Four Faultless Felons is a collection of stories by G. K. Chesterton, comprising four mystery novelettes connected by the theme of persons assumed to be criminals, who are paradoxically not so. Published in 1930 in London by Cassell and in New York by Dodd, Mead & Co., it was the final collection of mystery stories that appeared during Chesterton's lifetime.
The stories were originally published individually. "The Moderate Murderer" and "The Ecstatic Thief" appeared in Cassell's Magazine in April and September 1929, and "The Honest Quack" and "The Loyal Traitor" in the July 1929 and May 1930 editions of The Story-Teller . Chesterton added the prologue and epilogues for the book release to connect the four narratives. [1] [2]
Mr. Hume confesses to the attempted murder of Lord Tallboys.
Concerning Dr. Judson and an alleged fraud.
A thief is caught breaking into the Nadaway family safe.
Portents of revolution stir in the land of Pavonia.
The novel was critically well-received upon its publication, with praise for Chesterton's wit, unique creative style and profound themes, intermixed with an unusual approach to detective fiction. [3] [4] [5] [6] [7] [8] [9] [10] [11]
Critic Ralph Straus in The Sunday Times called it an "exhilarating" book, though not quite Chesterton's best. [12] The Yorkshire Post meanwhile compared the novel to the Father Brown stories, but longed for a similar grounding force in the narrative. [13]
Though the majority of reviews were positive, some criticized the collection. Cecil Roberts found the stories entertaining, though confusing with weak denouements. [14] The Northern Whig and Belfast Post felt let down by plot inconsistencies. [15] Truth claimed the novel bordered on self-parody, as it was similar in style to other Chesterton works but less inventive. [16] Gerald Gould in The Observer provided a negative view, objecting to the "trick" of Chesterton's paradoxical plots. [17]
In the United States, the book was also well-received. Critic Will Cuppy singled out "The Honest Quack" for particular praise, and Bruce Rae in the New York Times was likewise enthusiastic. [18] [19]
The novel was reprinted in 1962 by Darwen Finlayson, a "recommended reprint" by The Guardian's Richard West [20]
More recently, scholar Ian Boyd described Four Faultless Felons as a blend of The Club of Queer Trades and The Man Who Was Thursday. Its protagonists were very similar to other Chesterton characters, Boyd observed, "artist-poets whose apparent madness is the true norm of sanity." Political and social issues reflected in the text did not cohere into a clear perspective, and Catholicism and Distributism, major through-lines of Chesterton's thought, were not clearly represented, though the novel's reflection on post-war society was filled with Chesterton's preoccupations at the time. Themes included parables of modern imperialism and social revolution, yet lacked specific calls to action. Boyd considered the work to be extremely well constructed, albeit ultimately without a true thematic unity. [21]
Chesterton expert Dale Ahlquist, on the other hand, found great profundity in the stories, comparing them to Manalive and The Club of Queer Trades. "Lovely little mysteries with a twist...he has sewn an intricate tapestry with the minimum number of stitches." [22]
Martin Gardner diverged from Ian Boyd's critique, finding Chesterton using the novel to express his views on the economic exigencies of capitalism and his lifelong fascination with how semblances of evil paradoxically mask true goodness, in keeping with his Distributist and Catholic philosophies. Gardner countered the criticism, often levied at Chesterton, that his plots were too unbelievable, asserting that the author viewed his narratives as "a form of ingenious play, written primarily for entertainment."
Gardner also pointed out out that the novel contains numerous Semitic tropes, speculating that those elements contributed to the book falling out of print and out of copyright in the United States. While such portrayals should not be excused, Gardner believed that there was nonetheless value to be gained from Chesterton's work. [23]
Gilbert Keith Chesterton was an English author, philosopher, Christian apologist, and literary and art critic.
Martin Gardner was an American popular mathematics and popular science writer with interests also encompassing magic, scientific skepticism, micromagic, philosophy, religion, and literature – especially the writings of Lewis Carroll, L. Frank Baum, and G. K. Chesterton. He was a leading authority on Lewis Carroll; The Annotated Alice, which incorporated the text of Carroll's two Alice books, was his most successful work and sold over a million copies. He had a lifelong interest in magic and illusion and in 1999, MAGIC magazine named him as one of the "100 Most Influential Magicians of the Twentieth Century". He was considered the doyen of American puzzlers. He was a prolific and versatile author, publishing more than 100 books.
Edmund Clerihew Bentley, who generally published under the names E. C. Bentley or E. Clerihew Bentley, was an English novelist and humorist, and inventor of the clerihew, an irregular form of humorous verse on biographical topics.
John Dickson Carr was an American author of detective stories, who also published using the pseudonyms Carter Dickson, Carr Dickson, and Roger Fairbairn.
The Man Who Was Thursday: A Nightmare is a 1908 novel by G. K. Chesterton. The book has been described as a metaphysical thriller.
Father Brown is a fictional Roman Catholic priest and amateur detective. He is featured in 53 short stories by English author G. K. Chesterton, published between 1910 and 1936. Father Brown solves mysteries and crimes using his intuition and keen understanding of human nature. Chesterton loosely based him on the Rt Rev. Msgr John O'Connor (1870–1952), a parish priest in Bradford, who was involved in Chesterton's conversion to Catholicism in 1922. Since 2013, the character has been portrayed by Mark Williams in the ongoing BBC television series Father Brown.
William Jacob Cuppy was an American humorist and literary critic, known for his satirical books about nature and historical figures.
Maurice Baring was an English man of letters, known as a dramatist, poet, novelist, translator and essayist, and also as a travel writer and war correspondent, with particular knowledge of Russia. During World War I, Baring served in the Intelligence Corps and Royal Air Force.
Orthodoxy is a 1908 book by G. K. Chesterton which he described as a "spiritual autobiography". It has become a classic of Christian apologetics.
This is a list of the books written by G. K. Chesterton.
The Golden Age of Detective Fiction was an era of classic murder mystery novels of similar patterns and styles, predominantly in the 1920s and 1930s. The Golden Age proper is in practice usually taken to refer to a type of fiction which was predominant in the 1920s and 1930s but had been written since at least 1911 and is still being written.
The Paradoxes of Mr. Pond is G. K. Chesterton's final collection of detective stories, published after his death in 1936. Of the eight mysteries, seven were first printed in the Storyteller magazine. The Unmentionable Man was unique to the book.
Philip MacDonald was a British-born writer of fiction and screenplays, best known for thrillers.
Albert Henry Ross, , was an English advertising agent and freelance writer known for writing the Christian apologetics book Who Moved the Stone? and And Pilate Said.
In a publishing career spanning 80 years (1930–2010), popular mathematics and science writer Martin Gardner (1914–2010) authored or edited over 100 books and countless articles, columns and reviews.
Dale Ahlquist is an American author and advocate of the thought of G. K. Chesterton. Ahlquist is the president and co-founder of the American Chesterton Society and the publisher of its magazine, Gilbert. He is also the co-founder of Chesterton Academy, a Catholic high school in Minneapolis.
Chesterton Academy is a private, co-ed, Catholic secondary school in Hopkins, Minnesota, United States. It is located in the Roman Catholic Archdiocese of Saint Paul and Minneapolis.
The Poet and the Lunatics: Episodes in the Life of Gabriel Gale is a 1929 work by G. K. Chesterton. It consists of a series of short stories about Gabriel Gale, who is a poet and painter. Every story involves another character who is mad in some way. The work is sometimes called a novel, and usually categorized as detective fiction.
Fancies Versus Fads is a 1923 book by G. K. Chesterton. Published by Dodd, Mead & Co., it is a collection of 30 of Chesterton's essays from the New Witness, the London Mercury, and The Illustrated London News. The essays are on various topics, described by the author as "ranging from lady barristers to cavemen, and from psychoanalysis to free verse."
The Return of Don Quixote is a novel by G. K. Chesterton. Published in 1927 by Chatto & Windus in London and by Dodd, Mead & Co. in New York, it was his final novel.