [4] Sole Crushing uses pneumatic pumps, [4] while Aicha's protagonist Bouchra takes shots of Ventolin to cope with her asthma symptoms. [4] [26] A writer for Italy's designboom noted the mutual relationships present in both components: Bouchra depends on Aicha, while the shoes depend on the pneumatic system that operates them. [14]

The exhibition's title is referenced in one of the film's last lines, spoken by Bouchra's aunt: [27] "I am really good because I am here with my best family." [5] Bennani admitted that this sentence "is grammatically incorrect" in English, but she and the Aicha team left it in the dialogue since it is open to interpretations by the viewer. [5]

Tenure

For My Best Family received its earliest mention in a late January 2024 article on Italian art site RED•EYE. [28] The names of Family's two components were revealed in Mexico's Noir Magazine by late July, [29] and Italy's Artribune the following month. [30] Following a preview on 30 October, [6] [31] the Fondazione Prada held Bennani and Barki's exhibit between 31 October 2024 and 24 February 2025. [30] [b]

Reception

Family was well-received by Italian arts outlets. The staff of Gilt Magazine said on its opening day, "If you are passionate about contemporary art or simply curious, [this exhibition] offers a must-see opportunity to explore the new boundaries of art and visual storytelling." [32] Laura McLean-Ferris of Mousse magazine wrote, "Sole Crushing is a moving, thrilling piece of work, but gains even more nuance from its pairing with For Aicha." [2] Ilaria Introzzi of Espoarte called Family "an act of love by the Moroccan artist [Bennani], towards herself and visitors. She devotes herself to both portions, free of towering complications." [33] Near the end of its run, Jace Clayton of 4Columns approved of its welcoming atmosphere despite the Prada building's "austere and unwelcoming" design. [34]

Legacy

In late 2025, the two components of For My Best Family resurfaced separately across different venues. [20] An extended 83-minute edit of For Aicha entered the festival circuit under a new name, Bouchra, [5] [7] [35] [36] while Sole Crushing was relaunched in a different configuration at Paris' Lafayette Anticipations on 22 October. [37] [38]

Notes

  1. Depending on the source, Bouchra has been described as a jackal (during the 2024 Prada release) [1] [8] [10] or coyote (during the 2025 festival run). [9] [11] [12] [13]
  2. Prada's official page listed 26 February as the intended end date. [21]

References

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  2. 1 2 3 4 5 6 7 McLean-Ferris, Laura (2 December 2024). "Reviews: Meriem Bennani, 'For My Best Family' at Fondazione Prada, Milan". Mousse Magazine. Archived from the original on 13 January 2025. Retrieved 6 November 2025.
  3. Muraben, Billie (28 November 2024). "Art Review: Breathing to Life: Meriem Bennani at Fondazione Prada". Canvas Online. Archived from the original on 6 August 2025. Retrieved 6 November 2025.
  4. 1 2 3 4 5 6 Baranello, Alessia (7 November 2024). "Il cinema d'animazione è una storia di resistenza politica". Lampoon Magazine (in Italian). Retrieved 6 November 2025.
  5. 1 2 3 4 Caravita, Irene (31 October 2024). "Le ciabatte danzanti e il 'film nel film' di Meriem Bennani in Fondazione Prada: ecco perché la mostra dell'artista marocchina è imperdibile". Architectural Digest Italia (in Italian). Edizioni Condé Nast s.p.a. Archived from the original on 16 January 2025. Retrieved 6 November 2025.
  6. 1 2 3 Kamegawa, Annalise (3 November 2024). "Feature · For My Best Family, Meriem Bennani at Fondazione Prada". NR. WhiteCirc Ltd. Archived from the original on 15 July 2025. Retrieved 6 November 2025.
  7. 1 2 Wilk, Elvia (1 October 2025). "Scripting Intimacy: Meriem Bennani and the Art of Animating Reality". Hyundai Artlab. Retrieved 6 November 2025.
  8. 1 2 3 Tan, Lumi (2024). "Meriem Bennani". CURA. Vol. 43. Retrieved 6 November 2025.
  9. 1 2 Garcia, Lawrence (16 September 2025). "Bouchra — Orian Barki & Meriem Bennani [TIFF '25 Review]". In Review Online. Retrieved 6 November 2025.
  10. Nouri, Selma (19 December 2024). "Art & Photography: Nothing is silly to Meriem Bennani". Dazed MENA. Archived from the original on 5 August 2025. Retrieved 6 November 2025.
  11. 1 2 Mobarak, Jared (5 September 2025). "TIFF Review: Bouchra is an Aesthetically Bold, Personal Animation". The Film Stage. Archived from the original on 6 September 2025. Retrieved 6 November 2025.
  12. 1 2 3 4 Lang, Jamie (5 September 2025). "'Spit and Duct Tape and Dreams': How a Small Global Team Built the Queer CG Feature 'Bouchra,' Premiering in Toronto". Cartoon Brew . Archived from the original on 8 September 2025. Retrieved 6 November 2025.
  13. Birnam, J Don (7 October 2025). "Could 'Bouchra' Qualify for Best Animated Feature? A Look at the Moroccan Film That Blurs the Line Between Live Action and Animation". Next Best Picture. Retrieved 6 November 2025.
  14. 1 2 3 burgos, matthew (30 October 2024). "mechanized flip-flops beat their 'drums' in meriem bennani's exhibition at fondazione prada". designboom . DAAily platforms AG. Retrieved 7 November 2025.
  15. "Exhibitions: Meriem Bennani 'For My Best Family' at Fondazione Prada, Milan". Mousse Magazine. 18 November 2024. Archived from the original on 2 December 2024. Retrieved 6 November 2025.
  16. 1 2 Luquet-Gad, Ingrid (20 October 2025). "Numéro Art: L'artiste Meriem Bennani dirige un orchestre de sandales à Lafayette Anticipations". Numéro (in French). Retrieved 6 November 2025.
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  18. Kaabi, Amina (16 October 2025). "Culture: Meriem Bennani Has a Way with Reality". GQ Middle East . Retrieved 6 November 2025.
  19. Katz, David (10 September 2025). "Toronto 2025 Platform — Review: Bouchra". Cineuropa . MEDIA (Creative Europe). Archived from the original on 11 September 2025. Retrieved 6 November 2025.
  20. 1 2 3 4 5 Mang, Lolita (21 October 2025). "À Paris, cette exposition gratuite va vous donner envie… de danser !". Vogue France (in French). Retrieved 6 November 2025.
  21. 1 2 "Milano: For My Best Family (Meriem Bennani)". Fondazione Prada (in Italian). 31 October 2024. Archived from the original on 9 October 2025. Retrieved 6 November 2025.
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  23. Boisteault, Jeanne (18 October 2025). "[#Nous avons vu] BOUCHRA". #HASHTAG INFOS (in French). Campus Universitaire de La Roche-sur-Yon. Retrieved 6 November 2025.
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  28. Cappelletti, Gloria Maria (26 January 2024). "2024 at Fondazione Prada: Your Complete Guide to This Year's Highlights — Meriem Bennani's Visionary Art: A Fusion of Animation and Installation at Fondazione Prada Milan". RED•EYE Metazine. Milan. Archived from the original on 6 August 2025. Retrieved 6 November 2025.
  29. Escobar, Isamar (30 July 2024). "Arte y Cultura: Fondazione Prada presenta exposición de Meriem Bennani 'For My Best Family'". NOIR. (in Spanish). The Fashion Group. Archived from the original on 6 September 2025. Retrieved 6 November 2025.
  30. 1 2 Giaume, Giulia (7 August 2024). "Realismo magico, umorismo e animali antropomorfi. Meriem Bennani sarà in mostra da Fondazione Prada a Milano". Artribune (in Italian). Archived from the original on 14 September 2024. Retrieved 6 November 2025.
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  32. "Meriem Bennani a Fondazione Prada con 'For My Best Family'". Gilt Magazine (in Italian). Kalani srl. 31 October 2024. Archived from the original on 22 May 2025. Retrieved 6 November 2025.
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  34. Clayton, Jace (24 January 2025). "Visual Art — Meriem Bennani: A show at the Fondazione Prada in Milan renders visceral the pleasures of pure percussion". 4Columns. Archived from the original on 24 June 2025. Retrieved 7 November 2025.
  35. Zilko, Christian (7 August 2025). "NYFF Reveals 2025 Currents Lineup, Including New Films by Tsai Ming-liang and Radu Jude". IndieWire . Archived from the original on 11 August 2025. Retrieved 6 November 2025.
  36. Keogan, Natalia (29 September 2025). "'We Knew This Chemistry Is Something That We Could Count On': Meriem Bennani and Orian Barki on Bouchra". Filmmaker Magazine . The Gotham. Retrieved 6 November 2025.
  37. Laurent de Sortiraparis (21 October 2025). "Sole Crushing by Meriem Bennani: our photos of the immersive installation at Lafayette Anticipations". Sortir à Paris. Retrieved 6 November 2025.
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Bibliography