Generation Star Wars | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1994 2000 (Geist Records Re-Release) | |||
Genre | Abstract Experimental | |||
Length | 74:02 | |||
Label | Mille Plateaux | |||
Producer | Alec Empire | |||
Alec Empire chronology | ||||
| ||||
Alternative Cover | ||||
Re-Release Cover |
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic |
Generation Star Wars is the second album by Alec Empire, released on Mille Plateaux in 1994.
The original release of Generation Star Wars faced problems related to its artwork, as it featured a stormtrooper (from the Star Wars films) with a swastika on his helmet on the rear of the sleeve. In Germany, the home of Alec Empire and Mille Plateaux, use of the swastika is forbidden, regardless of the context. The artwork was removed on later pressings. On the Geist Records re-release in 2000, the cover art contained only silver text on a black background.
Some of the tracks were later re-issued as part of the box set The Geist of Alec Empire , including a shorter mix of "Lash the 90ties".
Alec Empire is a German experimental electronic musician who is best known as a founding member of the band Atari Teenage Riot, as well as a prolific and distinguished solo artist, producer and DJ. He has released many albums, EPs and singles, some under aliases, and remixed over seventy tracks for various artists including Björk. He was also the driving force behind the creation of the digital hardcore genre, and founded the record labels Digital Hardcore Recordings and Eat Your Heart Out Records.
DJ-Kicks: Nicolette is a DJ mix album, mixed by Nicolette. It was released on 10 March 1997 on the Studio !K7 independent record label as part of the DJ-Kicks series.
Freaks is the first full-length release by the German industrial music band X Marks the Pedwalk. It was originally released by Zoth Ommog in Europe as both an LP and CD, and was later released by Metropolis Records in North America with slightly different artwork and track list.
Kicking a Dead Pig is a remix album from Scottish band Mogwai consisting of remixes of previously released tracks by various artists, including Alec Empire, My Bloody Valentine, and Max Tundra.
The score from The Empire Strikes Back, composed by John Williams, was recorded in eighteen sessions at Anvil Studios over three days in December 1979 and a further six days in January 1980 with Williams conducting the London Symphony Orchestra. Between Star Wars and The Empire Strikes Back, Williams had also worked with the London Symphony Orchestra for the scores to the films The Fury, Superman and Dracula. The score earned another Academy Award nomination for Williams. Again, the score was orchestrated by Herbert W. Spencer, recorded by engineer Eric Tomlinson and edited by Kenneth Wannberg with supervision by Lionel Newman. John Williams himself took over duties as record producer from Star Wars creator George Lucas.
Burn, Berlin, Burn! is a compilation album released by Atari Teenage Riot in 1997. Initially released in the United States by the Beastie Boys' record label Grand Royal, the album is a collection of tracks from their first two albums Delete Yourself! and The Future of War. After Grand Royal Records went defunct, the album was later remastered and re-released on Digital Hardcore Recordings.
Shards of Pol-Pottery: The 2001 Remixes is an EP by Alec Empire and El-P, the title track of which is a re-production of the song "Megaton B-Boy" from the 1999 Handsome Boy Modelling School album So... How's Your Girl?. The EP contains 12 different versions of the songs including remixes, instrumentals and an a cappella.
Terre Thaemlitz is a musician, public speaker, and owner of the record label Comatonse Recordings. Thaemlitz's work critically combines themes of identity politics – including gender, sexuality, class, linguistics, ethnicity and race – with an ongoing critique of the socio-economics of commercial media production. This diversity of themes is matched by Thaemlitz's wide range of production styles, which include electroacoustic computer music, club-oriented deep house, digital jazz, ambient, and computer-composed neo-expressionist piano solos. Graphic design, photography, illustration, text and video also play a part in Thaemlitz's projects.
The Destroyer is an album by electronic artist Alec Empire, his first on his own record label Digital Hardcore Recordings, released in 1996 in Europe and a revised version in 1998 in United States. Destroyer is also the name given to a series of EPs by Empire released two years before. Unlike his previous albums for Mille Plateaux, The Destroyer had a much heavier sound more akin to that of his band Atari Teenage Riot, and is considered as one of the earliest examples of a breakcore record. Producer Enduser named the album as an inspiration for his music.
Mille Plateaux is an electronica record label founded 1993 by Achim Szepanski in Frankfurt, Germany. It mostly releases minimal techno, glitch music and other experimental electronic music.
Low on Ice is the second solo studio album by German electronic artist Alec Empire, the third of five of his to be released on the Mille Plateaux label. Issued in 1995, Empire recorded the album over three days in August that same year during a tour of Iceland with his band Atari Teenage Riot. Primarily written outdoors in tents and recorded onto analog tapes, the record is noted for its ambient overtone, something not commonly associated with Empire's music.
Hypermodern Jazz 2000.5 is a studio album by German musician Alec Empire. It was released in 1996. It was Empire's fourth full-length solo album, his fourth release for the Mille Plateaux label, and the first of three albums he released in the same year. The Destroyer was released on DHR the following June and Les Étoiles des Filles Mortes, also for Mille Plateaux, in November.
'Les Étoiles des Filles Mortes' is an album by Alec Empire, released in 1996. It is his fifth and final album for the Mille Plateaux label and his third of three albums released that year.
The Geist of Alec Empire is a 3 CD compilation album by electronic artist Alec Empire. While the majority of the album is tracks previously released on the Mille Plateaux label, some original material is present.
Squeeze the Trigger is a 1997 album by Alec Empire, his second for his own Digital Hardcore Recordings label. It compiles tracks from out-of-print singles issued on the Riot Beats label, many of which were originally attributed to various pseudonyms. Releases tracks are taken from include Squeeze the Trigger, The Destroyer and The King Of The Street Feat. Brothers Crush.
Destroy 2000 Years of Culture is a song by Atari Teenage Riot, released as the fourth and final single from their 1997 album The Future of War. The single was released as a 12" vinyl record and as a limited edition CD, with only 500 copies made. The CD edition contains an unlisted hidden track: An instrumental version of the B-side "Paranoid".
Death Breathing is the only album by Alec Empire under the alias "DJ 6666 feat. The Illegals".
Gas is the debut album by Wolfgang Voigt's Gas project, released on 29 November 1996 on the Mille Plateaux label. Gas solidifies the sound of the project, moving away from dance floor-ready techno by incorporating lengthy pieces of ambient music, under which is a sole kick drum. It is the only album by Gas not to feature the forest motif in its artwork.
snd are Mark Fell and Mat Steel, a pair of Sheffield DJs and musicians whose work has been described as glitch. Naming their project after the extension often used for computer sound files, Fell and Steel are both computer programmers. During 1998-99, they debuted with the "Tplay" single and Newtables EP on their own .snd label. In July 1999, Mille Plateaux released the debut album, Makesnd Cassette, with Stdiosnd Types following one year later. Their most recent album, Atavism, was released in 2009 by Raster-Noton. In 2014 Snd self published an extended and remastered version of their debut release "Tplay".
Curd Duca is an Austrian musician, composer and producer of electronic music.
This 1990s album–related article is a stub. You can help Wikipedia by expanding it. |