Good Night, Paul | |
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Directed by | Walter Edwards |
Written by | Charles Dickson (story) Roland Oliver (story) Julia Crawford Ivers (adaptation) |
Produced by | Lewis J. Selznick |
Starring | Harrison Ford Constance Talmadge Norman Kerry |
Cinematography | James Van Trees |
Music by | Harry B. Olsen |
Distributed by | Select Pictures |
Release date |
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Running time | Five reels |
Country | United States |
Language | Silent (English intertitles) |
Good Night, Paul is a 1918 American silent comedy romance film directed by Walter Edwards. It was based on a successful stage play with book and lyrics by Roland Oliver and Charles Dickson and music by Harry B. Olsen. [1] The film was produced by Lewis J. Selznick's Select Pictures Corporation.
The film a farce that entails a wife willing to pose as a wife of her husband's business partner as a scheme to hoodwink the business partner's uncle out of money. But the uncle's overextended visit forces schemers to keep up the charade leading to comical situations.
This film is extant in a European archive, Filmoteca Espanola, Madrid. [2]
As described in a film magazine, [3] Richard (Kerry) and Paul (Ford), two business partners, are about to shipwreck on the financial rocks when Richard reminds Paul that his uncle could help them out as Paul is his heir. Uncle Batiste (Steppling) is at that time on the way to New York City as he is dangerously ill and desires to see Paul. Batiste is a bachelor and wants to see Paul a happy benedict. When he arrives he tells Paul that if he were married that he would be happy to provide all the money needed for the business. Richard's bride (Talmadge) has a bright idea and decides to make the uncle believe that she is Paul's wife instead of Richard's. She locks Richard in the bathroom while she goes into the parlor to hoodwink the uncle. Paul is speechless over the situation but his need for money persuades him to be a party to the deception, given that it will only be necessary to do this for a few hours. However, the uncle is so happy with the bride that he decides to stay for a month, and returns with his trained nurse, who turns out to be Paul's boyhood sweetheart, the girl he has never been able to forget. After several complications, only a confession can clear the trouble.
Like many American films of the time, Good Night, Paul was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors cut, in Reel 3, young woman in diaphanous nightgown and scene of same with group and the intertitle "What could Richard think? What could any loving husband think?" [4]
Out West is a 1918 American two-reel silent comedy film, a satire on contemporary Westerns, starring Roscoe 'Fatty' Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the West Coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife.
The Guilty Man is a lost 1918 American silent drama film directed by Irvin Willat and starring William Garwood, Vivian Reed, and Gloria Hope. The film was based on a play by Charles Klein.
Bashful is a 1917 American short comedy film featuring Harold Lloyd. A copy exists in the film archive of the Museum of Modern Art, New York City.
Bride and Gloom is a 1918 American short comedy film starring Harold Lloyd. It is presumed to be a lost film. Like many American films of the time, Bride and Gloom was subject to restrictions and cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut of two scenes of Lloyd in berth with woman.
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Old Wives for New is a 1918 American silent drama film directed by Cecil B. DeMille. It is based on the 1908 novel of the same title by David Graham Phillips.
The Brass Bullet is a 1918 American silent adventure film serial directed by Ben F. Wilson. It is now considered to be a lost film.
Which Woman? is a 1918 American silent drama film directed by Tod Browning and Harry A. Pollard. The film stars Ella Hall as a reluctant bride and Priscilla Dean as an adventuress and leader of a gang of thieves. The story was remade in 1923 as Nobody's Bride.
The Talk of the Town is a 1918 American silent comedy film directed by Allen Holubar and featuring Lon Chaney, William Stowell and Dorothy Phillips. The screenplay was written by Allen Holubar, based on the novelette "Discipline of Genevra" by Harold Vickers. The Talk of the Town is currently considered a lost film.
Her Decision is a 1918 American silent drama film directed by Jack Conway and starring Gloria Swanson. It is not known whether the film currently survives, and it may be a lost film.
Mr. Fix-It is a 1918 American silent comedy film starring Douglas Fairbanks, Marjorie Daw, and Wanda Hawley, directed by Allan Dwan.
The Passing of the Third Floor Back is a 1918 British/American silent allegorical film based on the 1908 play The Passing of the Third Floor Back by Jerome K. Jerome and directed by Herbert Brenon. The star of the film is Sir Johnston Forbes-Robertson, a legendary Shakespearean actor, who starred in the 1909 Broadway presentation of the play and its 1913 revival. Forbes-Robertson had been knighted by King George V in 1913 and had retired from acting in theatre that same year. In his retirement Forbes-Robertson had only dabbled in film acting making a 1913 film version of Hamlet, the most famous role he had played on the stage. Filmed in 1916, it was released in 1918.
Sporting Life is a lost 1918 American silent drama film directed by Maurice Tourneur. It is the first film for sisters Faire Binney and Constance Binney, from the Broadway stage. Tourneur would re-film this story again in 1925.
The Bells is a lost 1918 American silent drama film released by Pathé Exchange. It was adapted from the 1867 French play Le Juif Polonais by Erckmann-Chatrian and an 1871 English-language version, The Bells, by Leopold Lewis. The latter was a favorite vehicle for actor Henry Irving. This silent film stars Frank Keenan and Lois Wilson. The story was remade in 1926 as The Bells with Lionel Barrymore and Boris Karloff.
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Riders of the Night is a 1918 American silent drama film directed by John H. Collins and starred his wife Viola Dana. It was produced and distributed by the Metro Pictures company.
Playing the Game is a 1918 American silent comedy drama film directed by Victor Schertzinger and written by Julien Josephson and R. Cecil Smith. The film stars Charles Ray, Doris May, Harry L. Rattenberry, Robert McKim, William Elmer, and Leota Lorraine. The film was released on May 5, 1918, by Paramount Pictures. It is not known whether the film currently survives, and it may be a lost film.
Too Many Millions is a lost 1918 American silent comedy film directed by James Cruze and written by Gardner Hunting based upon the novel by Porter Emerson Browne. The film stars Wallace Reid, Ora Carew, Tully Marshall, Charles Ogle, James Neill, and Winifred Greenwood. The film was released on December 8, 1918, by Paramount Pictures.
The Fighting Demon is a 1925 American silent melodrama film. Directed by Arthur Rosson, the film stars Richard Talmadge, Lorraine Eason, and Dick Sutherland. It was released on May 24, 1925.
The Sin Flood is a lost 1922 American silent drama film directed by Frank Lloyd and starring Richard Dix and Helene Chadwick. It was distributed by Goldwyn Pictures.