For Those We Love | |
---|---|
Directed by | Arthur Rosson |
Written by | Arthur Rosson |
Story by | Perley Poore Sheehan |
Produced by | Betty Compson |
Starring | Betty Compson Lon Chaney Richard Rosson |
Cinematography | Harold Rosson |
Distributed by | Goldwyn Pictures |
Release date | |
Running time | 6 reels; 5,752 feet |
Country | United States |
Language | Silent (English intertitles) |
For Those We Love is a 1921 American silent romantic drama film produced by and starring Betty Compson, and featuring Lon Chaney and Richard Rosson. Written and directed by Arthur Rosson, the film was based on a story by Perley Poore Sheehan (who later co-wrote the script for Chaney's The Hunchback of Notre Dame . The film was distributed by Goldwyn Pictures. [3] [4] Some sources list the release date as being in March 1921. This is unlikely since the film was only copyrighted in July, but the exact release date has not been confirmed. [5] It is now considered a lost film. [6] A still exists showing Chaney holding the heroine. [7]
Beatrice Arnold (Betty Compson) cares for her father George and her younger brother Jimmy (Richard Rosson). She is saved from drowning by a local card shark named Trix Ulner (Lon Chaney) who decides to pursue her romantically, much to the chagrin of her longtime sweetheart, Johnny Fletcher.
Beatrice is shocked to learn that Jimmy's been embezzling funds from their dad to pay off his gambling debts to a crook named Frank (Frank Campeau). Beatrice enlists Ulner's aid to get back the money. Ulner and Jimmy plot to steal the money from Frank's house, but during the robbery, Jimmy is shot dead by Frank.
To save Jimmy's reputation, Ulner blackmails Frank into telling the authorities that Jimmy was killed protecting Frank from the burglar. At the end of the film, Beatrice marries her sweetheart, Johnny Fletcher. Trix Ulner decides to give up his unsavory ways.
"The reason that this was the final production that the star [Compson] made in the role of producer is easily apparent to those that view it. It is without doubt one of the most incoherent stories that has been screened in a long, long time. Miss Compson has a corking company supporting her, which includes Lon Chaney and others of equal note, but even they cannot pull the picture through...The direction was draggy and wearisome from beginning to end and it did not move the story forward at all. This is a good one to pass up." --- Variety [8]
"Among other good characterizations is that of Lon Chaney as the gambler, who would have an easy chance to over-act, but who cleverly avoids this. The picture should make money for the exhibitor." ---Moving Picture World
"There is just enough variety of situation and climax to this melodrama to carry it away from conventional channels. (Chaney's) gift for pathos is keenly emphasized. When he rescues the girl from various dangers, he inspires the greatest sympathy." --- Motion Picture News [9]
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
The Monster is a 1925 American silent horror comedy film directed by Roland West, based on the stage play of the same name by Crane Wilbur, and starring Lon Chaney and comedian Johnny Arthur. The screenplay was written by Willard Mack and Albert Kenyon. It is remembered as an early prototype "old dark house" movie, as well as a precedent to a number of horror film subgenres such as mad scientists with imbecilic assistants. Some sources list the film's release date as March 1925 while others say February.
The Miracle Man is a 1919 American silent drama film starring Lon Chaney and based on a 1914 play by George M. Cohan, which in turn is based on the novel of the same title by Frank L. Packard. The film was released by Paramount Pictures, directed, produced, and written by George Loane Tucker, and also stars Thomas Meighan and Betty Compson. The film made overnight successes of the three stars, most notably putting Chaney on the map as a character actor.
The Trap is a 1922 American silent Western film directed by Robert Thornby and starring Lon Chaney and Alan Hale. It was released by Universal Pictures. The film was released in the United Kingdom under the title Heart of a Wolf. One working title for the film was Wolfbreed. The film was re-released in the U.S. in 1926.
Danger, Go Slow is a 1918 American silent comedy film directed by Robert Z. Leonard, and starring Mae Murray, Jack Mulhall and Lon Chaney. Robert Z. Leonard and Mae Murray co-wrote the screenplay together. The film is today considered lost.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Bloodhounds of the North is a 1913 American silent short drama film directed by Allan Dwan and starring Murdock MacQuarrie, Pauline Bush, and Lon Chaney. The film is now considered lost. Some sources state the film was edited down to one reel and re-released theatrically in 1916 as Accusing Evidence, but this is disputed.
The Lie is a 1914 American silent short western drama film directed by Allan Dwan and featuring Murdock MacQuarrie, Pauline Bush, and Lon Chaney. The film is now considered lost. A still exists from the film showing Chaney as "Young MacGregor".
The Old Cobbler is a 1914 American silent drama film directed by Murdock MacQuarrie. The film features Murdock MacQuarrie, Richard Rosson, Agnes Vernon and Lon Chaney. The Old Cobbler was MacQuarrie's debut film as a director. The film is now considered to be lost.
The Hopes of Blind Alley is a 1914 American silent drama film directed by Allan Dwan and featuring Murdock MacQuarrie, Pauline Bush and Lon Chaney. A still exists showing Lon Chaney as the Italian statuette vendor. The film is now considered to be lost.
By the Sun's Rays is a 1914 American short silent Western film directed by Charles Giblyn and featuring Lon Chaney and Murdock MacQuarrie. It is one of the earliest surviving films of Lon Chaney, with several prints existing in private film collections and a video release in 1995. A still from the film exists showing Lon Chaney in the role of the villainous "Frank Lawlor".
Richelieu is a 1914 American silent historical drama film written and directed by Allan Dwan, based on the play Richelieu written by Edward Bulwer-Lytton. It featured Lon Chaney, Murdock MacQuarrie and Pauline Bush. This was Allan Dwan's last film for Universal, as he moved to New York afterward to work at the Famous Players Company and married his lead actress Pauline Bush in 1915.
Lights and Shadows is a 1914 American silent drama film directed by Joe De Grasse, starring Tom Forman, Pauline Bush and Lon Chaney. The screenplay was written by Ida May Park. A still exists showing Lon Chaney as Bentley, just before he deserts his wife in the film. The picture is now considered to be a lost film.
Her Escape is a 1914 American silent drama film directed by Joe De Grasse and featuring Lon Chaney and Pauline Bush. Lon Chaney not only acted in this film, he also wrote the screenplay. The Blake book on Chaney states the film was actually released earlier on December 13, 1914, but all other sources say December 27. The film is now considered to be lost.
A Small Town Girl was a 1914 American silent drama film directed by Allan Dwan and featuring Lon Chaney, Pauline Bush and Rupert Julian. The film is now considered to be lost.
The Grind is a 1915 American silent drama film directed by Joe De Grasse, written by Ida May Park, and featuring Lon Chaney, Pauline Bush and Queenie Rosson. The film is now considered to be lost. The film was released in England as On The Verge of Sin. A still exists showing Lon Chaney in the role of Henry Leslie.
Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley, based on the Leroy Scott novel The Night Rose. The film took more than 9 months to be released due to a controversy over the proposed title and the film's abundance of gunplay. The film was retitled Voices of the City and was only released in December 1921, although it had been completed in early March. The film is still listed under The Night Rose in some reference sources.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
Prisoners of Love is a lost 1921 American silent drama film produced by and starring Betty Compson and distributed by Goldwyn Pictures. It was directed by Arthur Rosson and was Compson's first film after a year's hiatus from film making.
Killer at Large is a 1936 American mystery film directed by David Selman from a script by Harold Shumate. The film stars Mary Brian, Russell Hardie, Thurston Hall and Henry Brandon as the villain, Mr. Zero. Lon Chaney Jr. appears in a small uncredited role.