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Freda Betti | |
---|---|
Born | Frédérique Thérèse Augusta Betti 26 February 1924 Nice, France |
Died | 13 November 1979 55) Nice, France | (aged
Burial place | Cimetière du Château |
Education | Conservatory of Nice |
Occupation(s) | Opera singer Singing teacher |
Years active | 1947–1979 |
Notable work | Carmen |
Spouse | René Clermont (m. 1949;died 1976) |
Children | 2 |
Freda Betti (26 February 1924 – 13 November 1979), whose birth name was Frédérique Thérèse Augusta Betti, was a French mezzo-soprano singer whose career was mainly confined to France. [1] She left a range of recordings representative of her repertoire.
Freda Betti was born at 52 rue des Ponchettes in the district of Vieux-Nice in a modest family : her father was a house painter and her mother a fishmonger. His paternal family originates from the region of Emilia-Romagna in Italy : his grandfather was born in Parma and he immigrated to Nice with his wife and children in 1893. [2]
She studied music and especially singing at the Conservatory of Nice with Édouard Rouard, [3] where she obtained a Premier Prix de Chant in 1943. She made her debut at the Opéra de Monte-Carlo in 1947 as Siébel in Faust by Charles Gounod. [3] She appeared frequently with the Orchestre Philharmonique de Radio France of the RTF in the early 1950s, before entering the troupe of the Opéra-Comique in the 1960s. She sang the title role in particular of Carmen by Georges Bizet which she sang more than 150 times, and her repertoire also included Fricka, Brangaene, Dulcinée in Don Quichotte and Suzuki. [3]
Betti sang on major national stages [1] (Nantes, Nice, Strasbourg, Toulouse) and European (Monte-Carlo, La Scala), as well as in numerous opera festivals, including Aix-en-Provence, Avignon, Bayreuth.
Betti recorded for Philips and EMI. [3] Among published recordings she took part in were The Snow Maiden (Bobilicka), [4] Démophon , [5] Tosca (shepherd boy) [6] and Philippine (Isabelle). [7] In 1958 she recorded excerpts from Carmen with Ken Neate, Gabriel Bacquier and Andréa Guiot on Philips P 77118 L.
She also participated in the original production of L'Opéra d'Aran by Gilbert Bécaud, in 1962, at the Théâtre des Champs-Élysées. [8] Betti sang the title role of La Périchole on French Culture radio in 1964. [9]
In the 1970s she was a vocal teacher at the Conservatory of Monaco.
Freda Betti died at her home in Nice in 1979, at the age of 55, and is buried in the family vault "Famille Betti" with her husband and his parents in the Cimetière du Château ("Carré de l'O.N.U").
Freda Betti was married on 29 October 1949 in Levallois-Perret to René Clermont (1919–1976). The couple had two children.
Freda Betti was the sister of Henri Betti and the great grandaunt of Alexy Bosetti but she has no family relationship with Laura Betti and Priscilla Betti.
Her list of roles include: [10]
In 1948, Freda Betti sang two songs composed by her brother Henri Betti in two radio programs broadcast on Paris Inter : Le Bonheur du Monde (lyrics by Maurice Vandair) and Je Cherche une Étoile (lyrics by René Rouzaud).
In 2018, Benoît Duteurtre hosts the radio show Étonnez-moi Benoît devoted to the career of his brother Henri Betti with the participation of his nephew and grand-nephew : François and Olivier Betti. During this radio show which is broadcast on France Musique on April 28, the host passes a sample of the opera-bouffe Le Jour et la Nuit composed in 1881 by Charles Lecocq with lyrics of Eugène Leterrier and Albert Vanloo that Freda Betti had played in 1956 as Sanchette.
Alexandre Charles Lecocq was a French composer, known for his opérettes and opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera Plutus (1886), which was not a success, and the ballet Le cygne (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique La fille de Madame Angot. Others of his more than forty stage works receive occasional revivals.
Paul Bonneau was a French conductor, composer and arranger, whose career was mainly in the field of light music and films.
Michel Plasson is a French conductor.
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La Périchole is an opéra bouffe in three acts with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The opera depicts the mutual love of two impoverished Peruvian street singers – too poor to afford a marriage licence – and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Périchole his mistress. Love eventually triumphs. The story is based loosely on the play Le carrosse du Saint-Sacrement by Prosper Mérimée (1828), and the title character is based on the Peruvian entertainer Micaela Villegas.
Laurent Pelly is a French opera and theatre director. He is sought after by the world's most prestigious houses. With a natural affinity for Italian and French repertoire, his creative curiosity has also led him towards other composers, including Russian and Czech. He brings theatrical insight to his work with singers and his concepts often contain surreal invention and a dark sense of humour. A master of detail, he underlines his interpretation of characters through skilful and inspired costume designs.
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Marguerite Vaillant-Couturier was a French soprano who made her debut in Brussels at La Monnaie in 1880 in the title role of Gounod's Mireille. After appearing in Marseille the following year, she sang in operettas in Paris in the early 1880s. On 19 October 1882, she created the role of Micaëla in Lecocq's Le cœur et la main at the Théâtre des Nouveautés in Paris. In 1888, she gained success in the title role of Bizet's Carmen at the Opéra-Comique. She also appeared in Buenos Aires and Saint Petersburg.