| In the Hot Seat | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 27 September 1994 | |||
| Studio | Goodnight L.A. Studios, Los Angeles, California | |||
| Genre | Progressive rock, pop rock, synth-pop | |||
| Length | 46:05 | |||
| Label | Victory | |||
| Producer | Keith Olsen | |||
| Emerson, Lake & Palmer chronology | ||||
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In the Hot Seat is the ninth and final studio album by English progressive rock band Emerson, Lake & Palmer, released on 27 September 1994 by Victory. Recorded at Goodnight L.A. Studios in Los Angeles, it was produced by Keith Olsen.
The making of the album was complicated by health issues encountered by both keyboard player Keith Emerson and drummer Carl Palmer. Emerson had trouble with the ulnar nerve, which made it difficult for him to control his right hand. As the prognosis for recovery after the surgical treatment was not promising, he had to overdub the right-hand parts with his left hand. Palmer suffered problems with carpal tunnel syndrome, which led to numbness in his fingers. He underwent surgery to correct the issue. [1]
"Daddy" was written by Lake in memory of missing child Sara Anne Wood and was used to raise awareness of missing and abducted children. The royalties from the song initially brought in $5,000 and were donated to the Sara Anne Wood Rescue Center, a national non-profit foundation established by Wood's father. [2]
"Street War" originated in summer 1988 sessions by Lake with Geoff Downes under the project name Ride the Tiger, but was reworked for this album by adding and rewriting lyrics and composing new music. Ride the Tiger was finally released in 2015.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [3] |
The album was a commercial flop. It received very little airplay and was the only Emerson, Lake & Palmer studio recording not to chart on the US Billboard 200. In the Hot Seat is their least-selling album. [1] Marc Loren of AllMusic rated In the Hot Seat 1.5 out of 5 stars, saying it "falls short on so many levels that not even the talents of three phenomenal musicians can save it," and named "Hand of Truth" and "Daddy" as among the few highlights. [3] Keith Olsen later regretted having produced the album, saying it had "No songs, no preparation, no work ethic," [4] while Carl Palmer described the album as "dreadful". [5]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Hand of Truth" | Keith Emerson, Greg Lake | 5:23 |
| 2. | "Daddy" | Lake | 4:42 |
| 3. | "One by One" | Emerson, Lake, Keith Olsen | 5:08 |
| 4. | "Heart on Ice" | Lake, Olsen | 4:20 |
| 5. | "Thin Line" | Bill Wray, Olsen, Emerson | 4:46 |
| 6. | "Man in the Long Black Coat" | Bob Dylan (arrangement: Emerson) | 4:12 |
| 7. | "Change" | Wray, Emerson, Olsen | 4:44 |
| 8. | "Give Me a Reason to Stay" | Steve Diamond, Sam Lorber | 4:14 |
| 9. | "Gone Too Soon" | Lake, Wray, Keith Wechsler | 4:12 |
| 10. | "Street War" | Emerson, Lake | 4:24 |
| Total length: | 46:05 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 11. | "Pictures at an Exhibition (Studio Version)" a. "Promenade" b. "The Gnome" c. "Promenade" d. "The Sage" e. "The Hut of Baba Yaga" f. "The Great Gates of Kiev" | Modest Mussorgsky, Lake (arrangement: Emerson, Carl Palmer; lyrics: Lake) Mussorgsky (arrangement: Emerson) Mussorgsky (arrangement: Palmer) Mussorgsky (lyrics: Lake) Lake Mussorgsky (arrangement: Emerson) Mussorgsky (arrangement: Emerson; lyrics: Lake) | 15:29 1:45 2:07 1:45 3:10 1:15 5:23 |
| Total length: | 61:34 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 12. | "Hammer It Out" | Emerson | 2:36 |
| Total length: | 64:10 | ||
2017 Deluxe Edition
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Hand of Truth" | Keith Emerson, Greg Lake | 5:23 |
| 2. | "Daddy" | Lake | 4:42 |
| 3. | "One by One" | Emerson, Lake, Keith Olsen | 5:08 |
| 4. | "Heart on Ice" | Lake, Olsen | 4:20 |
| 5. | "Thin Line" | Bill Wray, Olsen, Emerson | 4:46 |
| 6. | "Man in the Long Black Coat" | Bob Dylan (arrangement: Emerson) | 4:12 |
| 7. | "Change" | Wray, Emerson, Olsen | 4:44 |
| 8. | "Give Me a Reason to Stay" | Steve Diamond, Sam Lorber | 4:14 |
| 9. | "Gone Too Soon" | Lake, Wray, Keith Wechsler | 4:12 |
| 10. | "Street War" | Emerson, Lake | 4:24 |
| 11. | "Pictures at an Exhibition" a. "Promenade" b. "The Gnome" c. "Promenade" d. "The Sage" e. "The Hut of Baba Yaga" f. "The Great Gates of Kiev" (Bonus track -) | Modest Mussorgsky, Lake (arrangement: Emerson, Carl Palmer; lyrics: Lake) Mussorgsky (arrangement: Emerson) Mussorgsky (arrangement: Palmer) Mussorgsky (lyrics: Lake) Lake Mussorgsky (arrangement: Emerson) Mussorgsky (arrangement: Emerson; lyrics: Lake) | 15:29 1:45 2:07 1:45 3:10 1:15 5:23 |
| 12. | "A Time and a Place" (Bonus track - Now Tour '97 / '98 (2017 Remaster)) | Emerson, Lake, Palmer | |
| 13. | "Piano Concerto No. 1: Third Movement: Toccata Con Fuogo" (Bonus track - Now Tour '97 / '98 (2017 Remaster)) | Emerson |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "From The Beginning" | Lake | |
| 2. | "Karn Evil 9: 1st Impression Part 2" | Emerson, Lake | |
| 3. | "Tiger In A Spotlight" | Emerson, Lake, Palmer, Sinfield | |
| 4. | "Hoedown" | Copeland:Arr. Emerson, Lake, Palmer | |
| 5. | "Touch And Go" | Emerson, Lake | |
| 6. | "Knife Edge" | Leoš Janáček & J.S. Bach:Arr. Emerson, Lake, Palmer/Fraser | |
| 7. | "Bitches Crystal" | Emerson, Lake | |
| 8. | "Honky Tonk Train Blues" | Meade Lux Lewis | |
| 9. | "Take A Pebble" | Lake | |
| 10. | "Lucky Man" | Lake | |
| 11. | "Fanfare For The Common Man / Rondo" | Copeland:Arr. Emerson, Lake, Palmer / Brubeck:Arr. Emerson, Lake, Palmer | |
| 12. | "21st Century Schizoid Man / America" | Fripp, Giles, Lake, McDonald, Sinfield / Bernstein, Sondheim |
| Chart (1994) | Peak position |
|---|---|
| Japanese Albums (Oricon) [7] | 60 |
Emerson, Lake & Palmer were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of The Nice, Greg Lake of King Crimson, and Carl Palmer of Atomic Rooster. With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano.
Keith Noel Emerson was an English keyboardist, songwriter, composer and record producer. He played keyboards in a number of bands before finding his first commercial success with the Nice in the late 1960s. He became internationally famous for his work with the Nice, which included writing rock arrangements of classical music. After leaving the Nice in 1970, he was a founding member of Emerson, Lake & Palmer (ELP), one of the early progressive rock supergroups.
Pictures at an Exhibition is a live album by English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It features the group's rock adaptation of Pictures at an Exhibition, the piano suite by Modest Mussorgsky, performed at Newcastle City Hall on 26 March 1971.
Tarkus is the second studio album by English progressive rock band Emerson, Lake & Palmer, released on 14 June 1971 on Island Records. Following their debut tour across Europe during the second half of 1970, the group paused touring commitments in January 1971 to record a new album at Advision Studios in London. Greg Lake produced the album with Eddy Offord as engineer.
Works Volume 1 is the fifth studio album by English progressive rock band Emerson, Lake & Palmer, released as a double album on 25 March 1977 on Atlantic Records. Following their world tour supporting Brain Salad Surgery (1973), the group took an extended break before they reconvened in 1976 to record a new album. They were now tax exiles and recorded new material in London and overseas in Montreux, Switzerland and Paris, France. Works Volume 1 features a side dedicated for each member to write and arrange their own tracks, while the fourth side features songs performed collectively. Keith Emerson recorded his Piano Concerto No. 1, Greg Lake wrote several songs with lyricist Peter Sinfield, and Carl Palmer recorded tracks of varied musical styles.
Black Moon is the eighth studio album, and the first in fourteen years, by English progressive rock band Emerson, Lake & Palmer, released in May 1992. The band had broken up in 1979, and recorded Black Moon to kick off their 1990s revival.
Gregory Stuart Lake was an English musician, singer, and songwriter. He gained prominence as a founding member of the progressive rock bands King Crimson and Emerson, Lake & Palmer (ELP).
Carl Frederick Kendall Palmer is an English drummer best known as a founding member of the supergroups Emerson, Lake & Palmer, and Asia. He previously was a touring drummer for The Crazy World of Arthur Brown and a founding member of Atomic Rooster. He has toured with his own bands since 2001, including Palmer, the Carl Palmer Band, and currently, Carl Palmer's ELP Legacy.
Trilogy is the third studio album by English progressive rock supergroup Emerson, Lake & Palmer, released in June 1972, by Island Records. The group had spent most of 1971 touring, and paused in September so they could record a new album at Advision Studios with Eddy Offord resuming his role as engineer. It would be his last with the group, as he later elected to work full-time with Yes. The album features "Hoedown", an arrangement of Aaron Copland's ballet composition which became a live favourite.
Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen is the second live album by the English progressive rock band Emerson, Lake & Palmer, released as a triple album in August 1974 on Manticore Records. It was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California, during the group's 1973–74 world tour in support of their fourth studio album, Brain Salad Surgery (1973).
Emerson, Lake & Palmer is the debut studio album by English progressive rock band Emerson, Lake & Palmer. It was released in the United Kingdom by Island Records in November 1970, and in the United States by Cotillion Records in January 1971. After the group formed in the spring of 1970, they entered rehearsals and prepared material for an album which became a mix of original songs and rock arrangements of classical music. The album was recorded at Advision Studios in July 1970, when the band had yet to perform live. Lead vocalist and bassist/guitarist Greg Lake produced it.
Love Beach is the seventh studio album by English progressive rock band Emerson, Lake & Palmer. It was released on 17 November 1978 by Atlantic Records as their final studio album released prior to their split in the following year. By the end of their 1977–1978 North American tour internal relations had started to deteriorate, but the group were contractually required to produce one more album. They retreated to Nassau, Bahamas as tax exiles to record Love Beach with lyricist Peter Sinfield who is credited as a co-writer of each track. After Greg Lake and Carl Palmer had finished recording their parts they left the island, leaving Keith Emerson to finish the album himself.
The group 3 were a short-lived progressive rock band formed by former Emerson, Lake & Palmer members Keith Emerson and Carl Palmer and American multi-instrumentalist Robert Berry in 1988.
The Return of the Manticore is a 4-disc retrospective on the career of the band Emerson, Lake & Palmer. It was released in 1993, and features several new recordings of previously released songs, most notably a studio recording of "Pictures at an Exhibition," presented in Dolby surround sound. Also, a live recording of Dave Brubeck's "Rondo" features on disc 2; the track, although performed by ELP in concert from the band's inception, was previously unreleased on any live or studio album by ELP. This rendition was recorded at the Lyceum Theatre on 9 December 1970. The version of "Pirates" is a new, exclusive remix.
Emerson, Lake and Palmer in Concert is a live album by Emerson, Lake & Palmer (ELP), recorded at their 26 August 1977 show at the Olympic Stadium, Montreal, Quebec, Canada which is featured on the album cover. It was released by Atlantic Records in November 1979, following ELP's breakup. It was later re-released and repackaged as Works Live in 1993. Some of the tracks were not from the Montreal concert, but from other concerts during their 1977–1978 tour, such as "Peter Gunn" and "Tiger in a Spotlight".
Emerson, Lake & Powell, sometimes abbreviated as ELP, were an English progressive rock band, considered by many as a variant lineup of Emerson, Lake & Palmer, that released one official studio album in 1986. The album's debut single was "Touch and Go," which peaked at number 60 on the Billboard charts on 19 July 1986.
Qango were a short-lived progressive rock band, a spin-off from Asia. In 1999, an attempt was made at a partial reunion of the progressive rock supergroup Asia involving John Wetton, Carl Palmer (drums) and Geoff Downes (keys), with Dave Kilminster to be on guitar. However, Downes withdrew from plans, choosing to stick with John Payne in their Asia line-up. Wetton and Palmer instead formed Qango with Kilminster and John Young on keys. The band's live set was based on songs by Asia and Palmer's former band Emerson, Lake & Palmer.
"Lucky Man" is a song by the English progressive rock supergroup Emerson, Lake & Palmer (ELP), from the group's 1970 self-titled debut album. Written by Greg Lake when he was 12 years old and recorded by the trio using improvised arrangements, the song contains one of rock music's earliest instances of a Moog synthesizer solo. "Lucky Man" was released as a single in 1970 and reached the top 20 in the Netherlands. The song also charted in the United States and Canada. The single was re-released in 1973 and charted again in the US and Canada.
"Fanfare for the Common Man" is an instrumental piece of music adapted and played by the English progressive rock band Emerson, Lake & Palmer, from the group's 1977 Works Volume I album. Adapted by Keith Emerson from Aaron Copland's 1942 piece of the same name, it is one of their most popular and enduring pieces.
