Get a Job (song)

Last updated
"Get a Job"
Single by The Silhouettes
A-side "I Am Lonely"
ReleasedNovember 1957 (1957-11)
RecordedOctober 1957. Robinson Recording Laboratories, Philadelphia
Genre Doo-wop, rhythm and blues
Length2:45
Label Junior
Songwriter(s)
  • Earl Beal
  • Raymond Edwards
  • Richard Lewis
  • William Horton

"Get a Job" is a song by The Silhouettes released in November 1957. It reached the number one spot on the Billboard pop and R&B singles charts in February 1958, [1] and was later included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). [2] The song celebrates the virtues of securing gainful employment.

Contents

Background

"When I was in the service in the early 1950s and didn't come home and go to work, my mother said 'get a job' and basically that's where the song came from," said tenor Richard Lewis, who wrote the lyrics. [3] The four members of the group shared the credit, jointly creating the "sha na na" and "dip dip dip dip" hooks later imitated by other doo-wop groups.[ citation needed ]

It was recorded at Robinson Recording Laboratories in Philadelphia in October 1957. Rollee McGill played the saxophone break, and the arranger was Howard Biggs. Intended as the B-side to "I Am Lonely", [4] "Get a Job" was initially released on Kae Williams' Junior label; Williams, who was also a Philadelphia disc-jockey, was The Silhouettes' manager. [5] [6] Doug Moody, an executive at Ember Records, acquired the rights to the song for that label, where it was licensed for national distribution.

In early 1958, The Silhouettes performed "Get a Job" several times on American Bandstand and once on The Dick Clark Show , appearances that contributed to the song's success by exposing it to a large audience. [7] [lower-alpha 1] Ultimately the single sold more than a million copies. [9]

Personnel

Legacy

The song was later featured in the soundtracks of the movies American Graffiti (1973), Stand By Me (1986), Trading Places (1983), Get a Job (1985), Joey (1986), and Good Morning, Vietnam (1987).[ citation needed ] In the 1980s, the UK recruitment agency Brook Street Bureau used it in their two TV commercials, replacing the words "get a job" with "better job".[ citation needed ]

The revival group Sha Na Na derived their name from the song's doo-wop introduction. [4] They performed it at Woodstock in 1969. Sha Na Na in return, though under the spelling "Xanana" became the nickname of former East Timorese President and Prime Minister José Alexandre Gusmão, better known as "Xanana Gusmão". [10]

"Get a Job" inspired a number of answer songs, including "Got a Job", the debut recording by The Miracles. [11] Dennis Wilson, co-founder of the Beach Boys, believed that his group's song "She's Goin' Bald" (1967) paid homage to "Get a Job". [12] Several bars of "Get a Job" are quoted at the start of "The Obvious Child," the first track on Paul Simon's album The Rhythm of the Saints .

The famous line "yep yep yep yep yep um um um um get a job" was used in an episode of Married... with Children (Al Bundy tells his son Bud what he should do to earn money).

Album appearances

In addition to the 1973 American Graffiti soundtrack album (MCA2-8001), the song appears on the 1962 compilation Alan Freed's Top 15 (End LP 315), the 1964 compilation Original Golden Hits of the Great Groups Vol. III (Mercury MGH 25007), as well as the 1973 ABC Records compilation Rock 'N' Soul 1958 (ABCX-1958).

Cover versions

Australian band Ol' 55 covered the song on their album Take It Greasy (1976). It was recorded by Jan Berry of Jan & Dean on his 1997 solo album Second Wave. Other versions include those by the Hampton String Quartet (What if Mozart Wrote "Roll Over Beethoven"?), Neil Young & Crazy Horse ( Americana , 2012).[ citation needed ] and The Delltones. James Taylor did a rendition on his Other Covers album. The Mills Brothers (Dot Records 45-15695) 1958.

Television and film

In the 1984 "You and the Horse You Rode In On" episode 7 of season 2 of the TV series Hardcastle and McCormick , at 11 minutes and 2 seconds, this song is played during the sequence in which the character Mark McCormick is walking the streets in search of employment.

In 2004’s season 3, episode 8 of Aqua Teen Hunger Force, “The Mooninites: Final Mooning,” Meatwad recites the opening line of the song from an instruction page when attempting to use the Lunar Melting Amulet against Master Shake.

Note

  1. Bandstand was a Philadelphia show, broadcast nationally by ABC. Bandstand producer Tony Mammarella bought a share of the rights to "Get a Job" from Kae Williams, an example of the "pay for play" practices for which Clark, Mammarella and others were later rebuked during the payola scandal. [8]

See also

Related Research Articles

<span class="mw-page-title-main">Xanana Gusmão</span> 3rd president and 5th prime minister of East Timor

José Alexandre "Xanana" Gusmão is an East Timorese politician. He has served as the 6th prime minister of East Timor since 2023, previously serving in that position from 2007 to 2015. A former rebel, he also served as East Timor's first president since its re-establishment of independence, from 2002 to 2007.

<span class="mw-page-title-main">Doo-wop</span> Style of rhythm and blues music

Doo-wop is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s and continued to influence performers in other genres.

<span class="mw-page-title-main">Maybe (The Chantels song)</span>

"Maybe" is a song with words and music originally credited to End Records owner George Goldner and "Casey". The co-writing credit was later transferred to Richard Barrett. Arlene Smith, lead singer of the Chantels, is believed to be an uncredited co-writer. The song was first recorded by the Chantels on October 16, 1957, in a doo-wop style with Barrett playing piano, and released in December 1957. It climbed the charts in January 1958, reaching No. 15 in the Billboard Hot 100 and No. 2 in the Billboard R&B chart. It was subsequently described as "arguably, the first true glimmering of the girl group sound". Rolling Stone ranked it No. 199 on its list of The 500 Greatest Songs of All Time. It was also included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981).

<span class="mw-page-title-main">Danny & the Juniors</span> American doo-wop and rock and roll vocal group

Danny & the Juniors was an American doo-wop and rock and roll vocal group formed in Philadelphia, Pennsylvania. Originally consisting of Danny Rapp, Dave White, Frank Maffei and Joe Terranova, the group was formed in 1955. They are best known for their 1957 no. 1 hit "At the Hop" and their 1958 follow-up hit "Rock and Roll Is Here to Stay".

<span class="mw-page-title-main">Sha Na Na</span> American rock and roll band

Sha Na Na was an American rock and roll and doo-wop revival group formed in 1969. The group performed a song-and-dance repertoire based on 1950s hit songs that both revived and parodied the music and the New York City street culture of the 1950s. After gaining initial fame for their performance at the Woodstock Music and Art Fair, made possible with help from their friend Jimi Hendrix, the group hosted Sha Na Na, a syndicated variety series that ran from 1977 to 1981.

<span class="mw-page-title-main">The Silhouettes</span> American doo-wop group

The Silhouettes were an American doo wop/R&B group, whose single "Get a Job" was a number 1 hit on the Billboard R&B singles chart and pop singles chart in 1958. The doo-wop revival group Sha Na Na derived their name from the song's lyrics, later going on to perform "Get a Job" in the 1978 movie Grease, and the nickname "Xanana" of former East Timorese President and Prime Minister Xanana Gusmão is in return derived from the name of the band "Sha Na Na", though with the spelling changed to "Xanana" to conform with the spelling rules of both Portuguese and Tetum, both of East Timor's official languages. "Get a Job" is included in the soundtracks of the films American Graffiti, Trading Places, and Stand by Me. The Silhouettes performed in the 1986 movie Joey.

"Come Go With Me" is a song written by C. E. Quick, an original member of the American doo-wop vocal group the Del-Vikings. The song was originally recorded by The Del-Vikings in 1956 but not released until July 1957 on the Luniverse LP Come Go With The Del Vikings. The final version was released in the second week of January 1957 and was led by Gus Backus. When Joe Averbach, the owner of Fee Bee Records couldn't handle the demand, he signed with Dot Records in late January 1957; the song became a hit, peaking at No. 5 on the US Billboard Top 100 Pop Charts. It also reached No. 2 on the R&B chart.

The Rubinoos are an American power pop band that formed in 1970 in Berkeley, California. They are perhaps best known for their singles "I Think We're Alone Now", "I Wanna Be Your Boyfriend" (1979), and for the theme song to the 1984 film Revenge of the Nerds. Although "I Think We're Alone Now" has been their highest charting hit, reaching No.45 in 1977, the group has a significant enduring cult following among fans of the power pop genre.

<span class="mw-page-title-main">Silhouettes (The Rays song)</span> Original song written and composed by Bob Crewe and Frank Slay; first recorded by The Rays

"Silhouettes" is a song made famous by the doo-wop group the Rays in 1957, peaking at number 3 on the U.S Billboard Hot 100. A competing version by the Diamonds was also successful. In 1965 it was a number 5 hit in the US for Herman's Hermits, and in 1990 it was a number 10 hit in the UK for Cliff Richard.

<i>The Drifters Golden Hits</i> 1968 greatest hits album by The Drifters

The Drifters' Golden Hits is a 1968 compilation album by American doo wop/R&B vocal group The Drifters. The collection of the bands' later hits charted at #22 on Billboard's "Black Albums" chart and at #122 on the "Pop Albums" chart.

Gerald Granahan was an American singer, songwriter, and record producer, best known for his work in the 1950s and 1960s.

"Little Darlin'" is a popular Top 40 song, made famous by The Diamonds.

"Daddy Cool" is a song by US doo-wop group The Rays and was released on Cameo Records as the B-side of their 1957 single "Silhouettes". It became a No. 3 hit on the Billboard Pop singles chart. The song was written by Bob Crewe and Frank Slay, who had also written the A-side, "Silhouettes". The song became a No. 1 single on the Australian singles charts when covered by novelty band Drummond in 1971, and remained there for seven weeks. UK cover band Darts also had a hit single with the song, which reached No. 6 in 1977.

"Bad Girl" is a 1959 doo-wop single by The Miracles. Issued locally on the Motown Records label, it was licensed to and issued nationally by Chess Records because the fledgling Motown Record Corporation did not, at that time, have national distribution. It was the first single released on the Motown label – all previous singles from the company were released on Motown's Tamla label. Although The Miracles had charted regionally and on the R&B charts with several earlier songs, including "Got a Job", "I Cry", "I Need a Change", and "(You Can) Depend on Me", "Bad Girl" was their first national chart hit, reaching #93 on the Billboard Hot 100. Written by Miracles lead singer Smokey Robinson and Motown Records' President and Founder Berry Gordy, "Bad Girl" is a sad, remorseful ballad about a young woman, whom Robinson, as the narrator, says "was so good at the start", but who later in the song "is breaking my heart". It is in the popular doo-wop style, as several of The Miracles' songs were during the late 1950s. The record's success, coupled with the distributor's failure to pay Gordy and The Miracles properly for its sales, prompted Robinson to urge Gordy to "go national" with it, meaning that Motown should do its own national distribution of its songs, and eliminate the middleman, to ensure that all money from sales of its records would go directly to the label.

Anthony (Tony) Mammarella was the first producer and second host of American Bandstand.

"Pretty Little Angel Eyes" is a 1961 song by American singer Curtis Lee. It was released on Dunes Records, #45-2007. Phil Spector served as producer, and also produced Lee's follow-up hit "Under the Moon of Love".

<span class="mw-page-title-main">(Just Like) Romeo and Juliet</span> 1964 single by The Reflections

"(Just Like) Romeo and Juliet" is a song written by Bob Hamilton and Freddie Gorman, first made famous by the 1964 hit recording by the Reflections. The song is the first person narrative of a young man who plans to find a job so that he can buy his girlfriend presents and a car to take her out on dates. He fears that if he fails to find gainful employ, their love will fall apart, a situation he likens to the famous tragedy Romeo and Juliet.

<span class="mw-page-title-main">Howard Biggs</span> American pianist, songwriter and arranger (1916–1999)

Howard Maceo Biggs was an American pianist, songwriter and arranger. He is noted for his involvement with doo-wop and other styles including jazz, and was influential in the first days of rock and roll.

<i>Rock & Roll Is Here to Stay!</i> 1969 studio album by Sha Na Na

Rock & Roll Is Here to Stay! is the debut album by American doo-wop and rock & roll group Sha Na Na, issued in 1969 and reissued in 1973.

<i>Sha Na Na</i> (album) 1971 studio album by Sha Na Na

Sha Na Na is the second album by American doo-wop and rock & roll group Sha Na Na, issued in 1971.

References

  1. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 525.
  2. Christgau, Robert (1981). "A Basic Record Library: The Fifties and Sixties". Christgau's Record Guide: Rock Albums of the Seventies . Ticknor & Fields. ISBN   0899190251 . Retrieved March 16, 2019 via robertchristgau.com.
  3. "Get a Job – The Silhouettes". The Silhouettes. Retrieved 22 August 2010.
  4. 1 2 Larkin, Colin (2011). The Encyclopedia of Popular Music. Omnibus Press. p. 2817. ISBN   978-0-85712-595-8.
  5. Rosalsky, Mitch (2002). Encyclopedia of Rhythm & Blues and Doo-Wop Vocal Groups. Scarecrow Press. p. 518. ISBN   978-0-8108-4592-3.
  6. "Kae Williams". The Silhouettes. Retrieved 2 March 2015.
  7. "The Silhouettes and Dick Clark". The Silhouettes. Retrieved 2 March 2015.
  8. Scheurer, Timothy E. (1989). American Popular Music: The age of rock. Popular Press. pp. 81–82. ISBN   978-0-87972-468-9.
  9. Jasen, David A. (2013-10-15). A Century of American Popular Music. Routledge. ISBN   9781135352714.
  10. "Xanana Gusmao: From Guerrilla goalkeeper to president". Irish Examiner . Irish Examiner Ltd. April 16, 2002. Retrieved February 11, 2022.
  11. Gilliland, John (1969). "Show 25 – The Soul Reformation: Phase two, the Motown story. [Part 4]" (audio). Pop Chronicles . University of North Texas Libraries.
  12. Felton, David (1976). "The Healing of Brother Brian". Rolling Stone .