This article may rely excessively on sources too closely associated with the subject , potentially preventing the article from being verifiable and neutral.(September 2017) |
Gian Maria Annovi | |
---|---|
Born | February 1, 1978 |
Occupation | Poet, critic, scholar |
Nationality | Italian |
Period | 1998 - present |
Gian Maria Annovi (born February 1, 1978) is an Italian poet, essayist, and professor. He has published five collections of poetry, along with appearing in various literary journals, and anthologies. He is currently an Associate Professor of Italian and Comparative Literature at the University of Southern California. [1]
Gian Maria Annovi was born and raised in Italy. He studied Philosophy at the University of Bologna where he graduated with a dissertation on Giacomo Leopardi and Andrea Zanzotto (Special Mention, Giacomo Leopardi Prize). He then pursued graduate research in the field of Contemporary Italian Literature under the direction of Niva Lorenzini at the University of Bologna. After studying abroad at the Universitat de Barcelona, Spain, and at the University of California Los Angeles, Annovi attended Columbia University and pursued a Ph.D. in Italian Studies under the direction of Paolo Valesio. In 2011, his Ph.D. dissertation on writer and filmmaker Pier Paolo Pasolini received the ‘Pier Paolo Pasolini Award for Best Doctoral Dissertation’. [2] He taught at the University of Denver from 2011 to 2013 before joining USC.
As a scholar, Annovi has published a book on the relationship between subjectivity and corporeality in the poetry of Italian authors such as Rosselli, Zanzotto, Sanguineti, Porta, Spatola, and Pasolini. [3] In 2017, his second book, [4] Pier Paolo Pasolini: Performing Authorship, [5] received the XVI International Flaiano Prize for Italian Studies, and the Howard R. Marraro Prize for Italian Studies from the Modern Languages Association. [6] He is the editor of four volumes and the author of numerous book chapters and articles on Italian poetry, the Italian Neo-avant-garde, and Pier Paolo Pasolini. In 2015 he received a Creative Capital | The Andy Warhol Foundation Arts Writers Grant. [7]
He debuted as a poet at age twenty with a collection of poems entitled Denkmal (1998). [8] His second collection, Terza persona cortese (2007), received the Premio Mazzacurati-Russo. [9] In 2010, he published the bilingual collection Kamikaze e altre persone, with an introduction by Antonella Anedda, and an original EP by Joseph Keckler. In 2013, La scolta received the Premio Marazza. [10] The same year, Annovi won the Immaginare Poesia Prize [11] and Elena Baucke realized a short film based on one of his poems. [12] In 2024, his book Discomparse was a finalist for the Strega Prize for Poetry. [13] His work has been included in various anthologies and has been translated into English, [14] [15] French, and Spanish. [16]
In 2017, New York-based Italian composer, Roberto Scarcella Perino realized a madrigal for women’s choir and mezzo based on La scolta. [17] [18]
Salò, or the 120 Days of Sodom, billed on-screen as Pasolini's 120 Days of Sodom on English-language prints and commonly referred to as simply Salò, is a 1975 political drama crime film directed and co-written by Pier Paolo Pasolini. The film is a loose adaptation of the 1785 novel The 120 Days of Sodom by Marquis de Sade, updating the story's setting to the World War II era. It was Pasolini's final film, released three weeks after his murder.
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