Gastr del Sol

Last updated
Gastr del Sol
Origin Chicago, Illinois, United States
Genres Post-rock, experimental rock, math rock, avant-folk, drone
Years active1991-1998
Labels Teenbeat, Drag City
Past members David Grubbs
Jim O'Rourke
Bundy K. Brown
John McEntire

Gastr del Sol (derived from a combination of the name of a race horse (Gato del Sol) and David Grubbs' previous band Bastro) [1] was an American, Chicago-based band, consisting for most of their career of David Grubbs and Jim O'Rourke. [2] Between 1993 and 1998 they released seven albums ranging in genre from post-rock (the scene they were most associated with) to musique concrète.

Contents

Early line-up

Grubbs, a former member of Squirrel Bait formed the band in Chicago in 1991 from the final line-up of the group Bastro, with Bundy K. Brown and John McEntire on bass guitar and drums respectively. [2] The trio released their first album, The Serpentine Similar , in 1993, ushering in a quieter, less rock-oriented sound with the change of name. Brown and McEntire left to join Tortoise the following year, and guitarist/composer/producer Jim O'Rourke joined. [2]

Duo line-up

At this point Gastr del Sol became mainly a collaboration between Grubbs and O'Rourke, joined by an ever-changing collection of guests. [2] Though McEntire was no longer a full member, he continued contributing to many Gastr del Sol recordings and concerts.

Most releases by this line-up were on Chicago's Drag City, beginning with the acoustic guitar-based Crookt, Crackt, or Fly in 1994. [2] "Work From Smoke", the centerpiece of this album, fused Grubbs and O'Rourke's penchant for atonal guitar interplay with bass clarinet and Grubbs's increasingly surreal lyrics.

A pair of releases followed quickly in 1995. The Mirror Repair EP added elements of electronic music. The Harp Factory on Lake Street , released on the Table of the Elements label, was their most experimental work, a piece for chamber orchestra with only occasional voice and piano from Grubbs. [2] Also in 1995, the band contributed the song "Quietly Approaching" to the AIDS benefit album Red Hot + Bothered produced by the Red Hot Organization.

1996's Upgrade & Afterlife included a would-be film score by O'Rourke, "Our Exquisite Replica of 'Eternity'", and an extended interpretation of the John Fahey piece "Dry Bones in the Valley" featuring guest Tony Conrad on violin. [2]

With the release of Camoufleur in 1998, Gastr del Sol progressed further into the realm of conventional melodies and chamber pop, creating their most accessible and popular album. [2] Its chord patterns, melodies, and flugelhorn and string-heavy arrangements prefigure O'Rourke's future pop releases. The album was co-written with Markus Popp, of the pioneering German glitch group Oval, who contributed to the electronic aspects of the album. [2]

After Camoufleur the band split up. Grubbs and O'Rourke have both continued to release albums under their own names in the fields of rock, pop, and experimental music. [2]

In 2024, Drag City released We Have Dozens of Titles, a 3LP/2CD boxset containing various unreleased studio and live recordings made by the band between 1993 and 1998.

Partial discography

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References

  1. "Grubbs Interview 1998". Paristransatlantic.com. 1998-06-28. Retrieved 2016-09-15.
  2. 1 2 3 4 5 6 7 8 9 10 11 Colin Larkin, ed. (2000). The Virgin Encyclopedia of Nineties Music (First ed.). Virgin Books. p. 170. ISBN   0-7535-0427-8.