"From the Beginning" | ||||
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Single by Emerson, Lake & Palmer | ||||
from the album Trilogy | ||||
B-side | "Living Sin" | |||
Released | August 1972 | |||
Genre | Art rock, progressive rock, folk rock, psychedelic rock | |||
Length | 3:48 (single version) 4:14 (album version) | |||
Label | Cotillion | |||
Songwriter(s) | Greg Lake | |||
Producer(s) | Greg Lake | |||
Emerson, Lake & Palmer singles chronology | ||||
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"From the Beginning" is a song written by Greg Lake and performed by the progressive rock trio Emerson, Lake & Palmer. It was released on their 1972 album Trilogy . It hit #39 in the United States and was their highest-charting single there. [1]
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds. [3] [4] This song was originally intended for King Crimson's debut album In the Court of the Crimson King , but band leader Robert Fripp didn't think it would fit into the album's context. [ citation needed ]
Record World said that "Greg Lake gets a great sound out of his band on this acoustically jazzy number that highlights his voice and fine lyrics." [5]
Chart (1972) | Peak position |
---|---|
Canada Top Singles ( RPM ) [6] | 34 |
US Billboard Hot 100 [7] | 39 |
US Cashbox Top Singles [8] | 40 |
Emerson, Lake & Palmer were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of the Nice, Greg Lake of King Crimson, and Carl Palmer of Atomic Rooster. With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano.
Pictures at an Exhibition is a live album by English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It features the group's rock adaptation of Pictures at an Exhibition by Modest Mussorgsky, performed at Newcastle City Hall on 26 March 1971.
Tarkus is the second studio album by English progressive rock band Emerson, Lake & Palmer, released on 14 June 1971 on Island Records. Following their debut tour across Europe during the second half of 1970, the group paused touring commitments in January 1971 to record a new album at Advision Studios in London. Greg Lake produced the album with Eddy Offord as engineer.
Brain Salad Surgery is the fourth studio album by English progressive rock band Emerson, Lake & Palmer, released on 19 November 1973 by their new record label, Manticore Records, and distributed by Atlantic Records.
Works Volume 2 is the sixth studio album by Emerson, Lake & Palmer, released in November 1977. Unlike Works Volume 1, Works Volume 2 was a single album compilation of leftover tracks from other album sessions, similar to the Who's Odds & Sods or Led Zeppelin's Coda. While many derided the album for its apparent lack of focus, others praised it for showing a different side of the band than usual, with blues, bluegrass and jazz being very prominent as musical genres in this recording.
Black Moon is the eighth studio album, and the first in fourteen years, by English progressive rock band Emerson, Lake & Palmer, released in May 1992. The band had broken up in 1979, and recorded Black Moon to kick off their 1990s revival.
Gregory Stuart Lake was an English bassist, guitarist, singer, and songwriter. He gained prominence as a founding member of the progressive rock bands King Crimson and Emerson, Lake & Palmer (ELP).
Lizard is the third studio album by British progressive rock band King Crimson, released on 11 December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following In the Wake of Poseidon. This is the only album by the band to feature singer and bass guitarist Gordon Haskell and drummer Andy McCulloch as official members of the band.
Trilogy is the third studio album by English progressive rock supergroup Emerson, Lake & Palmer, released in June 1972, by Island Records. The group had spent most of 1971 touring, and paused in September so they could record a new album at Advision Studios with Eddy Offord resuming his role as engineer. It would be his last with the group, as he later elected to work full-time with Yes. The album features "Hoedown", an arrangement of Aaron Copland's ballet composition which became a live favourite.
Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen is the second live album by the English progressive rock band Emerson, Lake & Palmer, released as a triple album in August 1974 on Manticore Records. It was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California, during the group's 1973–74 world tour in support of their fourth studio album, Brain Salad Surgery (1973).
Emerson, Lake & Palmer is the debut studio album by English progressive rock band Emerson, Lake & Palmer. It was released in the United Kingdom by Island Records in November 1970, and in the United States by Cotillion Records in January 1971. After the group formed in the spring of 1970, they entered rehearsals and prepared material for an album which became a mix of original songs and rock arrangements of classical music. The album was recorded at Advision Studios in July 1970, when the band had yet to perform live. Lead vocalist and bassist/guitarist Greg Lake produced it.
Love Beach is the seventh studio album by English progressive rock band Emerson, Lake & Palmer. It was released in November 1978 by Atlantic Records as their final studio album released prior to their split in the following year. By the end of their 1977–1978 North American tour internal relations had started to deteriorate, but the group were contractually required to produce one more album. They retreated to Nassau, Bahamas as tax exiles to record Love Beach with lyricist Peter Sinfield who is credited as a co-writer of each track. After Greg Lake and Carl Palmer had finished recording their parts they left the island, leaving Keith Emerson to finish the album himself.
"Tarkus" is the title track of Emerson, Lake & Palmer's second album. The progressive rock epic lasts 20:35. It was the longest studio suite by the band until the three impressions of "Karn Evil 9". The name "Tarkus" refers to the armadillo-tank from the William Neal paintings on the album cover. The artist has explained that the name is an amalgamation between 'Tartarus' and 'carcass'. Consequently, the name refers to the "futility of war, a man made mess with symbols of mutated destruction." The song "Tarkus" supposedly follows the adventures of Tarkus from his birth, through a fight with a manticore, which he loses and concludes with an aquatic version of Tarkus named "Aquatarkus". Keith Emerson, when asked what work he is proudest of, named his "Piano Concerto" and "Tarkus".
The Return of the Manticore is a 4-disc retrospective on the career of the band Emerson, Lake & Palmer. It was released in 1993, and features several new recordings of previously released songs, most notably a studio recording of "Pictures at an Exhibition," presented in Dolby Surround Sound. Also, a live recording of Dave Brubeck's "Rondo" features on disc 2; the track, although performed by ELP in concert from the band's inception, was previously unreleased on any live or studio album by ELP. This rendition was recorded at the Lyceum Theatre on December 9, 1970.
Emerson, Lake & Powell, sometimes abbreviated as ELP, were an English progressive rock band, considered by many as a variant lineup of Emerson, Lake & Palmer, that released one official studio album in 1986. The album's debut single was "Touch and Go," which peaked at number 60 on the Billboard charts on 19 July 1986.
Then and Now is a live album by British progressive rock band Emerson, Lake & Palmer, released in 1998.
Jackson Heights was a British progressive rock band from England. It formed in 1970 after The Nice organist and pianist, Keith Emerson, decided to leave the trio to form another band, Emerson, Lake and Palmer, leaving bassist-vocalist Lee Jackson and drummer Brian Davison on their own.
"Take a Pebble" is a song by the British progressive rock group Emerson, Lake & Palmer. It is the second track of their eponymous debut album. It was written by Greg Lake, and arranged by the full band.
"Lucky Man" is a song by the English progressive rock supergroup Emerson, Lake & Palmer, from the group's 1970 self-titled debut album. Written by Greg Lake when he was 12 years old and recorded by the trio using improvised arrangements, the song contains one of rock music's earliest instances of a Moog synthesizer solo. "Lucky Man" was released as a single in 1970 and reached the top 20 in the Netherlands. The song also charted in the United States and Canada. The single was re-released in 1973 and charted again in the U.S. and Canada.
Other highlights include the jazzy ballad Nothing Like Loving You and the Emerson Lake and Palmer-sampling Got to be There.