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Type | Private company |
---|---|
Industry | Entertainment |
Founded | 2007 |
Founder | Doug Fitch Edouard Getaz Fredric Gumy |
Headquarters | New York City, US |
Area served | Worldwide |
Website | http://GiantsAreSmall.com |
Giants Are Small is an entertainment company based in Brooklyn, New York. [1] [2] Founded in 2007 by visual artist/director Doug Fitch, producer/filmmaker Edouard Getaz and multimedia entrepreneur Frederic Gumy, the company produces live and digital entertainment ranging from opera and ballet to family entertainment. [3]
Doug Fitch and Edouard Getaz met in 2005, shortly before the production of The Soldier's Tale , which Fitch was invited to direct for the New York Philharmonic. Getaz stepped in at the last minute and became the de facto producer of the show. The production brought Fitch’s drawings to life by filming them live on stage, animated by puppeteers; while the orchestra performed the music and actors narrated the story. The miniature world created by the puppeteers was simultaneously projected on a giant screen above the orchestra. The result, dubbed “live-animation”, became a signature technique used by Giants Are Small in many of its shows.
Edouard Getaz, a longtime concert and multimedia producer and filmmaker, [4] and Frederic Gumy, a multimedia entrepreneur, who had known each other from their days in Switzerland, had plans to develop a production company in the US and went on to partner with Fitch, who was already an established visual artist and opera director in the US. Shortly after forming Giants Are Small in 2007, the trio entered into an agreement with the Los Angeles Philharmonic to present an adaptation of Peter and the Wolf at the Walt Disney Concert Hall. [5]
Fitch's and Getaz' first collaboration, Igor Stravinsky's The Soldier's Tale , was presented in 2005 at the Avery Fisher Hall, Lincoln Center, New York City. [6] It was presented by the New York Philharmonic, directed by Doug Fitch and produced by Edouard Getaz. Working with filmmaker Kitao Sakurai, Fitch developed a toy theater employing hundreds of puppets, drawings and miniature landscapes – a low-tech, hand-made little world enhanced with digital imagery created by Kasumi. Valeria Madonia danced the part of the Princess. Her performance was pre-recorded and mixed into the miniature world of drawn characters. F. Murray Abraham was the narrator. Marian Seldes was the devil and actor Tim Blake Nelson was the Soldier. This was the first time live animation — a technique featuring the animation of miniature elements in front of a camera to create moving images that are projected on a large screen in real time in synch with the orchestra’s performance — was brought to an audience of close to 3,000 people per night.
In 2008 the company presented a new version of Sergei Prokofiev’s Peter and the Wolf with the Los Angeles Philharmonic in a production that merged live classical music, live animation, and video effects together in real time. The show was directed by Doug Fitch and produced by Edouard Getaz. The story of Peter and the Wolf was preceded by a prequel by Giants Are Small called Peter and the Duck, featuring all the characters of Sergei Prokofiev's original story, but taking place in contemporary Hollywood. The piece featured excerpts from iconic pieces of classical music (including Gershwin's Rhapsody in Blue and Peer Gynt's Hall of the Mountain King, plus music from Ravel, Nielsen, Shostakovitch, Schuman, Elgar and others). The production was presented at the Walt Disney Concert Hall in September and October 2008 and played to nearly 15,000 people. Lionel Bringuier was conducting. Narrated by Michael Goldstrom.
In 2010, Giants Are Small created a production of György Ligeti’s absurdist opera Le Grand Macabre with the New York Philharmonic, directed by Doug Fitch (who also designed the set), conducted by Alan Gilbert and produced by Edouard Getaz. The production, which was sold out before it opened, was elected "Best Opera of the Year" by the New York Times, [7] the New York Magazine [8] and TimeOut NY. [9] The production featured a cast that included Eric Owens, Melissa Parks, Barbara Hannigan, Anthony Roth Costanzo and Mark Schowalter. Costumes were designed by Catherine Zuber and the lighting was designed by Clifton Taylor. Giants Are Small's live animation was created from drawings and designs by Doug Fitch. The show was presented at Avery Fisher Hall, Lincoln Center.
In 2011, Giants Are Small and the New York Philharmonic paired again to present a new production of Leoš Janáček's The Cunning Little Vixen , directed by Doug Fitch (who also designed the costumes and co-designed the set with Skip Mercier), conducted by Alan Gilbert and produced by Edouard Getaz. The show was choreographed by Karole Armitage and featured a large cast, including Isabel Bayrakdarian, Alan Opie, Melissa Parks and the Metropolitan Opera Children’s Chorus. The production was elected “Best Classical Performance of the Year 2011” by New York Magazine. [10] The show was presented at Avery Fisher Hall, Lincoln Center.
Giants Are Small and the New York Philharmonic collaborated on Igor Stravinsky’s ballet Petrushka , which was conducted by Alan Gilbert, directed and designed by Doug Fitch, and video directed and produced by Edouard Getaz in June 2013 at Avery Fisher Hall, Lincoln Center. [11] [12] The show was partially based on a version developed in 2008 at the University of Maryland, directed by Doug Fitch in collaboration with conductor James Ross. [13] The show included two works by Igor Stravinsky, The Fairy's Kiss (original title: Le baiser de la fée ) and Petrushka , as well as one excerpt of Louis Durey's Neige. New York City Ballet's Sara Mearns was the star ballerina, representing various characters throughout the show, in a choreography by Karole Armitage. [14] The production featured a mix of music, live filmmaking and puppetry, and ballet; it illustrated the journey of a young ballerina who gets caught in the story of her own imagination; as she realizes her desire to become a great dancer, she progressively loses her ability to have an ordinary life as the demons of ambition and love claim her as their subservient subject. [15]
Part of the Zurich Meets New York Festival, organized by the Swiss Consulate in New York, Dadabomb was a performance event celebrating Dadaism that took place at The White Box and The Box in New York City, co-curated by Doug Fitch and Edouard Getaz, and produced by Getaz. [16] Focused on the theme of “The Death of Privacy,” the event included singers Justin Vivian Bond and Anthony Roth Costanzo, Broadway director Doug Hughes, Swiss performance artist Clarina Bezzola, dancer/choreographer Craig Salstein. [17]
This comic opera by Heinz Karl Gruber explores life in the imaginative world of the heroine pig, Gloria. Presented at the Metropolitan Museum of Art in May–June, 2014 as part of the New York Philharmonic Biennale, Gloria: A Pig Tale was directed and by Doug Fitch, and produced by Edouard Getaz; Alan Gilbert conducted the Juilliard School’s Axiom Ensemble. [18] [19]
In April 2015, Giants Are Small and the New York Philharmonic presented a new adaptation of Petrushka in London at the Barbican Centre. This was the European première of a Giants Are Small production. Directed and designed by Doug Fitch, produced by Edouard Getaz (also credited as video director) and conducted by Alan Gilbert, the production featured puppetry directed by Tom Lee and pre-recorded video appearances by dancer Sara Mearns (Colombine), bass-baritone Eric Owens (The Moor), and countertenor Anthony Roth Costanzo (Petrushka). [20]
After the success of Peter and the Wolf with the Los Angeles Philharmonic, Giants Are Small has been working on a new adaptation for a touring production. [21] For this purpose, the company has led various workshops and has been experimenting with state-of-the-art technology. The show was in development for a theatre in the round tented production, with plans to tour the major cities in the US and Europe.
A film based on Giants Are Small’s production of A Dancer’s Dream for the New York Philharmonic's program, A Dancer's Dream: Two Works by Stravinsky was distributed in cinemas in the US by SpectiCast beginning September 2013. [22] [23] The film, directed by Habib Azar, features the complete production and behind-the-scenes footage, as well as an intermission feature on Stravinsky's history with the New York Philharmonic, including material from the New York Philharmonic Digital Archives.
Starring the puppet Wigglesworth, “W Hot Culture” is a series of brief web shows focused on New York cultural events. The series was produced and directed byDoug Fitch and Edouard Getaz, with Fitch performing the puppet Wigglesworth. Guest stars included fashion designer Isaac Mizrahi, actress Sigourney Weaver, opera singer Deborah Voigt, and other arts and show business personalities. [24] [25] A short documentary on the making of the series, directed by journalist Axel Gerdau, was aired on the JetBlue / New York Times video channel. [26]
In November 2015, in co-production with Universal Music and its classical music label Deutsche Grammophon, Giants Are Small launched Peter and the Wolf in Hollywood, based on the classic 1937 work by Russian composer Sergei Prokofiev, a project appearing in app, CD, and digital album formats. [27] [28] [29] Co-directed by Doug Fitch (also credited as designer and illustrator) and Edouard Getaz (also credited as producer, video director, and sound designer), the project features the Prokofiev work combined with an original prequel that’s accompanied by a selection of musical works by classical composers such as Richard Wagner, Robert Schumann, Gustav Mahler, and Eric Satie. [30] The project is narrated in English by rock musician Alice Cooper; in German (Peter und der Wolf in Hollywood) by rock musician Campino, lead singer of the Düsseldorf band Die Toten Hosen [31] [32] and in Dutch (Peter En De Wolf In Hollywood) by Dutch actor/comedian Paul Haenen. Giants Are Small's co-founder Frederic Gumy is credited as producer. [33]
Over the years, Giants Are Small has developed an ongoing relationship with New York Philharmonic's Music Director and conductor Alan Gilbert, which has led to five collaborations Le Grand Macabre , The Cunning Little Vixen , A Dancer's Dream , Gloria: A Pig Tale , and Petrushka ). [34] The company has also worked on an ongoing basis with lighting designer Clifton Taylor, set designer Skip Mercier, [35] kinetic sculptor Chris Fitch, projection designer Marty Brinkerhoff [36] and filmmaker Andrei Severny. Giants Are Small collaborated with costume designer Catherine Zuber for their production of Le Grand Macabre, [37] and choreographer Karole Armitage for The Cunning Little Vixen and A Dancer's Dream. [38] Artists with whom Giants Are Small have collaborated with include dancer Sara Mearns, rock musicians Alice Cooper and Campino, conductor Alexander Shelley, and music producer Sid McLauchlan. [39]
Igor Fyodorovich Stravinsky was a Russian composer and conductor with citizenship in France and the United States. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
The Rite of Spring is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
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The Firebird is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. The Firebird was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame, and leading to future Diaghilev-Stravinsky collaborations like Petrushka (1911) and The Rite of Spring (1913).
Petrushka is a ballet by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan.
Histoire du soldat, or Tale of the Soldier, as it was first published, is an hour-long 1918 theatrical work to be "read, played and danced (lue, jouée et dansée)" by three actors, one or more dancers, and a septet of instruments. Its music is by Igor Stravinsky, its libretto, in French, by Swiss writer Charles Ferdinand Ramuz; the two men conceived it together, their basis being the Russian tale The Runaway Soldier and the Devil in the collection of Alexander Afanasyev.
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The Théâtre des Champs-Élysées is an entertainment venue standing at 15 avenue Montaigne in Paris. It is situated near Avenue des Champs-Élysées, from which it takes its name. Its eponymous main hall may seat up to 1,905 people, while the smaller Comédie and Studio des Champs-Élysées above the latter may seat 601 and 230 people respectively.
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Punch and Judy is a chamber opera with music by Harrison Birtwistle and a libretto by Stephen Pruslin, based on the puppet figures of the same names. Birtwistle wrote the score from 1966 to 1967. The opera was first performed at the Aldeburgh Festival, which had commissioned the work, on 8 June 1968, with David Atherton conducting the English Opera Group. The premiere cast included John Cameron as Mr Punch.
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Doug Fitch is a polymath American visual artist and director. He is most well known for his opera productions, but his body of work spans multiple media, from drawing and sculpture to theater, architecture, and food.
Špalíček is a 1932 three-act folk ballet composed by Bohuslav Martinů. It premiered in 1933 in Prague with the subtitle "Ballet from folk games, customs, and fairytales - Ballet-revue". The title is taken from the folk-song collections hawked at fairs around Bohemia in the 1700s.
Anthony Roth Costanzo is an American countertenor, actor, and producer who has led performances at opera companies around the world. Beginning his career in musical theatre at the age of 11, he has since been featured at the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, English National Opera, Los Angeles Opera, and Glyndebourne Opera Festival, as well as in concert with the New York Philharmonic, Berlin Philharmonic, San Francisco Symphony, London Symphony Orchestra, Cleveland Orchestra, and National Symphony Orchestra. In 2012, he won first place at Plácido Domingo's international opera competition Operalia and, in 2009, was a Grand Finals Winner of the Metropolitan Opera National Council Auditions. As an actor, he has performed in several films, including the Merchant Ivory film A Soldier's Daughter Never Cries, for which he was nominated for an Independent Spirit Award. As a producer and curator, he has created shows for National Sawdust, Opera Philadelphia, the Philharmonia Baroque, Princeton University, WQXR, The State Theater in Salzburg, MasterVoices, and Kabuki-za Tokyo. Costanzo is a graduate of Princeton University, where he has returned to teach, and he received his master's degree from the Manhattan School of Music.