Get a Job (song)

Last updated
"Get a Job"
Single by The Silhouettes
A-side "I Am Lonely"
ReleasedNovember 1957 (1957-11)
RecordedOctober 1957. Robinson Recording Laboratories, Philadelphia
Genre Doo-wop, rhythm and blues
Length2:45
Label Junior
Songwriter(s)
  • Earl Beal
  • Raymond Edwards
  • Richard Lewis
  • William Horton

"Get a Job" is a song by the Silhouettes released in November 1957. It reached the number one spot on the Billboard pop and R&B singles charts in February 1958, [1] and was later included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). [2] The song celebrates the virtues of securing gainful employment.

Contents

Background

"When I was in the service in the early 1950s and didn't come home and go to work, my mother said 'get a job' and basically that's where the song came from," said tenor Richard Lewis, who wrote the lyrics. [3] The four members of the group shared the credit, jointly creating the "sha na na" and "dip dip dip dip" hooks later imitated by other doo-wop groups.[ citation needed ]

It was recorded at Robinson Recording Laboratories in Philadelphia in October 1957. Rollee McGill played the saxophone break, and the arranger was Howard Biggs. Intended as the B-side to "I Am Lonely", [4] "Get a Job" was initially released on Kae Williams' Junior label; Williams, who was also a Philadelphia disc-jockey, was the Silhouettes' manager. [5] [6] Doug Moody, an executive at Ember Records, acquired the rights to the song for that label, where it was licensed for national distribution.

In early 1958, the Silhouettes performed "Get a Job" several times on American Bandstand and once on The Dick Clark Show , appearances that contributed to the song's success by exposing it to a large audience. [7] [lower-alpha 1] Ultimately the single sold more than a million copies. [9]

Personnel

Legacy

The song was later featured in the soundtracks of the movies American Graffiti (1973), Stand By Me (1986), Trading Places (1983), Get a Job (1985), Joey (1986), and Good Morning, Vietnam (1987).[ citation needed ] In the 1980s, the UK recruitment agency Brook Street Bureau used it in their two TV commercials, replacing the words "get a job" with "better job".[ citation needed ]

The revival group Sha Na Na derived their name from the song's doo-wop introduction. [4] They performed it at Woodstock in 1969. Sha Na Na in return, though under the spelling "Xanana" became the nickname of former East Timorese President and Prime Minister José Alexandre Gusmão, better known as "Xanana Gusmão". [10] "Get a Job" inspired a number of answer songs, including "Got a Job", the debut recording by The Miracles. [11] Dennis Wilson, co-founder of the Beach Boys, believed that his group's song "She's Goin' Bald" (1967) paid homage to "Get a Job". [12] Several bars of "Get a Job" are quoted at the start of "The Obvious Child," the first track on Paul Simon's album The Rhythm of the Saints .

The famous line "yep yep yep yep yep um um um um get a job" was used in an episode of Married... with Children (Al Bundy tells his son Bud what he should do to earn money).

Cover versions

Australian band Ol' 55 covered the song on their album Take It Greasy (1976). It was recorded by Jan Berry of Jan & Dean on his 1997 solo album Second Wave. Other versions include those by the Hampton String Quartet (What if Mozart Wrote "Roll Over Beethoven"?), Neil Young & Crazy Horse ( Americana , 2012).[ citation needed ] and The Delltones. James Taylor did a rendition on his Other Covers album. The Mills Brothers (Dot Records 45-15695) 1958.

Television and film

In the 1984 "You and the Horse You Rode In On" episode 7 of season 2 of the TV series Hardcastle and McCormick , at 11 minutes and 2 seconds, this song is played during the sequence in which the character Mark McCormick is walking the streets in search of employment.

Note

  1. Bandstand was a Philadelphia show, broadcast nationally by ABC. Bandstand producer Tony Mammarella bought a share of the rights to "Get a Job" from Kae Williams, an example of the "pay for play" practices for which Clark, Mammarella and others were later rebuked during the payola scandal. [8]

See also

Related Research Articles

<span class="mw-page-title-main">Xanana Gusmão</span> 3rd president and 5th prime minister of East Timor

José Alexandre "Xanana" Gusmão is an East Timorese politician who has served as the prime minister of East Timor since 2023, previously serving in that position from 2007 to 2015. A former rebel, he also served as East Timor's first president since its re-establishment of independence, from 20 May 2002 to 20 May 2007.

<span class="mw-page-title-main">Doo-wop</span> Style of rhythm and blues music

Doo-wop is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.

<span class="mw-page-title-main">Johnny Rivers</span> American rock musician

Johnny Rivers is an American musician. His repertoire includes pop, folk, blues and old-time rock 'n' roll. Rivers charted during the 1960s and 1970s but remains best known for a string of hit singles between 1964 and 1968, among them "Memphis", "Mountain of Love", "The Seventh Son", "Secret Agent Man", "Poor Side of Town", "Baby I Need Your Lovin'" and "Summer Rain".

<span class="mw-page-title-main">Earth Angel</span> 1954 single by The Penguins

"Earth Angel", occasionally referred to as "Earth Angel (Will You Be Mine)", is a song by American doo-wop group the Penguins. Produced by Dootsie Williams, it was released as their debut single in October 1954 on Dootone Records. The Penguins had formed the year prior and recorded the song as a demo in a garage in South Central Los Angeles. The song's origins lie in multiple different sources, among them songs by Jesse Belvin, Patti Page, and the Hollywood Flames. Its authorship was the subject of a bitter legal dispute with Williams in the years following its release.

<span class="mw-page-title-main">Danny & the Juniors</span> American doo-wop and rock and roll vocal group

Danny & the Juniors was an American doo-wop and rock and roll vocal group from Philadelphia, Pennsylvania, originally consisting of Danny Rapp, Dave White, Frank Maffei and Joe Terranova. Formed in 1955, they are most widely recognized for their 1957 no. 1 million-selling hit single "At the Hop". Their 1958 follow-up, the anthemic "Rock and Roll Is Here to Stay", also became a classic.

<span class="mw-page-title-main">Little Anthony and the Imperials</span> Rhythm and blues/soul vocal group from New York

Little Anthony and the Imperials is an American rhythm and blues/soul vocal group from New York City founded by Clarence Collins in the 1950s and named in part for its lead singer, Jerome Anthony "Little Anthony" Gourdine, who was noted for his high-pitched voice. In addition to Collins and Gourdine, the original Imperials included Ernest Wright, Gloster "Nate" Rogers, and Tracy Lord, the last two of whom were subsequently replaced by Sammy Strain. The group was one of the very few doo-wop groups to enjoy sustained success on the R&B and pop charts throughout the 1960s. They were inducted into the Rock and Roll Hall of Fame on April 4, 2009, 23 years after the group's first year of eligibility for induction.

<span class="mw-page-title-main">Sha Na Na</span> American rock and roll group

Sha Na Na was an American rock and roll doo-wop cover group. Formed in 1969, but performing a song-and-dance repertoire based on 1950s hit songs, it simultaneously revived and parodied the music and the New York street culture of the 1950s. After gaining initial fame for their performance at Woodstock, made possible with the help of their friend Jimi Hendrix, the group hosted Sha Na Na, a syndicated variety series that ran from 1977 to 1981.

<span class="mw-page-title-main">The Silhouettes</span> American doo-wop group

The Silhouettes were an American doo wop/R&B group, whose single "Get a Job" was a number 1 hit on the Billboard R&B singles chart and pop singles chart in 1958. The doo-wop revival group Sha Na Na derived their name from the song's lyrics, later going on to perform "Get a Job" in the 1978 movie Grease, and the nickname "Xanana" of former East Timorese President and Prime Minister Xanana Gusmão is in return derived from the name of the band "Sha Na Na", though with the spelling changed to "Xanana" to conform with the spelling rules of both Portuguese and Tetum, both of East Timor's official languages. "Get a Job" is included in the soundtracks of the films American Graffiti, Trading Places, and Stand by Me. The Silhouettes performed in the 1986 movie Joey.

The Edsels were an American doo-wop group from Campbell Ohio who were active during the late 1950s and early 1960s. The name of the group was originally The Essos, after the oil company, but was changed to match the new Ford automobile, the Edsel. They recorded over 25 songs and had multiple performances on Dick Clark's American Bandstand. The Edsels were one of the few doo-wop groups to sign with a major record label, as most groups of that era found success with small independent labels; before their national hit "Rama Lama Ding Dong", songs like "What Brought Us Together", "Bone Shaker Joe" and "Do You Love Me" helped the group land a major recording contract with Capitol Records in 1961.

<span class="mw-page-title-main">At the Hop</span> 1957 single by Danny & the Juniors

"At the Hop" is a 1950s pop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors. The song was released in the fall of 1957 and reached number one on the US charts on January 6, 1958, becoming one of the top-selling singles of 1958. "At the Hop" also hit number one on the R&B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included a number 3 placing on the UK charts.

David Ernest White, also known as David White Tricker, was an American singer and songwriter. He formed the doo-wop quartet Danny & the Juniors, as well as being a founding member of the pop trio The Spokesmen. He wrote "Rock and Roll Is Here to Stay" and co-wrote a number of other hit songs, including "At the Hop", "You Don't Own Me", and "1-2-3".

<span class="mw-page-title-main">Silhouettes (The Rays song)</span> Original song written and composed by Bob Crewe and Frank Slay; first recorded by The Rays

"Silhouettes" is a song made famous by the doo-wop group the Rays in 1957, peaking at number 3 on the U.S Billboard Hot 100. A competing version by the Diamonds was also successful. In 1965 it was a number 5 hit in the US for Herman's Hermits, and in 1990 it was a number 10 hit in the UK for Cliff Richard.

Gerald Granahan was an American singer, songwriter, and record producer, best known for his work in the 1950s and 1960s.

"Little Darlin'" is a popular Top 40 song, made famous by the Diamonds.

<span class="mw-page-title-main">Vocal harmony</span> Style of vocal music

Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with a consonant, pleasing-sounding thirds, sixths, and fifths.

"Bad Girl" is a 1959 doo-wop single by The Miracles. Issued locally on the Motown Records label, it was licensed to and issued nationally by Chess Records because the fledgling Motown Record Corporation did not, at that time, have national distribution. It was the first single released on the Motown label – all previous singles from the company were released on Motown's Tamla label. Although The Miracles had charted regionally and on the R&B charts with several earlier songs, including "Got a Job", "I Cry", "I Need a Change", and "(You Can) Depend on Me", "Bad Girl" was their first national chart hit, reaching #93 on the Billboard Hot 100. Written by Miracles lead singer Smokey Robinson and Motown Records' President and Founder Berry Gordy, "Bad Girl" is a sad, remorseful ballad about a young woman, whom Robinson, as the narrator, says "was so good at the start", but who later in the song "is breaking my heart". It is in the popular doo-wop style, as several of The Miracles' songs were during the late 1950s. The record's success, coupled with the distributor's failure to pay Gordy and The Miracles properly for its sales, prompted Robinson to urge Gordy to "go national" with it, meaning that Motown should do its own national distribution of its songs, and eliminate the middleman, to ensure that all money from sales of its records would go directly to the label.

Anthony (Tony) Mammarella was the first producer and second host of American Bandstand.

<span class="mw-page-title-main">Do the Dangle</span> 1973 single by John Entwistle

"Do the Dangle" is a song written by John Entwistle. The song is on his album, Rigor Mortis Sets In. This entire album is an affectionate homage to, or satire of, 1950s and 1960s rock music. In addition to some actual "oldies", original compositions include "Roller Skate Kate" and "Peg Leg Peggy". The lyrics for the latter say that Peggy "really knows how to hop", a phrase originally used in rock songs to mean that a person was a skilled dancer, but in this case is a blackly humorous reference to Peggy having an artificial ("peg") leg.

<span class="mw-page-title-main">Howard Biggs</span> American pianist, songwriter and arranger (1916–1999)

Howard Maceo Biggs was an American pianist, songwriter and arranger. He is noted for his involvement with doo-wop and other styles including jazz, and was influential in the first days of rock and roll.

<i>Rock & Roll Is Here to Stay!</i> 1969 studio album by Sha Na Na

Rock & Roll Is Here to Stay! is the debut album by American doo-wop and rock & roll group Sha Na Na, issued in 1969 and reissued in 1973.

References

  1. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 525.
  2. Christgau, Robert (1981). "A Basic Record Library: The Fifties and Sixties". Christgau's Record Guide: Rock Albums of the Seventies . Ticknor & Fields. ISBN   0899190251 . Retrieved March 16, 2019 via robertchristgau.com.
  3. "Get a Job – The Silhouettes". The Silhouettes. Retrieved 22 August 2010.
  4. 1 2 Larkin, Colin (2011). The Encyclopedia of Popular Music. Omnibus Press. p. 2817. ISBN   978-0-85712-595-8.
  5. Rosalsky, Mitch (2002). Encyclopedia of Rhythm & Blues and Doo-Wop Vocal Groups. Scarecrow Press. p. 518. ISBN   978-0-8108-4592-3.
  6. "Kae Williams". The Silhouettes. Retrieved 2 March 2015.
  7. "The Silhouettes and Dick Clark". The Silhouettes. Retrieved 2 March 2015.
  8. Scheurer, Timothy E. (1989). American Popular Music: The age of rock. Popular Press. pp. 81–82. ISBN   978-0-87972-468-9.
  9. Jasen, David A. (2013-10-15). A Century of American Popular Music. Routledge. ISBN   9781135352714.
  10. "Xanana Gusmao: From Guerrilla goalkeeper to president". Irish Examiner . Irish Examiner Ltd. April 16, 2002. Retrieved February 11, 2022.
  11. Gilliland, John (1969). "Show 25 – The Soul Reformation: Phase two, the Motown story. [Part 4]" (audio). Pop Chronicles . University of North Texas Libraries.
  12. Felton, David (1976). "The Healing of Brother Brian". Rolling Stone .