Frans Geysen

Last updated

Frans Geysen (born 29 July 1936) is a Belgian composer and a writer on music topics.

Contents

Biography

Frans Geysen was born in Oostham, and studied music at the Lemmens Institute in Mechelen, and at the conservatories of Antwerp and Ghent. In 1962 he became professor of harmony and analysis at the Lemmens Institute, and since 1975 has taught at the Royal Conservatory in Brussels. [1]

Musical style

In 1962 he started using serial techniques, but in 1967 turned against the rhythmic aperiodicity and discontinuity characteristic of that technique. [1] Instead, he began to use repetitive rhythmic structures similar to those of American minimalists such as Glass, Reich, Riley, and Young, [2] though he developed these rhythmic ideas independently and retained the constructivism of serial thinking. [1] He also continued to use twelve-tone rows often in his music, utilizing rows lacking thirds, perfect fifths, and semitones, in order to avoid suggestions of tonality and mutual attraction between pitches. [3] His music is abstract, excluding emotion as either expression or goal. [1] He explores a purposeful monotony, inspired by the monotony of the landscape of Flanders—and especially its easternmost province, Limburg, where he grew up. [3] His compositions include theatrical works, choral and chamber music, the orchestral Staalkaarten voor een hoboconcert (1991), and many works for piano, organ, and carillon.

Writings

Compositions (selective list)

Music theatre

Solo vocal

Choral

Orchestra

Chamber music

String quartet

  • Alles heeft zijn tijd 2 (2000)
  • Alles heeft zijn tijd 3 (2000)
  • Alles heeft zijn tijd 6 (2000)
  • Alles heeft zijn tijd 7, for four-part mixed choir (or string quartet, or trumpet, oboe, clarinet, and bassoon) (2000)
  • Möbiusband 15 (2001)
  • Niettegenstaande (2003)

Recorder ensemble

  • Digitaal-Analoog-Identiek, for recorder duo, trio, and quartet (1986)
  • F′′, for 12 recorders (1970)
  • 15 Duette, for two recorders (2003)
  • Groot kwartetboek, 15 movements for recorder quartet (1992)
  • Installaties [De Stockmansinstallaties], for recorder quartet (1983)
  • Koken, for two recorders (1990)
  • Langs hoeken en kanten, for recorder quartet (1990)
  • Lichtspleten, for recorder quartet (1996)
  • MAM, for recorder quartet (1972)
  • Met zijn twaalven, for twelve recorders (2001)
  • Nevel tot leven, for recorder trio (2002)
  • Nonak, for recorder quartet (1972)
  • Noodzaak van ommekeer—ommekeer van noodzaak, for recorder quartet (2004)
  • Omtrent a-b-c, for recorder quintet (1984)
  • Ottoflotto, for double recorder quartet (1995)
  • Periferisch-Diagonaal-Concentrisch, for recorder quartet (1972)
  • Vier korte stukken, for two recorders (1976)
  • Wingerd in een natte zomer, for two recorders (1974)

Percussion ensemble

  • Met vel, rand en tand, for three percussionists (2001)
  • Monolieten 1, for three percussionists (1990)
  • Monolieten 2, for percussion ensemble (1990)
  • De volheid der tijden, for 3 × 3 drums (1981)

Solo instrumental

Piano

  • Al op enen wintersen dag (2004)
  • Denkbare muziek, for piano (1982)
  • Endeavour, for piano (1971)
  • Evident, efficiënt, consequent, for piano (1993)
  • Fries (1981)
  • Karel Goeyvaerts–Memoriaal, for piano (1994)
  • Muziek voor toetsenbord, for piano (1977)
  • Muziek voor toetsenbord 2, for piano (1999–2000)
  • Voorstuk in paars (1990)
  • Waarheen?, for piano (1998)
  • Waarom niet nog? (2006)
  • Wereld van volheid (1992)

Carillon

  • Alles komt terug 4 (2000)
  • Aug-Dim (1985)
  • Clock-wise (1973)
  • Drieluik (1994)
  • Media vita (1982)
  • Onstuitbaar-onweerlegbaar (1999)
  • De overbodige illusies (1996)
  • Playing the Bells out of Tower (1978)
  • Probabiliter (1983)

Organ

  • Caleidoscopia musica (2003)
  • Crypta musica per florentini organum (1991)
  • De gestage groei (1992)
  • De grote variatie (1975)
  • Herman Roelstraete–Memoriaal (1989)
  • In nomine (1978)
  • De klank van ruis (1974)
  • Orgelstuk (1977)
  • Twee-delingen (1999)
  • Twee orgels, for two organs (1984)

Unspecified keyboard instrument

  • A + B = A/B (1984)
  • Alles heeft zijn tijd 4 (2000)
  • Alles heeft zijn tijd 5 (2000)
  • Alles heeft zijn tijd 8 (2000)
  • Alles komt terug 5 (2000)
  • Benadering van de kern (2000)
  • Evident, efficient, consequent (1993)
  • 50 x Hedwig Speliers (1985)
  • Intuitief, wel standvastig (1993)
  • Toetsenstuk voor Lucien Goethals (1996)
  • Toetsing (2000)
  • Tonen-Trappenhuisje voor Hanne (1984)
  • Wereld van volheid (1992)

Wind instruments

  • City of Smiles, twenty solos for one recorder player, playing soprano to bass (2001)
  • Ehrung an M.C.E. (E=mc2), for alto recorder (2001)
  • Geproesterol, for alto recorder (1994)
  • Jef Verheyen–Memoriaal, for trombone (1989)
  • Kleine vegetatie, for alto recorder (1974)
  • Pentakel, for oboe (1977)
  • Solo, for alto recorder (1992)
  • Solo per solum, for bassoon (1992)
  • Stuk in groen, for clarinet (1990)

String instruments

  • Solo per solam, for violin (1991)

Percussion

  • Kataloog in grijs 1, for marimba (1984)

Electronic music

Sources

  1. 1 2 3 4 Knockaert, Yves (2001). "Geysen, Frans". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan.
  2. Spanhove 2004, pp. 10–1.
  3. 1 2 Spanhove 2004, p. 11.

Related Research Articles

<span class="mw-page-title-main">Louis Andriessen</span> Dutch composer and pianist (1939–2021)

Louis Joseph Andriessen was a Dutch composer, pianist and academic teacher. Considered the most influential Dutch composer of his generation, he was a central proponent of The Hague school of composition. Although his music was initially dominated by neoclassicism and serialism, his style gradually shifted to a synthesis of American minimalism, big band jazz and the expressionism of Igor Stravinsky.

This is a list of notable events in music that took place in the year 2000. This year was the peak of CD sales in the United States, with sales declining year on year since then.

Bart Berman is a Dutch-Israeli pianist and composer, best known as an interpreter of Franz Schubert and 20th-century music.

<span class="mw-page-title-main">Oscar van Dillen</span> Dutch composer, conductor, and instrumentalist

Oscar Ignatius Joannes van Dillen is a Dutch composer, conductor, and instrumentalist.

<span class="mw-page-title-main">Joey Roukens</span> Dutch composer

Joey Roukens is a Dutch composer of contemporary classical music.

Margriet Ehlen is a Dutch poet, composer, conductor and educator of classical music.

<span class="mw-page-title-main">Géza Frid</span> Hungarian–Dutch composer and pianist

Géza Frid was a Hungarian–Dutch composer and pianist.

<span class="mw-page-title-main">Lucien Goethals</span> Belgian composer (1931–2006)

Lucien Goethals was a Belgian composer.

<span class="mw-page-title-main">Liliane Saint-Pierre</span> Belgian singer

Liliane Saint-Pierre is a Belgian pop singer. Hailing from Flanders, she sings mostly in Dutch. She competed at Eurovision Song Contest 1987 with the song "Soldiers of Love".

<span class="mw-page-title-main">Jan Boerman</span> Dutch composer (1923–2020)

Jan Boerman was a Dutch composer who specialised in electronic music from 1959.

Paul Angerer was an Austrian violist, conductor, composer and radio presenter.

<span class="mw-page-title-main">Rob du Bois</span> Dutch musician

Rob du Bois was a Dutch composer, pianist, and jurist.

Arie Van de Moortel was a Belgian viola virtuoso, composer and music teacher.

Wim Franken was a Dutch composer, pianist, and carillonneur.

Lucien Posman is a Belgian composer.

Théo De Joncker was a Belgian composer.

Sportpark Schildman is a municipal park and sports complex in Hendrik-Ido-Ambacht, Netherlands. It contains the main grounds, training fields, and facilities for:

<span class="mw-page-title-main">Marius Flothuis</span> Musical artist

Marius Flothuis, born and died in Amsterdam, was a Dutch composer, musicologist and music critic.

Johannes Theodorus (Jan) Ingenhoven, was a Dutch composer and conductor. He was one of the first to introduce new influences shaping twentieth century European music into the Netherlands before World War 1, and also took contemporary Dutch music into Germany.