Gabrielle Civil | |
|---|---|
| Born | Detroit, Michigan, US |
| Alma mater | University of Michigan |
| Occupation | Performance artist, teacher  |
| Website | https://www.gabriellecivilartist.com/ |
Gabrielle Civil is an American performance artist, poet, and educator. [1]
Gabrielle Civil | |
|---|---|
| Born | Detroit, Michigan, US |
| Alma mater | University of Michigan |
| Occupation | Performance artist, teacher |
| Website | https://www.gabriellecivilartist.com/ |
Gabrielle Civil is an American performance artist, poet, and educator. [1]
Civil is originally from Detroit, Michigan. [2] From 1991 to 1995 she attended the University of Michigan, from where she graduated with high honors in both Creative writing and Comparative Literature. [3] Later Civil attended New York University for both her master's and her doctorate. She received her M.A. in comparative literature in 2000. [3] Her dissertation, From Body to Nation: Reading Black Women's Poetry in the United States, Haiti & Canada, focused on the poetry of black women in the United States, Canada and Haiti. [4] Civil's concentrations included Black Feminist Theory; African-American Literature; Experimental World Poetry. [3]
Civil started her teaching career teaching summers at Bard College, Annandale-on-Hudson, in New York. She taught "strategies for embodied knowledge" through Language & Thinking 2002, 2004, 2005, 2006. [3] Following her summers at Bard College, Civil taught "Women and Voice: Black Women and Performance" at Macalester College from 2005 to the winter of 2006. [3] She then returned to Bard College, and taught for the Bard College Prison Initiative, "Language & Thinking, Eastern Maximum Security Correctional Facility," the summer of 2011. [3] She taught at St. Catherine University in St. Paul, Minnesota, from 2000 to 2013 as a tenured professor in English, Women's studies, and Critical Studies of Race and Ethnicity. [3] From 2013 to 2016, she was a tenured associate professor of performance at Antioch College in Yellow Springs, Ohio. [5] She currently teaches as guest faculty in the Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder, Colorado. [6]
As a curator, Civil worked on the following performance projects:
Civil identifies as a black, feminist artist whose aim is "to open up space". [7] She works solo and collaboratively and has premiered more than 40 performances in North America and abroad. [8]
In Performance Art: Futurism to the Present, RoseLee Goldberg analyzes performance art and its significance to the developments made in modern art. She acknowledges that no definition can be encompassing of performance art if it were to be specific. "Performance has been considered as a way of bringing to life the many formal and conceptual ideas on which the making of art is based." [9] There is a significance within current society to performance art and the cultural impact it has and how culture impacts the arts. "This latest account describes the huge increase in the number of twenty-first century artists around the globe turning to performance as a medium for articulating 'difference'—of their own cultures and ethnicities—and for entering the larger discourse of international culture in our highly mediated times." [9] [ relevant? ]
Civil's works include: [3]
Civil's writings and performances investigate ephemerality and documentation, race, remembering, community-building, and inclusion. Her work is in constant conversation with artists working both today and in the past: she has stated that she is "haunted by the black women artists, dancers, performers, thinkers, whose body of work has been destroyed and lost to time." [11] Civil frequently incorporates collaborative techniques, such as call-and-response, in her writing and performance: for example, the collaborative piece "Call & Response," convened at Antioch College in 2014 with Duriel E. Harris, Kenyatta A. C. Hinkle, Rosamond S. King, Wura-Natashi Ogunji, Miré Regulus, and Awilda Rodríguez Lora, resulted in numerous art projects and "experiments in joy." [12] In her installation "Kinds of Performing Objects I've Been," Civil also collaborated with audiences for the work, interacting with gallery patrons, telling stories, and performing gift exchanges. [11]
From her artist's notes to performance outlines, she reveals the spaces an artist inhabits prior to presenting a finished piece before an audience. For anyone who has ever thought a performance artist just enters stage right and wings it, this memoir will prove you sorely mistaken. From initial inklings of ideas to concrete performance scripts, Civil's archives demonstrate the sheer time and dedication this art form begs of those who choose to wield it.
Lois Mailou Jones (1905–1998) was an artist and educator. Her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. She is often associated with the Harlem Renaissance.
Lakewood Cemetery is a large private, non-sectarian cemetery located in Minneapolis, Minnesota, United States. It is located at 3600 Hennepin Avenue at the southern end of the Uptown area. It is noted for its chapel which is on the National Register of Historic Places and was modeled after the Hagia Sophia in Istanbul, Turkey.
Rebecca Belmore D.F.A. is a Canadian interdisciplinary Anishinaabekwe artist who is notable for politically conscious and socially aware performance and installation work. She is Ojibwe and a member of Obishikokaang. Belmore currently lives in Toronto, Ontario.
Emma Amos was a postmodern African-American painter and printmaker.
Beatrix*JAR is a Minneapolis based Artistic Collective of Bianca Janine Pettis and Jacob Aaron Roske. Formed in 2003, the pair works across multiple artistic disciplines. Their eagerness to try anything paired with their “Yes…and “ approach to art making has led them to creating work in Video, Sound Art, Performance, Visual Art and Theater. Beatrix*Jar also works as Artist/Educators having spent numerous years leading hands-on Circuit Bending Workshops paired with Live Sound Collage Performances, Artist Residencies, Sound Art Festivals and Community Engagement Events. As Visual Artists Beatrix*Jar has created Murals, Art Exhibitions and fabric birds and cats they call Art Pets.
Nor Hall. Hall is a post-Jungian psychotherapist and author. Her work focuses on archetypal studies, particularly gender issues and cultural mythology.
Sharon Bridgforth is an American writer working in theater.
Neecy Twinem is an American artist, toy designer, academic professor, and author and illustrator of over 35 children’s books published in several languages.
Kenyatta A.C. Hinkle is also known as Olomidara Yaya. She is an American artist, author, and Assistant Professor at the University of California at Berkeley Department of Art Practice. Her work focuses on questions of race, sexuality, and history through a variety of visual and textual mediums. She lives and works in Los Angeles, California. Notable works include the Kentifrica project, the Tituba series, The Evanesced, and the Uninvited series. She is a member of CTRL+SHFT Collective in Oakland, California.
Laurie Dorothea Carlos was an American actress and avant-garde performance artist, playwright and theater director. She was also known for her work mentoring emerging artists in the theater.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Elizabeth Erickson is an American painter, feminist artist, poet, and educator. Her style of painting tends to gestural abstraction and the themes she explores occupy "the territories of ancient myth, religion, and spiritual feminism," according to art historian Joanna Inglot.
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Kay Turner is an artist and scholar working across disciplines including performance, writing, music, exhibition curation, and public and academic folklore. She is noted for her feminist writings and performances on subjects such as women’s home altars, fairy tale witches, and historical goddess figures. She co-founded “Girls in the Nose,” a lesbian feminist rock punk band that anticipated riot grrl.
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Awilda Rodríguez Lora is a contemporary Puerto Rican dancer, performance artist, choreographer, and storyteller. Her art focuses on women, sexuality, and self-determination. It also incorporates dialogues of colonial legacies and the identities of race, gender, class, and sexuality. Rodríguez Lora has presented her work throughout North America, South America, and the Caribbean. The artist cites mainstream media as an influence in her work. She is currently the academic director of the Dance Program at the Universidad del Sagrado Corazón in Santurce, a central zone of San Juan. Scholars and curators such as Sarah G. Sharp, Harmony Bench, Lawrence La Fountain-Stokes, Paloma Martinez-Cruz, and Elizabeth Currans have analyzed her work and interviewed her.
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