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Franklin Cox (born Charleston, Illinois, 1961) is an American composer, scholar, and cellist.
| This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
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Franklin Cox (born Charleston, Illinois, 1961) is an American composer, scholar, and cellist.
Cox studied with Brian Ferneyhough at the University of California, San Diego, and at the Darmstädter Ferienkurse. [1] He is currently (2020) associate professor of theory, composition, and cello at Wright State University. [2] His ongoing concert series, The New Cello, features his work in addition to other composers that explore new possibilities on the instrument through extended techniques and microtonality. [3] [4] ) Cox has also been co-editor of Search: Journal for New Music and Culture since its founding in 2007. [5] 3
Franklin Cox's work advances a range of features and concepts associated with "New Complexity; [6] his performances range widely between new music to classical and common-practice chamber works. Works with considerable recognition include Chronopolis, for solo flute (1988–89), [7] Di-remption, for solo percussionist (1993), [8] If on a Winter's Night ..., for solo clarinet (1988) [9] and a landmark series of solo string compositions: the Clairvoyance set for violin solo, with a version for cello (1989), and Recoil, for cello solo (1994), along with a range of cello etudes. [10] [11] [12] [13] Cox's cycle Spiegelgeschichte, for 24 Voices, was a commission from Südwestrunfunk (SWR), Germany (2009–2011). Its first performance was by SWR Chorus in Eclat 2011 festival, Stuttgart, Germany. [14]
Cox has an international reputation as a scholar and as an editor of scholarship, with particular attention to the European tradition of new music and associated practices in the Americas. In that vein his foci have tended toward conceptual approaches to musical form, [15] [16] [17] history, [18] [19] [20] aesthetics [21] [22] [23] [24] (and its cultural/ideological implications [25] [26] ); his is prolific reviewer of others' music and scholarship, [27] particularly on Elliott Carter. [28] [29] His analyses of, and scholarship about, Klaus Hübler, with James Avery, is the definitive lens on that subject. [30] His analyses of his own music have also achieved significant circulation and academic attention, though they are published exclusively in the context of his role as Search editor. There exists also a considerable body of scholarship on Cox's own work. [31] [32] His scholarship has been translated into German [33] and Italian. [34]
Helmut Friedrich Lachenmann is a German composer of contemporary classical music. Associated with the "instrumental musique concrète" style, Lachenmann is alongside Wolfgang Rihm as among the leading German composers of his time.
Brian John Peter Ferneyhough is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement. Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987.
Second modernity is a phrase coined by the German sociologist Ulrich Beck, and is his word for the period after modernity.
Klaus Huber was a Swiss composer and academic based in Basel and Freiburg. Among his students were Brian Ferneyhough, Michael Jarrell, Younghi Pagh-Paan, Toshio Hosokawa, Wolfgang Rihm, and Kaija Saariaho. He received the Ernst von Siemens Music Prize in 2009, among other awards.
New Complexity is a label principally applied to composers seeking a "complex, multi-layered interplay of evolutionary processes occurring simultaneously within every dimension of the musical material".
Franco Evangelisti was an Italian composer specifically interested in the scientific theories behind sound.
Emmanuel Nunes was a Portuguese composer who lived and worked in Paris from 1964.
Nicolaus A. Huber is a German composer.
Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period.
Hugo Becker was a prominent German cellist, cello teacher, and composer. He studied at a young age with Alfredo Piatti, and later Friedrich Grützmacher in Dresden.
Volker Ignaz Schmidt is a composer of contemporary music.
Toshio Hosokawa is a Japanese composer of contemporary classical music. He studied in Germany but returned to Japan, finding a personal style inspired by classical Japanese music and culture. He has composed operas, the oratorio Voiceless Voice in Hiroshima, and instrumental music.
Claus-Steffen Mahnkopf is a German composer, editor and author.
James Avery was an American classical pianist and conductor.
The Wittener Tage für neue Kammermusik is a music festival for contemporary chamber music, jointly organised by the town Witten in the Ruhr Area and the broadcasting station Westdeutscher Rundfunk (WDR). The concerts take place over a weekend at the end of April or in early May, and concentrate on world premieres of small-scale works, more than 600 as of 2010. They are broadcast worldwide via the European Broadcasting Union.
René Wohlhauser is a Swiss composer, pianist, singer, improviser, conductor and music teacher.
Ensemble Recherche is a German contemporary classical music ensemble with nine fixed members. Founded in Freiburg im Breisgau in 1985, the ensemble has premiered more than 1,000 works, dozens of which have since come to be recognised as masterworks of contemporary repertoire.
Hans Thomalla is a German-American composer, who has resided in the United States since 2002.
Jörn Peter Hiekel is a German musicologist.
Johannes Kreidler is a German composer, performer, conceptual and media artist. He is the principal theorist and exponent of the New Conceptualism movement in 21st-century music.
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