| Gold Edition | ||||
|---|---|---|---|---|
 | ||||
| Box set by | ||||
| Released | 2007 | |||
| Recorded | 1970–1997 | |||
| Genre | Progressive rock Symphonic rock | |||
| Length | 126:56 | |||
| Label | Nun Entertainment Edel | |||
| Emerson, Lake & Palmer chronology | ||||
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Gold Edition is a 3-disc box set by Emerson, Lake & Palmer released in 2007. [1] The Box Set released in the UK under the label Nun Entertainment Edel and produced Greg Lake. [2]
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Emerson, Lake & Palmer were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of the Nice, Greg Lake of King Crimson, and Carl Palmer of Atomic Rooster. With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano.
Pictures at an Exhibition is a live album by English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It features the group's rock adaptation of Pictures at an Exhibition by Modest Mussorgsky, performed at Newcastle City Hall on 26 March 1971.
Tarkus is the second studio album by English progressive rock band Emerson, Lake & Palmer, released on 14 June 1971 on Island Records. Following their debut tour across Europe during the second half of 1970, the group paused touring commitments in January 1971 to record a new album at Advision Studios in London. Greg Lake produced the album with Eddy Offord as engineer.
Brain Salad Surgery is the fourth studio album by English progressive rock band Emerson, Lake & Palmer, released on 7 December 1973 by their new record label, Manticore Records, and distributed by Atlantic Records.
Works Volume 1 is the fifth studio album by English progressive rock band Emerson, Lake & Palmer, released as a double album in March 1977 on Atlantic Records. Following their world tour supporting Brain Salad Surgery (1973), the group took an extended break before they reconvened in 1976 to record a new album. They were now tax exiles and recorded new material in London and overseas in Montreux, Switzerland and Paris, France. Works Volume 1 features a side dedicated for each member to write and arrange their own tracks, while the fourth side features songs performed collectively. Keith Emerson recorded his Piano Concerto No. 1, Greg Lake wrote several songs with lyricist Peter Sinfield, and Carl Palmer recorded tracks of varied musical styles.
Works Volume 2 is the sixth studio album by Emerson, Lake & Palmer, released in November 1977. Unlike Works Volume 1, Works Volume 2 was a single album compilation of leftover tracks from other album sessions, similar to the Who's Odds & Sods or Led Zeppelin's Coda. While many derided the album for its apparent lack of focus, others praised it for showing a different side of the band than usual, with blues, bluegrass and jazz being very prominent as musical genres in this recording.
Gregory Stuart Lake was an English bassist, guitarist, singer, and songwriter. He gained prominence as a founding member of the progressive rock bands King Crimson and Emerson, Lake & Palmer (ELP).
Trilogy is the third studio album by English progressive rock supergroup Emerson, Lake & Palmer, released in June 1972, by Island Records. The group had spent most of 1971 touring, and paused in September so they could record a new album at Advision Studios with Eddy Offord resuming his role as engineer. It would be his last with the group, as he later elected to work full-time with Yes. The album features "Hoedown", an arrangement of Aaron Copland's ballet composition which became a live favourite.
Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen is the second live album by the English progressive rock band Emerson, Lake & Palmer, released as a triple album in August 1974 on Manticore Records. It was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California, during the group's 1973–74 world tour in support of their fourth studio album, Brain Salad Surgery (1973).
Emerson, Lake & Palmer is the debut studio album by English progressive rock band Emerson, Lake & Palmer. It was released in the United Kingdom by Island Records in November 1970, and in the United States by Cotillion Records in January 1971. After the group formed in the spring of 1970, they entered rehearsals and prepared material for an album which became a mix of original songs and rock arrangements of classical music. The album was recorded at Advision Studios in July 1970, when the band had yet to perform live. Lead vocalist and bassist/guitarist Greg Lake produced it.
Love Beach is the seventh studio album by English progressive rock band Emerson, Lake & Palmer. It was released on 17 November 1978 by Atlantic Records as their final studio album released prior to their split in the following year. By the end of their 1977–1978 North American tour internal relations had started to deteriorate, but the group were contractually required to produce one more album. They retreated to Nassau, Bahamas as tax exiles to record Love Beach with lyricist Peter Sinfield who is credited as a co-writer of each track. After Greg Lake and Carl Palmer had finished recording their parts they left the island, leaving Keith Emerson to finish the album himself.
"Tarkus" is the title track of Emerson, Lake & Palmer's second album. The progressive rock epic lasts 20:35. It was the longest studio suite by the band until the three impressions of "Karn Evil 9". The name "Tarkus" refers to the armadillo-tank from the William Neal paintings on the album cover. The artist has explained that the name is an amalgamation between 'Tartarus' and 'carcass'. Consequently, the name refers to the "futility of war, a man made mess with symbols of mutated destruction." The song "Tarkus" supposedly follows the adventures of Tarkus from his birth, through a fight with a manticore, which he loses and concludes with an aquatic version of Tarkus named "Aquatarkus". Keith Emerson, when asked what work he is proudest of, named his "Piano Concerto" and "Tarkus".
Emerson, Lake & Powell is the only studio album by English progressive rock band Emerson, Lake & Powell, released on 26 May 1986 by Polydor Records.
The Return of the Manticore is a 4-disc retrospective on the career of the band Emerson, Lake & Palmer. It was released in 1993, and features several new recordings of previously released songs, most notably a studio recording of "Pictures at an Exhibition," presented in Dolby Surround Sound. Also, a live recording of Dave Brubeck's "Rondo" features on disc 2; the track, although performed by ELP in concert from the band's inception, was previously unreleased on any live or studio album by ELP. This rendition was recorded at the Lyceum Theatre on December 9, 1970. The version of "Pirates" is a new, exclusive remix.
"Lucky Man" is a song by the English progressive rock supergroup Emerson, Lake & Palmer, from the group's 1970 self-titled debut album. Written by Greg Lake when he was 12 years old and recorded by the trio using improvised arrangements, the song contains one of rock music's earliest instances of a Moog synthesizer solo. "Lucky Man" was released as a single in 1970 and reached the top 20 in the Netherlands. The song also charted in the United States and Canada. The single was re-released in 1973 and charted again in the U.S. and Canada.
A Time and a Place is a box set by Emerson, Lake & Palmer. It was released in 2010. The box set takes its name from the band's 1971 song "A Time and a Place".
Live at the Mar y Sol Festival '72 is a live album by British progressive rock band Emerson, Lake & Palmer, released in 2011. It was recorded on 2 April 1972 at the Mar y Sol Pop Festival in Puerto Rico.
"Fanfare for the Common Man" is an instrumental piece of music adapted and played by the English progressive rock band Emerson, Lake & Palmer, from the group's 1977 Works Volume I album. Adapted by Keith Emerson from Aaron Copland's 1942 piece of the same name, it is one of their most popular and enduring pieces.
Mar y Sol: The First International Puerto Rico Pop Festival is the live album of the 1972 Mar y Sol Pop Festival. Released on Atlantic Records label as a set of 2 LPs in 1972. This album was never released on CD. Some tracks from this album were later released by their respective performers including Allman Brothers Band, John Baldry, Cactus, Emerson, Lake & Palmer, Mahavishnu Orchestra and Nitzinger.
"Tiger in a Spotlight" is a song by the progressive rock band Emerson, Lake & Palmer. It was recorded in 1973, but not released until 1977, when it was released on the album Works Volume 2. "Tiger in a Spotlight" was also released as a single, and became a staple in Emerson, Lake & Palmer later concerts.