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Giantesses are imaginary, gigantic women. They are widely believed to be mythological by the humans of modern-day, since the term "giantess" is so generic, it seems possible to describe female giants not native to Earth which fall under the very forgiving criteria as giantesses. This includes the female giant: either a mythical being, such as the Amazons of Greek mythology, resembling a woman of superhuman size and strength or a human woman of exceptional stature, often the result of some medical or genetic abnormality (see gigantism).
In 543, according to the folk etymology for the name of Neringa Municipality, there was a giantess girl named Neringa on the seashore formed the Curonian Spit, who helped fishermen. [1]
The Titanides, sisters and children of Titans, may not have originally been seen as giants, but later Hellenistic poets and Latin ones tended to blur Titans and Giants. In a surviving fragment of Naevius' poem on the Punic war, he describes the Gigantes Runcus and Purpureus (Porphyrion):
Eduard Fraenkel remarks of these lines, with their highly unusual plural Atlantes, "It does not surprise us to find the names Titani and Gigantes employed indiscriminately to denote the same mythological creatures, for we are used to the identification, or confusion, of these two types of monsters which, though not original, had probably become fairly common by the time of Naevius". [2] Other giantesses in Greek myth include Periboea, the princess of the giants that participated in the Gigantomachy, and the queen and princess of the Laestrygonians who participated in the attacking and devouring of Odysseus' crew.
Female jötnar have a prominent role in Nordic mythology, where they are referred to as gýgr, íviðja and tröllkona. While these terms are often glossed as "giantess", in texts containing the oldest traditions, they are often not notably large and the terms are often left untranslated. [3] [4] [5]
Notable gýgjar include:
Giantesses are fairly common in the Hindu religion. The demoness Putana (who attempted to kill the baby Krishna with poisoned milk from her breasts) is usually drawn as a giantess. [7]
Giantesses are common in the folklore of Britain and Ireland, Scotland and Wales. A notable giantess in Irish mythology is Bébinn who comes from a kingdom known as "The Land of Maidens" which is entirely populated by other giantesses, who are her one hundred and forty nine sisters, with the only males in her land being her father and three brothers.
In Turkish folklore, a man sucking milk of a "giant mother" (dev anası) is a common narrative. In this theme, a man is supposed to drink the milk of a giantess without being noticed. Thus, he will become an adoptive child of her and the giantess will not attack him. Those motives are encountered in stories such as Altın Bülbül (Golden Nightingale) and Seksen Göz (Eighty Eyes). [8]
In Lewis Carroll's story Alice's Adventures in Wonderland , there are several scenes where the heroine Alice grows to giant size by means of eating something (like a cake or a mushroom). Similarly Arthur C. Clarke's story Cosmic Casanova describes an astronaut's revulsion at discovering that an extraterrestrial female he adored on a video screen is in fact thirty feet tall.
Size-changing heroines have appeared in such comics as Doom Patrol , Mighty Avengers , Marvel Adventures Avengers , Team Youngblood , and Femforce . In the latter series, the giantess-superheroines Tara and Garganta combine immense size and strength with beauty and femininity, and have a cult following among both men and women. Conversely, size-changing villainesses, such as Wonder Woman foe Giganta, use their strength and beauty for less altruistic purposes as a weapon to crush their foes. Giantesses are also common in the manga and anime mediums of Japan. She-Hulk's nickname is "The Jade Giantess", due to the main character growing in size and more powerful when becoming She-Hulk.
The giantess also appears in modern-day art, illustration and fashion. UK based illustrator Emma Melton has used the giantess as a symbol in her illustrated fashion line 'Blessed by a Giantess', which aims to promote healthy body image in young girls and spread the message that 'We are all beautiful. [9]
The giantess theme has also appeared in motion pictures, often as a metaphor for female empowerment or played for absurd humor. The 1958 B-movie Attack of the 50 Foot Woman formed part of a series of size-changing films of the era which also included The Incredible Shrinking Man , The 30 Foot Bride of Candy Rock , and Village of the Giants . The 1993 remake of Attack of the 50 Foot Woman , starring Daryl Hannah in the title role, was advertised as a comedy; many scenes did parody earlier size-changing movies (most notably The Amazing Colossal Man), although the central theme was feminist. The heroine Nancy, formerly a cipher to her domineering father and husband, is empowered by her new-found size and starts to take control of her destiny, and encourages other women to do the same.
In Dude, Where's My Car? , five nubile female characters morph into an extraterrestrial 20 foot tall giantess played by Jodi Ann Paterson who picks up one of the characters and eats him. Talk to Her features a sequence in the style of early silent cinema called 'The Shrinking Lover,' where an accidentally shrunken scientist is rescued from his mother's clutches by his lover, who carries him home in her handbag. The shrunken scientist then roams his lover's body while she lies in bed. Monsters vs. Aliens features a satirization of Attack of the 50 Foot Woman in which the main protagonist, Susan Murphy, is clobbered by a radioactive meteor that causes her to grow up to 49 feet, 11½ inches, becoming Ginormica. In Attack of the 50 Foot Cheerleader , Cassie Stradford, a college student, steals a drug and injects herself with it to make her pretty. However, the drug had a side effect when she starts to grow taller and taller until she is a 50-foot-tall giantess. The Incredible Shrinking Woman , which parodies The Incredible Shrinking Man, ends with Lily Tomlin becoming a giantess.
Outside of Hollywood, giantesses have also appeared in special interest films. AC Comics giantess Garganta is featured in a live action DVD movie available from accomics.com entitled Gargantarama, which also includes giantess scenes from many movies as well as the feature length 1958 B-movie Attack of the 50 Foot Woman . Embracing the use of the giantess in popular culture, AC has made it a frequently recurring theme in their products.
Giantesses have also appeared in advertisement campaigns, with similar erotic/humorous intent. In 2003, a commercial for the Italian company Puma featured the theme. The giantess, played by model/actress Valentina Biancospino, stomps around town causing havoc and swallowing a man whole before finally picking up a man (played by Italian footballer Gianluigi Buffon) and kissing him.
Natasha Stefanenko plays a giantess in the Italian advert Natasha Stefanenko : La gigantessa, where she rescues a horse from a spaceship and puts it back in its place and she accidentally breaks a building by sitting on it and Anna Campori provides the voice of Natasha in this advert.
Giantesses have also appeared in some television series such as Genie in the House , Snorks , Schoolhouse Rock , Jackie Chan Adventures , Braceface , The Electric Company , The Muppet Show , Dexter's Laboratory , Futurama , Justice League Unlimited , Animaniacs , Toonsylvania , Kids Next Door , Archie's Weird Mysteries , Harley Quinn , The Powerpuff Girls in Attack of the Fifty Footed Woman, Totally Spies! episode in Attack Of The 50 Ft Mandy, Phineas and Ferb , and The 7D . The Snorks episode "The Littlest Mermaid" features a scene where a mermaid grows into a giantess caused by a machine. The Schoolhouse Rock episode "Unpack Your Adjectives" includes a scene where a tall girl grows into a 34-foot giantess, causing only her legs and sandals to be seen. She then stomps on a small boy who wouldn't stop laughing at how tall she grew. In the first episode of The Electric Company, Judy Graubart grows into a giantess while holding up a sign for the kid audience to read that says "giant".
Pamela Anderson plays a giantess version of her V.I.P. Character Vallery Irons in the music video for the song "Miserable" by the rock group Lit. In the video, the band members perform on Anderson's body and are eventually devoured by her at the end.
Kylie Minogue appears as a giantess in the music video for the single "Giving You Up". [10]
Lana Del Rey plays a giantess walking around Los Angeles in the music video for her cover of Sublime's "Doin' Time".
Baldr is a god in Germanic mythology. In Norse mythology, he is a son of the god Odin and the goddess Frigg, and has numerous brothers, such as Thor and Váli. In wider Germanic mythology, the god was known in Old English as Bældæġ, and in Old High German as Balder, all ultimately stemming from the Proto-Germanic theonym *Balðraz.
The terms Jötunheimr or Jötunheimar refer to either a land or multiple lands respectively in Nordic mythology inhabited by the jötnar.
Loki is a god in Norse mythology. He is the son of Fárbauti and Laufey, and the brother of Helblindi and Býleistr. Loki is married to the goddess Sigyn and they have two sons, Narfi or Nari and Váli. By the jötunn Angrboða, Loki is the father of Hel, the wolf Fenrir and the world serpent Jörmungandr. In the form of a mare, Loki was impregnated by the stallion Svaðilfari and gave birth to the eight-legged horse Sleipnir.
In folklore, giants are beings of humanoid appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word giant is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the Gigantes of Greek mythology.
Hel is an afterlife location in Norse mythology and paganism. It is ruled over by a being of the same name, Hel. In late Icelandic sources, varying descriptions of Hel are given and various figures are described as being buried with items that will facilitate their journey to Hel after their death. In the Poetic Edda, Brynhildr's trip to Hel after her death is described and Odin, while alive, also visits Hel upon his horse Sleipnir. In the Prose Edda, Baldr goes to Hel on his death and subsequently Hermóðr uses Sleipnir to attempt to retrieve him.
In Norse mythology, Ymir, also called Aurgelmir, Brimir, or Bláinn, is the ancestor of all jötnar. Ymir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional material, in the Prose Edda, written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the Poetic Edda refer to Ymir as a primeval being who was born from atter, yeasty venom that dripped from the icy rivers called the Élivágar, and lived in the grassless void of Ginnungagap. Ymir gave birth to a male and female from his armpits, and his legs together begat a six-headed being. The grandsons of Búri, the gods Odin, Vili and Vé, fashioned the Earth from his flesh, from his blood the ocean, from his bones the mountains, from his hair the trees, from his brains the clouds, from his skull the heavens, and from his eyebrows the middle realm in which mankind lives, Midgard. In addition, one stanza relates that the dwarfs were given life by the gods from Ymir's flesh and blood.
Bestla is a jötunn in Norse mythology, and the mother of the gods Odin, Vili and Vé. She is also the sister of an unnamed man who assisted Odin, and the daughter of the jötunn Bölþorn. Odin is frequently called "Bestla's son" in both skaldic verses and the Poetic Edda.
Gjálp and Greip are two jötnar in Norse mythology and the daughters of the jötunn Geirröðr. They are killed by the thunder god Thor for trying to kill him.
Þökk is a jötunn in Norse mythology, presumed to be Loki in disguise, who refuses to weep for the slain Baldr, thus forcing Baldr to stay in Hel.
In Norse mythology, Þjazi was a jötunn. He was a son of the jötunn Ölvaldi, brother of Iði and Gangr, and the father of Skaði. His most notable misdeed was the kidnapping of the goddess Iðunn, which is related in both the Prose Edda and the skaldic poem Haustlöng.
A jötunn is a type of being in Germanic mythology. In Norse mythology, they are often contrasted with gods and other non-human figures, such as dwarfs and elves, although the groupings are not always mutually exclusive. The entities included in jötunn are referred to by several other terms, including risi, þurs and troll if male and gýgr or tröllkona if female. The jötnar typically dwell across boundaries from the gods and humans in lands such as Jötunheimr.
Angrboða is a jötunn in Norse mythology. She is the mate of Loki and the mother of monsters. She is only mentioned once in the Poetic Edda as the mother of Fenrir by Loki. The Prose Edda (Gylfaginning) describes her as "a giantess in Jötunheimar" and as the mother of three monsters: the wolf Fenrir, the Midgard serpent Jörmungandr, and the ruler of the dead Hel.
Valhalla is a Danish comic series, which offers a comedic view of the gods of Norse mythology. Originally commissioned for and published by Interpresse, it has been published by Carlsen Comics since 1978. In 1986, Valhalla was adapted into an animated feature film the studio A Film. On October 10, 2019, a more serious and dark live action adaptation was released.
Haustlǫng is a skaldic poem composed around the beginning of the 10th century by the Norwegian skald Þjóðólfr of Hvinir.
Hyrrokkin is a female jötunn in Norse mythology. According to 13th-century poet Snorri Sturluson, she launched the largest of all ships at Baldr's funeral after the Æsir gods were unable to budge the vessel.
Harðgreipr is a jötunn in Norse mythology. In Gesta Danorum, she is the daughter of the jötunn Vagnophtus and the nurse of the Danish hero Hadingus.
Eggþér is a jötunn in Norse mythology. He is the herder of the female jötunn who lives in Járnviðr (Ironwood) and raises monstrous wolves. In the poem Völuspá, Eggþér is described as sitting on a mound and joyfully striking his harp while the red rooster Fjalarr begins to crow to herald the onset of Ragnarök.
Litr is the name borne by a dwarf and a jötunn in Norse mythology.
Norse Mythology is a 2017 book by Neil Gaiman, which retells several stories from Norse mythology. In the introduction, Gaiman describes where his fondness for the source material comes from. The book received positive reviews from critics.