| Golden Apples of the Sun | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 1962 | |||
| Genre | Folk | |||
| Length | 37:54 | |||
| Label | Elektra [1] | |||
| Producer | Jac Holzman [2] | |||
| Judy Collins chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| The Encyclopedia of Popular Music | [4] |
| The Rolling Stone Album Guide | [5] |
Golden Apples of the Sun is an album by American folk singer Judy Collins, released in 1962. [6]
In 2001, the album was re-released on CD with Collins' first album, A Maid of Constant Sorrow (1961).
AllMusic wrote that Collins "generates a much more attractive sound and body of work, with a freer, less rigid approach that gives the songs a chance to breathe and flow." [3] The Washington Post called the title track "brilliant," writing that the album presents Collins "in her traditional folksinger stage, reinvigorating folk standards." [7]
Peter Case is an American singer-songwriter and guitarist. His career is wide-ranging, from rock n' roll and blues, to folk rock and solo acoustic performance.
Judith Marjorie Collins is a Grammy Award-winning American singer and songwriter with a career spanning over 60 years. She is known for her eclectic tastes in the material she records for her social activism, and for the clarity of her voice. Collins has released 28 studio albums, 4 live albums, numerous compilation albums and 4 holiday albums.
Folk rock is a hybrid music genre combining elements of folk music and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival and the influence that the Beatles and other British Invasion bands had on members of that movement. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
Thomas Richard Paxton is an American folk singer-songwriter who has had a music career spanning more than fifty years. In 2009, Paxton received a Grammy Lifetime Achievement Award. He is noteworthy as a music educator as well as an advocate for folk singers to combine traditional songs with new compositions.
"Siúil a Rún" is a traditional Irish song, sung from the point of view of a woman lamenting a lover who has embarked on a military career, and indicating her willingness to support him. The song has English language verses and an Irish language chorus, a style known as macaronic.
Jean Ruth Ritchie was an American folk singer, songwriter, and Appalachian dulcimer player, called by some the "Mother of Folk". In her youth she learned hundreds of folk songs in the traditional way, many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child Ballads. In adulthood, she shared these songs with wide audiences, as well as writing some of her own songs using traditional foundations. She is ultimately responsible for the revival of the Appalachian dulcimer, the traditional instrument of her community, which she popularized by playing the instrument on her albums and writing tutorial books. She also spent time collecting folk music in the United States and in Britain and Ireland, in order to research the origins of her family songs and help preserve traditional music. She inspired a wide array of musicians, including Bob Dylan, Joan Baez, Shirley Collins, Joni Mitchell, Emmylou Harris and Judy Collins.
Song to a Seagull is the debut studio album by Canadian singer-songwriter Joni Mitchell. Produced by David Crosby, the album was recorded in 1967 at Sunset Sound and released on March 23, 1968 by Reprise Records.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. An early version was recorded by Emry Arthur in 1928, which gave the song its current titles.
Eric Andersen is an American folk music singer-songwriter, who has written songs recorded by Johnny Cash, Bob Dylan, Judy Collins, Linda Ronstadt, the Grateful Dead and many others. Early in his career, in the 1960s, he was part of the Greenwich Village folk scene. After two decades and sixteen albums of solo performance he became a member of the group Danko/Fjeld/Andersen.
Eric Weissberg was an American singer, banjo player, and multi-instrumentalist, whose most commercially successful recording was his banjo solo in "Dueling Banjos," featured as the theme of the film Deliverance (1972) and released as a single that reached number 2 in the United States and Canada in 1973.
"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144.
"Turn! Turn! Turn!", or "Turn! Turn! Turn! ", is a song written by Pete Seeger in the late 1950s and first recorded in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on folk group the Limeliters' album Folk Matinee, and then some months later on Seeger's own The Bitter and the Sweet.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Billie Holiday, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.
A Maid of Constant Sorrow is a 1961 album, the debut of Judy Collins, released by Elektra Records and featuring traditional folk songs.
Judy Collins #3 is an album by American folk singer Judy Collins released in 1963. It spent 10 weeks on Billboard's Top 150 album charts in 1964, peaking at #126 on May 16.
So Early in the Spring... The First 15 Years, is a compilation album by the American folk singer Judy Collins, first released as a double LP in 1977. It peaked at No. 42 on the Billboard Pop Albums charts. The LP featured album portraits by renowned photographer Richard Avedon.
"The Bells of Rhymney" is a song first recorded by folk singer Pete Seeger, which consists of Seeger's own music accompanying words written by Welsh poet Idris Davies.
"The golden apples of the sun" is the last line of the 1899 poem "The Song of Wandering Aengus" by W. B. Yeats.
"The Song of Wandering Aengus" is a poem by Irish poet W. B. Yeats. It was first printed in 1897 in British magazine The Sketch under the title "A Mad Song." It was then published under its standard name in Yeats' 1899 anthology The Wind Among the Reeds. It is especially remembered for its two final lines: "The silver apples of the moon,/ The golden apples of the sun."
 | This 1960s album–related article is a stub. You can help Wikipedia by expanding it. |
