Forget Me Not | |
---|---|
Directed by | W. S. Van Dyke |
Written by | Henry Roberts Symonds (story) John B. Clymer (adaptation) |
Produced by | Louis Burston |
Starring | Bessie Love Gareth Hughes |
Cinematography | Arthur L. Todd |
Distributed by | Metro Pictures |
Release date |
|
Running time | 6 reels; [1] 6,800 feet [2] |
Country | United States |
Language | Silent (English intertitles) |
Forget Me Not, also known as Forget-Me-Not, [3] [4] is a 1922 American silent melodrama film directed by W. S. Van Dyke and distributed by Metro Pictures. The film starred Bessie Love and Gareth Hughes. It is considered a lost film. [1] [5] [6]
Young mother Mary Gordoon (Hunt) is too poor to take care of her infant daughter, and leaves the child at orphanage. The girl, Ann (Love) grows up with a crippled leg in the orphanage, and has fallen in love with a fellow orphan Jimmy (Hughes). The mother returns to the orphanage after 15 years to adopt her daughter, but believing her daughter to have been adopted by someone else already, she adopts Jimmy instead.
Ann is eventually adopted by a sidewalk musician (Lederer), who teaches her to play the violin. When Jimmy marries another girl, Ann plays at his wedding. Many years later, after Jimmy's wife dies, the pair are reunited. [2] [7] [8] [9]
Director W. S. Van Dyke was unhappy about the casting of Bessie Love in the lead, whom he had not chosen. [10]
In preparation for her role, Love lived at an orphanage for two weeks. [11]
Scenes were filmed at the Crooked Tree in Arch Beach, Laguna. [12]
The song "A Million Hearts Are Calling: Forget Me Not" with words and music by Billy Baskette and Ernest Lutz, was composed and published for the film. [13] [14]
The film received generally positive reviews [15] [16] and was commercially successful. [3] [4] According to The Evening Mail, the film "is a fine, clean, beautiful picture… told with such depth of understanding and with entire lack of artificiality that it strikes its note of appeal as few films that have… It is blessed with a cast that could not be improved upon." The Daily News said, "Few who see this little screen drama will not soon forget its sweetness and charm." [2] [7] The New York Times was critical of the film, deeming that it had only "one genuinely poignant moment." [17]
Of the performances, those of Love and Hunt, in particular, were praised. [3] [9] [15] [16] The New York Times reviewer wrote of Hughes's performance that "it is always a pleasure to watch him" and that Love was "sometimes remarkably effective, though occasionally she simpers in an annoying manner". [17]
Juanita Horton, better known as Bessie Love, was an American-British actress who achieved prominence playing innocent, young girls and wholesome leading ladies in silent and early sound films. Her acting career spanned nearly seven decades—from silent film to sound film, including theatre, radio, and television—and her performance in The Broadway Melody (1929) earned her a nomination for the Academy Award for Best Actress.
Gareth Hughes was a Welsh stage and silent screen actor. Usually cast as a callow, sensitive hero in Hollywood silent films, Hughes got his start on stage during childhood and continued to play youthful leads on Broadway.
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Deserted at the Altar is a 1922 American silent film melodrama directed by William K. Howard and produced by Phil Goldstone Productions. It stars Bessie Love and Tully Marshall.
Three Who Paid is a 1923 American silent Western film directed by Colin Campbell, and starring Dustin Farnum, with Bessie Love and Frank Campeau. The film was based on the 1922 short story by George Owen Baxter, and was produced and distributed through Fox Film.
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Mary of the Movies is a 1923 American silent semi-autobiographical comedy film based on the career of Marion Mack. It was written by Mack and her husband Louis Lewyn, and stars Mack and Creighton Hale. Hale and director John McDermott play fictionalized versions of themselves in the film, which was also directed by McDermott.
Eyes of The Totem is a 1927 silent film directed by W.S. Van Dyke. It was one of three films produced by H.C. Weaver Studios in Tacoma, Washington between 1924-1928. Long considered lost, Eyes of the Totem is the only known surviving film of the three. It was rediscovered in a New York City film vault in 2014. The film re-premiered with a new original score at the Rialto Theatre in Tacoma in September 2015.