Golden Reel Awards 2024

Last updated
72nd Golden Reel Awards
DateFebruary 23, 2025 (2025-02-23)
Location Wilshire Ebell Theatre
Los Angeles, California, U.S.
Presented by Motion Picture Sound Editors
Hosted by Patton Oswalt
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The 72nd Golden Reel Awards, presented by the Motion Picture Sound Editors (MPSE), will honor the best in sound editing for film, television, video games, and student film in 2024. The ceremony will be held on February 23, 2025, at the Wilshire Ebell Theatre in Los Angeles. [1]

Contents

The nominations were announced on January 6, 2025. The films Deadpool & Wolverine and Dune: Part Two , and the television series The Penguin and Ripley all led the nominations with three each. [2] [3] [4]

Supervising sound editor and sound designer Greg Hedgepath will receive the Career Achievement Award, while American actor and filmmaker Kevin Costner will be honored with the Filmmaker Award. [5]

Actor and comedian Patton Oswalt will host the ceremony for the third consecutive year. [6]

Winners and nominees

The winners will be listed first and in bold.

Film

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR Outstanding Achievement in Sound Editing – Feature Effects / Foley
  • Alien: Romulus – Will Files, Lee Gilmore (supervising sound editors), Matt "Smokey" Cloud (sound editor), Polly McKinnon (supervising dialogue editor), David Butler, Ryan Cole, Jacob Riehle, Ailene Roberts (dialogue editors)
  • A Complete Unknown – Donald Sylvester (supervising sound editor), Russell Farmarco, Anna MacKenzie, Robert Troy (dialogue editors)
  • Deadpool & Wolverine – Craig Henighan (supervising sound editor), Emma Present (dialogue editor)
  • Dune: Part Two – Martin Kwok (supervising dialogue editor), Ray Beentjes, Polly McKinnon, Stefanie Ng (dialogue editors), David Bach (adr editor), Alexis Feodoroff, Justin Webster (crowd editors)
  • Saturday Night – David Butler, Will Files, Lee Gilmore (supervising sound editors), Helen Lutrell, Emma Present (dialogue editors)
  • Wicked – John Marquis, Nancy Nugent (supervising sound editors), John C. Stuver (supervising dialogue editor), David Bach (dialogue editor)
  • Alien: Romulus – Will Files, Lee Gilmore (supervising sound editors), Chris Terhune (sound designer), Luis Galdames, Dan Kenyon, Ken McGill, James Miller, Matt "Smokey" Cloud, Steve Neal (sound effects editors), Samuel Munoz, Lyndsey Schenk (foley editors), Jacob McNaughton, Noel Vought (foley artists)
  • Deadpool & Wolverine – Ryan Cole, Craig Henighan (supervising sound editors), Samson Neslund, Eric A. Norris, Addison Teague (sound designers), Lee Gilmore, J.R. Grubbs (sound effects editors), Pete Persaud, Gina Wark (foley editors), Steve Baine (foley artist)
  • Dune: Part Two – Richard King (supervising sound editor), Dave Whitehead, Michael Babcock, Lee Gilmore, Randy Torres (sound designers), Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter, Chris Terhune (sound effects editors), Chris Flick (supervising foley editor), Willard Overstreet (foley editor), John Cucci, Dan O'Connell (foley artists)
  • Furiosa: A Mad Max Saga – Robert Mackenzie (supervising sound editor), Tom Heuzenroeder, Tara Webb (sound effects editors), Duncan Campbell, Adrian Medhurst (foley editors)
  • Nosferatu – Damian Volpe (supervising sound editor), Michael Fentum, Damian Volpe (sound designers), Samir Foco, Mariusz Glabinski (sound effects editors), Heikki Kossi (foley supervisor), Joel Raabe (foley editor)
  • September 5 – Frank Kruse (supervising sound editor and sound designer), Uwe Zillner (foley supervisor), Johanna Rellinghaus, Benedikt Uebe (foley editors), Uwe Zillner (foley artist)
Outstanding Achievement in Music Editing – Feature Motion Picture Outstanding Achievement in Music Editing – Documentary
  • Better Man – Timothy Ryan (supervising music editor), Craig Beckett, Lena Glikson, Cory Milano, Liam Moses, Joe E. Rand, Chris Scallan, Emily Rogers Swanson (music editors), Noah Hubbell, Anna Muehlichen (vocal editors)
  • A Complete Unknown – Ted Caplan (supervising music editor), Maggie Talibart (music editor)
  • Deadpool & Wolverine – Daniel DiPrima, Oliver Hug (music editors), Anele Onyekwere (scoring editor)
  • Dune: Part Two – Clint Bennett, Ryan Rubin (supervising music editors), Joe E. Rand (music editor)
  • Emilia Pérez – Maxence Dussère (lead music editor), Cécile Coutelier, Matthieu Lefèvre, Aristide Rosier (music editors)
  • Wicked – Catherine Wilson (supervising music editor), Robin Baynton (supervising vocal editor)
Outstanding Achievement in Sound Editing – Feature Documentary Outstanding Achievement in Sound Editing – Feature Animation
  • The Blue Angels – Robert Stambler (supervising sound editor), Ryan "Sully" Sullivan (sound effects editor), Emma Present (dialogue editor)
  • Dahomey – Nicolas Becker (supervising sound editor and sound designer), Sylvain Malbrant (sound editor), Maxime Saleix (dialogue editor), Gilles Marsalet (foley artist)
  • Elton John: Never Too Late – Rob Getty, Richard Yawn (supervising sound editors), Mike Pipgras (sound editor)
  • Music by John Williams – Christopher Barnett, Roy Waldspurger (supervising sound editors), Tim Farrell (sound effects editor), Dmitri Makarov (dialogue editor), Ramiro Belgardt (music editor)
  • Super/Man: The Christopher Reeve Story – Greg Gettens (supervising sound editor), Will Chapman (sound designer), Claire Ellis (supervising dialogue editor), Olly Freemantle (foley editor), Zoe Freed (foley artist)
  • Will & Harper – Zach Seivers (supervising sound editor), George Pereyra, Adam Parrish King (sound effects editors), Jared K. Neal (dialogue editor)
  • Inside Out 2 – Coya Elliott (supervising sound editor), Ren Klyce (sound designer), David C. Hughes, Jonathon Stevens (sound effects editors), Cheryl Nardi (supervising dialogue editor), Dee Selby (supervising foley editor), Nicholas Docter (foley editor), Heikki Kossi, Shelley Roden (foley artists)
  • The Lord of the Rings: The War of the Rohirrim – Brent Burge, Martin Kwok, Matt Stutter (supervising sound editors), David Farmer (sound designer), Hayden Collow, Alexis Feodoroff (sound effects editors), Dmitry Novikov (dialogue editor), Michael Donaldson, Craig Tomlinson (foley editors), Simon Riley (foley artist)
  • Mufasa: The Lion King – Onnalee Blank (supervising sound editor), Harry Cohen, Paula Fairfield, Luke Gibleon, Jason W. Jennings (sound designers), Benjamin L. Cook, Katie Halliday, Ando Johnson, Michael Mitchell, Jessie Pariseau, Roland N. Thai (sound effects editors), Vanessa Lapato (supervising adr editor), Katy Wood (supervising dialogue editor), Pietu Korhonen (foley editor), John Cucci, Gary Hecker, Mike Horton, Heikki Kossi, Dan O'Connell (foley artists)
  • The Wild Robot – Brian Chumney, Leff Lefferts (supervising sound editors), Randy Thom (sound designer), David Farmer, David Hughes, Jamey Scott (sound effects editors), Rich Quinn (dialogue editor), Malcolm Fife, Dee Selby (foley editors), Ronni Brown, Jana Vance (foley artists)
Outstanding Achievement in Sound Editing – Feature International
  • Emilia Pérez – Aymeric Devoldère (supervising sound editor), Cyril Holtz (sound designer), Hortense Bailly (supervising dialogue editor), Carolina Santana (supervising adr editor), Antoine Swertvaegher (foley editor), Gregory Vincent (foley artist)
  • The Girl with the Needle – Morten Pilegaard, Oskar Skriver (supervising sound editors), Christian Roed Dalsgaard (sound effects editor), Patrick Ghislain (foley editor), Julien Naudin (foley artist)
  • The Goat Life – Vijaykumar Mahadevaiah, Resul Pookutty (supervising sound editors), Arun Rana (sound effects editor), Vijaykumar Mahadevaiah (foley editor), Andriy Ryzhov, Ruslan Shebistyi, Andriy Starikovskiy, Bogdan Zavarzin (foley artists)
  • Kneecap – Brendan Rehill (supervising sound editor), Louise Burton (supervising dialogue editor), Damien Lynch (foley editor), Caoimhe Doyle, Emer O'Reilly (foley artists)

Broadcast media

Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue and ADR Outstanding Achievement in Sound Editing – Broadcast Long Form Effects and Foley
  • Lioness : "Beware the Old Soldier" – Danika Wikke (supervising sound editor), Thomas Boykin (dialogue editor), Ben Zales (music editor) (Paramount+)
  • Masters of the Air : "Part Nine" – Jack Whittaker, Michael Minkler (supervising sound editors), Dave McMoyler (supervising dialogue/adr editor), Michele Perrone (supervising adr editor), Michael Hertlein (dialogue editor), Jim Brookshire, Bryan Parker (adr editor) (Apple TV+)
  • The Penguin : "Cent'Anni" – Rich Bologna, Lawrence Zipf (supervising sound editors), Angela Organ (supervising adr editor), Tony Martinez (adr editor), Michael McMenomy (dialogue editor) (HBO Max)
  • Ripley : "V Lucio" – Michael Feuser, Lawrence Zipf (supervising sound editors), Lawrence Zipf (sound designer), Lidia Tamplenizza (supervising adr editor), Michael McMenomy (dialogue editor) (Netflix)
  • Shōgun : "Ladies of the Willow World" – Brian J. Armstrong (supervising sound editor), Damon Cohoon (sound editor), John Creed (dialogue editor), Ayako Yamauchi (adr editor) (FX)
  • Slow Horses : "Hello Goodbye" – Joe Beal (supervising sound editor), Sophie Mapplebeck (adr editor), Duncan Price, Abbie Shaw (dialogue editors) (Apple TV+)
  • House of the Dragon : "The Red Dragon and the Gold" – Alastair Sirkett (supervising sound editor), Paula Fairfield (sound designer), Martin Cantwell, Ruth Knight (sound effects editors), Mathias Schuster (foley editor), Rebecca Glover, Barnaby Smyth (foley artists) (HBO Max)
  • The Lord of the Rings: The Rings of Power : "Doomed to Die" – Ben Barker, Glenn Freemantle (supervising sound editors), Emilie O'Connor (supervising dialogue editor), Paolo Pavesi (foley editor), Zoe Freed, Rebecca Heathcote (foley artists) (Amazon Prime)
  • Masters of the Air : "Part Five" – Michael Minkler, Jack Whittaker (supervising sound editors), Luke Gibleon, Jeff Sawyer (sound designers), Zach Goheen, Paul B. Knox, Adam Kopald (sound effects editors), Dylan Tuomy-Wilhoit, Jeffrey Wilhoit (foley artists) (Apple TV+)
  • The Penguin : "After Hours" – Rich Bologna, Lawrence Zipf (supervising sound editors), Diego Perez, Wyatt Sprague (sound effects editors), Matt Haasch (supervising foley editor), Gareth Rhys Jones (foley artist) (HBO Max)
  • Ripley : "III Sommerso" – Michael Feuser, Lawrence Zipf (supervising sound editors), Bill R. Dean, Angelo Palazzo, Lawrence Zipf (sound designers), Igor Nikolic (foley editor), David Forshee, Wyatt Sprague (sound effects editors), Matt Haasch (supervising foley editor), Sandra Fox, Steve Hammond, Goro Koyama, Andy Malcolm, Jay Peck (foley artists) (Netflix)
  • Shōgun : "Broken to the Fist" – Brian J. Armstrong (supervising sound editor), Benjamin L. Cook, James Gallivan (sound designers), Mark Hailstone (sound effects editor), Ken Cain (foley editor), Sanaa Kelley, Matt Salib (foley artists) (FX)
Outstanding Achievement in Sound Editing – Non-Theatrical Feature Outstanding Achievement in Sound Editing – Non-Theatrical Animation
  • Atlas – Per Hallberg (supervising sound editor), Ann Scibelli (supervising sound designer), Eric A. Norris, Stephen P. Robinson, Jonathan Title (sound effects editors), Daniel Irwin (supervising adr editor), Laura Harris Atkinson, Taylor Jackson, John Stuver (dialogue editors), Willard J. Overstreet (supervising foley editor), Gary Hecker (supervising foley artist), Michael Horton (foley artist) (Netflix)
  • Beverly Hills Cop: Axel F – Chris Diebold (supervising sound editor), Chris Diebold, Randy Torres (sound designers), Phil Barrie (sound effects editor), Susan Dawes (supervising dialogue editor), Jim Brookshire (dialogue editor), Sean Massey (supervising adr editor), Chelsea Body, Jenna Dalla Riva, Kevin Jung, Colton Maddigan (foley editors), Sandra Fox, Steve Hammond, Goro Koyama (foley artists) (Netflix)
  • The Killer – Mark Stoeckinger (supervising sound editor), Gael Nicolas, Alan Rankin (sound designers) (Peacock)
  • Música – Christopher Aud (supervising sound editor), Mitch Osias (sound effects editor), Eliza Pollack-Chalfant Zebert (supervising adr editor), Alyson Dee Moore, Christopher Moriana, Nancy Parker (foley artists) (Amazon Prime)
  • Rebel Moon – Part Two: The Scargiver – Scott Hecker, Chuck Michael (supervising sound editors), Scott Hecker, Chuck Michael, Nick Interlandi, Bryan Jerden, Alexander Pugh, Andrew Vernon (sound effects designers), Greg ten Bosch, Brad Sokol (sound effects editor), Jessie Anne Spence (supervising dialogue/adr editor), Michael Hertlein, Arielle McGrail, Byron Wilson (dialogue/adr editors), Mark Pappas (supervising foley editor), Gary Hecker (supervising foley artist), Michael Broomberg, Mike Horton (foley artists)
  • Arcane : "The Dirt Under Your Nails" – Brad Beaumont, Eliot Connors (supervising sound editors), Stephen P. Robinson (sound effects editor), Alexander Temple (supervising music editor), Andrew Kierszenbaum, Sebastien Najand, Alex Seaver (music editors), PJ Pascual (foley editor), John Cucci, Dan O'Connell (foley artists) (Netflix)
  • Invincible : "I Thought You Were Stronger" – Brad Meyer (supervising sound editor), Katie Jackson, Mia Perfetti, Natalia Saavedra Brychcy (sound effects editors), Logan Romjue (dialogue editor), Carol Ma (foley editor) (Amazon Prime)
  • Justice League: Crisis on Infinite Earths : "Part Three" – Robert Hargreaves (supervising sound editor), Robert Hargreaves (sound designer), Mark Keatts (supervising dialogue editor), Patrick J. Foley, Michael Garcia (dialogue editors), Kelly Foley Downs (adr editor) (Warner Bros. Animation)
  • Orion and the Dark – D.J. Lynch, Rob McIntyre (supervising sound editors), Jessey Drake, Jeff Halbert, Marc Schmidt (sound designers), Evan Dockter, Cat Gensler, Grace Stensland (sound effects editors), Jason Oliver (dialogue editor), Roberto D. Alegria (foley editor), Vincent Deng, Laura Macias (foley artists) (Netflix)
  • Watchmen : "Chapter 1" – Devon Bowman, George Peters (supervising sound editors), Paul Menichini (sound designer), Mark A. Keatts (supervising dialogue editor), David M. Cowan, Kelly Foley Downs, Michael Garcia (dialogue editors), Jordan McClain (foley editor), Sanaa Kelley, Matt Salib (foley artists) (Studio Mir)
Outstanding Achievement in Sound Editing – Broadcast Short Form Outstanding Achievement in Sound Editing – Broadcast Animation
  • Baby Reindeer : "Episode 7" – Matt Skelding (supervising sound editor), Tom Jenkins (sound designer), Milos Stojanovic (dialogue editor), Mathias Schuster (foley editor), Barnaby Smyth (foley artist) (Netflix)
  • The Bear : "Doors" – Steve "Major" Giammaria (supervising sound editor), Jonathan Fuhrer, Matt Snedecor, Craig LoGiudice (sound effects editors), John Bowen (adr editor), Evan Benjamin (dialogue editor), Annie Taylor (foley editor), Leslie Bloome, Shaun Brennan (foley artists) (FX)
  • Earthsounds: "Australian Forests" – Kate Hopkins (supervising sound editor), Tom Mercer (sound effect editor), Ellie Bowler (foley editor), Rory Joseph (foley artist) (Apple TV+)
  • Only Murders in the Building : "Blow Up" – Mathew Waters, Danika Wikke (supervising sound editors), Meredith Stacy (sound effects editor), Christopher Gomez (dialogue editor), Erika Koski (foley editor), Iris Dutour, Sanaa Kelley (foley artists) (Hulu)
  • What We Do in the Shadows : "Come Out and Play" – Steffan Falesitch (supervising sound editor), David Barbee (sound effects editor), Mark Relyea (adr editor), Paul Bercovitch (dialogue editor), Sam C. Lewis (supervising foley editor), Lyndsey Schenk (foley editor), Adam DeCoster, Alex Ullrich (foley artists) (FX)
  • Jurassic World: Chaos Theory : "Into the Fog" – D.J. Lynch, Rob McIntyre (supervising sound editors), Adam Cioffi, Jeff Halbert (sound designers), Marc Schmidt (sound effects editor), Anna Adams (dialogue editor), Erika Koski (foley editor), Iris Dutour, Sanaa Kelley (foley artists) (Netflix)
  • LEGO Star Wars: Rebuild the Galaxy : "Part Two" – Jeff King (supervising sound editor), Frank Rinella (supervising foley editor), Shaun Farley (foley editor), Margie O'Malley (foley artist) (Disney+)
  • Secret Level : "Warhammer 40,000: They Shall Know No Fear" – Brad North, Matt Yocum (supervising sound editors), Joseph Fraioli, Nolan McNaughton, Ryan Sullivan (sound designers), Chris Battaglia, Harry Cohen (sound effects editors), Matt Manselle, Matt Telsey (foley editors), Brian Straub (foley artist) (Amazon Prime)
  • Star Trek: Prodigy : "The Devourer of All Things, Part II" – Otis Van Osten (supervising sound editor), Aran Tanchum (supervising foley editor), Matt Klimek (sound designer), Michael Wessner (dialogue editor), Vincent Guisetti (foley artist) (Netflix)
  • Transformers: EarthSpark : "Judgment Day: Part 2" – Brad Meyer (supervising sound editor), Natalia Saavedra Brychcy, Mia Perfetti (sound effects editors), Christine Gamache (dialogue editor), Carol Ma (foley editor) (Nickelodeon)
  • X-Men '97 : "Fire Made Flesh" – Jonathan Greber (supervising sound editor), Kyrsten Mate (sound designer), Jonathon Stevens, David Acord, Cameron Barker (sound effects editors), Jeremy Molod (supervising foley editor) (Disney+)
Outstanding Achievement in Music Editing – Broadcast Long Form Outstanding Achievement in Music Editing – Broadcast Short Form
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
  • Apollo 13: Survival – Paul Darling (supervising sound editor), Sound Editor: Greg Gettens (sound editor), Olly Freemantle (foley editor), Rebecca Heathcote (foley artist) (Netflix)
  • The Beach Boys – Jonathan Greber (supervising sound editor), David Chrastka (sound effects editor) (Disney+)
  • Fly – Eli Cohn (supervising sound editor), Jack Sasner (sound effects editor), Ben Chesneau (dialogue editor) (National Geographic)
  • Formula 1: Drive to Survive : "Forza Ferrari" – Nick Fry, Steve Speed (supervising sound editors), Doug Dreger, Adam King (sound supervisors), Tom Maclellan, James Spooner (sound designers) (Netflix)
  • Jim Henson Idea Man – Daniel Timmons, Tony Volante (supervising sound editors), Jeremy S. Bloom (sound designer), Kelly Rodriguez (sound editor), Ian Cymore (dialogue editor) (Disney+)
  • Steve! (Martin) A Documentary in 2 Pieces – Bob Edwards (supervising sound editor), Pete Horner (sound designer), Kim B. Christensen, Joel Raabe (sound effects editors) (Apple TV+)

Video games

Outstanding Achievement in Sound Editing – Game Dialogue / ADROutstanding Achievement in Music Editing – Game Music
  • Batman: Arkham Shadow – Mark Camperell (supervising dialogue editor), Charlie Gondak, Daniel Khim, Austin Krier, Matthew Kulewicz, Amanda McDonnell, Ryan Ongaro, Kerri Shak (dialogue editors)
  • Call of Duty: Black Ops 6 – Jacob Harley, Jeremiah Sypult, Brian Tuey (audio lead), Ian Mika (audio director), Charles Deenen (supervising sound editor), Robert Jackson (supervising dialogue editor), Ryan Garigliano (senior audio artists), Jessica Arkoff, Socrates Ayala, Kelli Baffoni, Tom Boyd, Roman Fusco, Cesar Marenco, Kevin Patel, Brandon Roos, Ruge Sun, Dani Turner, Rob Weiss, Maggie Wolf (dialogue editors), Justin Moreh, Darrell Tung (audio artists)
  • Final Fantasy VII Rebirth – Rita Kedineoglu (audio director), Martín Gutiérrez (supervising dialogue editor), Alex Baghdassarian, Bryan Borders, Garrett Hernandez (dialogue editors)
  • Star Wars Outlaws – Charles Pateman (lead voice designer), Alain Abbyad, Antoine Deseille, Oskar Hansson, Marla Kishimoto, Hanna Witulska (voice designers)
  • Until Dawn – Nick Gratwick (supervising dialogue editor), Paola Velasquez (senior dialogue designer), Andrea Contino (dialogue designer), Damian O'Sullivan (dialogue editor)
  • Call of Duty: Black Ops 6 – Alex Hemlock, Jeremiah Sypult, Brian Tuey (audio directors), Charles Deenen (supervising sound editor), Brian DiDomenico, Jim Lordeman (music editors)
  • Diablo IV: Vessel of Hatred – Kris Giampa (audio director), Derek Duke (music director), Ted Reedy (supervising music editor), Adam Burgess (senior music editor)
  • Dragon Age: The Veilguard – Cody Behiel (audio director), Ron Dazo (supervising music editor), Steven Silvers, Morgan Fryer-McCulloch, Ben YJ Hung, Lauren Kott (music editors)
  • Helldivers 2 – Keith Leary (music director), Scott Shoemaker (supervising music editor), Sonia Coronado, Collin Lewis (music editors)
  • Star Wars Outlaws – Simon Koudriavtsev (audio director), Erik Jacobsson (senior music designer), Manu Bachet (music supervisor)
Outstanding Achievement in Sound Editing – Game Effects / Foley
  • Batman: Arkham Shadow – Haroon Piracha (technical sound designer), Jon Ruse (sound design lead), Tyler Hayden, Kyle Lammerding (sound designers), Ryan David Kull (senior audio designer), Julian Korzeniowsky (lead audio designer), Alex Stopher (audio programmer), Lee Banyard, Scott Gilmore, Ryan McSweeney, Travis Naas, Stefan Rutherford, Matthew Wright (audio designers)
  • Call of Duty: Black Ops 6 – Adam Boyd, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey (audio directors), Charles Deenen (supervising sound editor), Collin Ayers, Jai Berger, Darren Blondin, John Drelick, Nick Martin, Kevin Sherwood (lead sound designers), Mark Camperell, Nick D'Amato, Tom David, James Evans, Daniel P. Francis, Luis Galdames, Nick Interlandi, Austin Krier, Jim Lecroy, James Miller, Garrett Montgomery, Josh Moore, Michael Newton, Dominik Ragančík, Jordan Ruhala, Matthew Schaff, Nick Spradlin, Darrell Tung, Bryan O. Watkins (sound designers), Sunglae Park, William Wise III (technical sound designers), Andy Bayless, Cameron Britton, Scott Eckert (expert sound designers), Jacob Harley (associate lead sound designer), Landen Belardes, Cadmus Blackwood, Tyler Windsor (sound effects editors), Corina Bello, Logan Byers, Ryan Garigliano, Jasmine Jia, James McCawley, Vadim Nuniyants, Tim Schlie, Lee Staples (senior audio artists), Tommy Lee, Justin Moreh (audio artists), Rustam Himadiiev (foley editor), Bogdan Zavarzin (foley artist), Adam Boyd, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey (audio directors)
  • Helldivers 2 – Olliver Andersson (sound designer), Simon Gumbleton (senior technical sound design supervisor), Harvey Scott, Juuson Tolonen (senior sound designers), Joanna Fang (senior foley artist), Kristian Johannson (senior audio artist)
  • LEGO Horizon Adventures – Simon Haines (senior audio programmer), Byron Bullock, Peter Hanson, David Philip (sound designers), Mark Hill (lead sound designer), Pablo Valverde Brañas (senior audio designer), Lucas Falcao (technical sound designer), Safar Bake, Danny Hey, Bryan Higa, Matteo Lupieri, Ash Read, Pete Reed, Harvey Scott (senior sound designers), Harry Boyce, Edward Ducan, Rose Evans, Lorenzo Piani, Ben Pickersgill (sound designers), Austin Creek, Nick Seaman (foley editors), Joanna Fang (senior foley artist)
  • Star Wars Outlaws – Simon Koudriavtsev (audio director), Jacob Coles (lead audio designer), Joel Green, Adam Oakley, Simon Siegfried Klar (senior sound designers), Martin Weissberg (expert audio designer), David Kristian (audio artist)

Student film

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

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The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and Foley work in long form broadcast media. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television - Effects & Foley, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing - Television Movie of the Week - Effects & Foley, or some moniker of it, since 1998. The award has been given with its current title since 2022. Also in 2022, limited and anthology series were separated from other hour-long programs and given their own category, Outstanding Achievement in Sound Editing – Limited Series or Anthology, though the category was not presented the following year.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of sound effects and Foley. It was first awarded in 1954, for films released the previous year, under the title Best Sound Editing - Feature Film. In 1964 the award was split in two, this to honor sound effects editing, while the other honored ADR. It wasn't until 1974 that the title specified that it was being awarded to sound effects, under the title Best Sound Editing - Sound Effects. The "Foley" of the title wasn't recognized until 1997. Between then and 2018, the category's title fluctuated between similar variations. The award has been given under its current title since 2018.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-English language film. It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not until 2018, when this award was first given under its current title, that this category awarded, exclusively, non-English language films. Previously, the award was given to either foreign language films and/or English language films produced outside of the United States.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work on episodes with run times 35 or less. The "short form" of the title refers to television episodes that have a runtime of less than one hour, though more than 35 minutes, as those episodes now have their own category. The award has been given with its current title since 2019. Previously, series eligible for this award could be nominated for the short form dialogue & ADR and sound effects & Foley categories.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of film; in this case, their work in the field of music editing in theatrically released motion pictures. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. Until 2005, animated films had their own category; since then, they have been eligible for this award. In 2022, a category was presented exclusively for documentary features.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of music editing in television. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. The term "long form" was added to the category in 2002, as long form television had been awarded under both the category titled Best Sound Editing – Television Movies of the Week – Music, and Best Sound Editing – Television Episodic – Music, or some moniker of them, since 1997. The award has been given with its current title since 2018.

The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Feature Documentary is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of documentary films. It was first awarded in 2010.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Non-Theatrical Documentary Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in non-theatrical documentary broadcast media.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Short Form Animation Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and Foley work in short form animated broadcast media.

The 69th Golden Reel Awards, were held on March 13, 2022, by the Motion Picture Sound Editors (M.P.S.E.) to honor the best in sound editing for film, television, computer entertainment and student productions in 2021. The nominations were announced on January 24, 2022. The film Dune led the nominations with three.

<span class="mw-page-title-main">Luke Gibleon</span> American sound editor

Luke Gibleon is an American sound editor and re-recording mixer. He has won four Motion Picture Sound Editors Awards.

The 70th Golden Reel Awards, presented by the Motion Picture Sound Editors (M.P.S.E.), honored the best in sound editing for film, television, gaming and student productions in 2022. The ceremony was held on February 26, 2023, at the Wilshire Ebell Theatre in Los Angeles. For the first time in three years, the awards ceremony was held live and featured special features to celebrate the sound organization's platinum anniversary.

The 71st Golden Reel Awards, presented by the Motion Picture Sound Editors (MPSE), honored the best in sound editing for film, television, video games, and student film in 2023. The ceremony was held on March 3, 2024, at the Wilshire Ebell Theatre in Los Angeles.

References

  1. ↑ "Submissions for the 72nd Annual MPSE Golden Reel Awards Open September 1st, 2024". Shoot . June 6, 2024. Retrieved January 6, 2025.
  2. ↑ Pedersen, Erik (January 6, 2025). "Motion Picture Sound Editors Reveal 2025 MPSE Golden Reel Awards Nominations". Deadline Hollywood . Retrieved January 6, 2025.
  3. ↑ Giardina, Carolyn (January 6, 2025). "'Deadpool & Wolverine', 'Dune 2' Lead Sound Editors' Golden Reel Award Feature Noms". Variety . Retrieved January 6, 2025.
  4. ↑ Pond, Steve (January 6, 2025). "'Deadpool & Wolverine', 'Dune: Part Two' Lead Golden Reel Sound Editing Nominations". The Wrap . Retrieved January 6, 2025.
  5. ↑ Tapp, Tom (November 20, 2024). "Kevin Costner to Receive 2025 Motion Picture Sound Editors Filmmaker Award; Greg Hedgepath to Receive Career Achievement Award". Deadline Hollywood . Retrieved January 6, 2025.
  6. ↑ Peikert, Mark (December 27, 2024). "Patton Oswalt Will Return to the MPSE Awards as Host". IndieWire . Retrieved January 6, 2025.
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