Grass: A Nation's Battle for Life | |
---|---|
Directed by | Merian C. Cooper Ernest B. Schoedsack |
Written by | Terry Ramsaye |
Produced by | Merian C. Cooper Ernest B. Schoedsack |
Starring | Merian C. Cooper Ernest B. Schoedsack Marguerite Harrison Haidar Khan |
Edited by | Terry Ramsaye Richard P. Carver |
Music by | Hugo Riesenfeld |
Distributed by | Paramount Pictures |
Release date |
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Running time | 72 minutes |
Country | United States |
Languages | Silent film Intertitles |
Grass: A Nation's Battle for Life is a 1925 documentary film [1] that follows a branch of the Bakhtiari tribe of Lurs in Persia as they and their herds make their seasonal journey to better pastures. It is considered one of the earliest ethnographic documentary films. [2] In 1997, Grass was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." [3] [4]
The film was directed and produced by Merian C. Cooper [1] and Ernest B. Schoedsack, [1] with intertitles by Richard Carver and Terry Ramsaye. It was the first film produced by the team of Cooper and Schoedsack, who went on to produce King Kong and many other films. Cooper was a writer performing research for the American Geographical Society and Schoedsack was a cameraman.[ citation needed ]
Reporter and former spy Marguerite Harrison was an instrumental member of the production team. Harrison had met Cooper at a ball in Warsaw, [5] and she provided him with food, books and blankets when he was taken prisoner by the Russians in 1920 and sent to work in a prison camp. [6] [7] Harrison also appears in the film as herself. Years later, Schoedsack commented that Harrison had not done "a damn thing" during the expedition. [8]
Funding was provided by a loan of $5,000 from Cooper's father and brother, and Harrison contributed an additional $5,000. [9]
In filming the journey, Cooper, Schoedsack, and Harrison became the first Westerners to make the migration with the Bakhtiari. [9] The only previous ethnographic documentary was Robert Flaherty's Nanook of the North (1922). According to Cooper, the filmmakers were unaware of Nanook until their return to New York City from filming in Persia. [10]
The film's producers were mainly concerned with documenting a way of life that was unknown to all those outside the Bakhtiari realm. The film highlights the extreme hardships faced by nomadic peoples, as well as the bravery and ingenuity of the Bakhtiari on their migration in search of grass, which meant abundant seasonal pasture for their animals.
Grass documents the caravan route from Angora (modern-day Ankara, Turkey) to the Bakhtiari lands in Persia (western Iran in Chaharmahal and Bakhtiari Province and the eastern part of Khuzestan). The film then follows Haidar Khan as he leads 50,000 of his people and countless animals on a harrowing trek across the Karun River and over Zard Kuh, a subrange of the Zagros Mountains.
In a contemporary review for The New York Times, critic Mordaunt Hall wrote: "It is an unusual and remarkable film offering, one that is instructive and compelling but in no way a story. There is drama interspersed with captivating comedy, and the audience last night applauded some of the wonderful photographic sequences and at other times they were moved to laughter by the antics of the animals." [11]
The film was first shown at The Explorers Club annual dinner held at the Hotel McAlpin in New York City on January 24, 1925, along with a lecture by Cooper. [12] The Explorers Journal reported: "It is Mr. Cooper's happy achievement to have portrayed poignantly and comprehensively the drama of a people in their primitive struggle with inexorable forces of nature. The pictures were a fitting climax to an evening of thrilling entertainment." [13] Grass was later purchased for distribution by Paramount Pictures. Its theatrical debut took place at the Criterion Theatre in New York on March 30, 1925. [14]
In 1947, Merian C. Cooper sought to remake Grass, which he called a "damned half picture," and he said: "One man and one woman, and their children, will exemplify for the audience the whole of this struggle for survival which breeds a race that is proud and strong, rugged individuals all, meeting bravely the moods of natural forces seemingly bent upon their destruction." [15] Ernest B. Schoedsack told him to forget the idea because his Persian friends had informed him that a rail line now ran through the country, and much of the Bakhtiari's trek was now performed using cars and trucks. [16]
Grass was reissued theatrically in the early 1990s. Rights to Grass had been donated to the Museum of Modern Art, and Milestone Film and Video obtained the rights in 1990. [17] Dennis Doros of Milestone said:
Out of the one hundred and fifty to two hundred films we've done, Grass and Chang are among the ones I am most proud of distributing. Chang is a national treasure in Thailand. Grass has images of race and culture that don't exist anymore, it's been called the greatest migration in modern history, and I agree. The journey of the Bakhtiari is so astonishing, the power of those images is like a dream, the way they're constantly moving and climbing. [14]
Grass has been issued in videocassette and DVD format. [18] It is also available for streaming on the Criterion Channel. [19]
In 2009, author Bahman Maghsoudlou published a book titled Grass: Untold Stories that includes background information and historical references related to the making of the film. [20]
King Kong is a 1933 American pre-Code adventure romance monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, it is the first film in the King Kong franchise. The film stars Fay Wray, Robert Armstrong, and Bruce Cabot. The film follows a giant ape dubbed Kong who is offered a beautiful young woman as a sacrifice.
Nanook of the North is a 1922 American silent film that combines elements of documentary and docudrama/docufiction, at a time when the concept of separating films into documentary and drama did not yet exist. In the tradition of what would later be called salvage ethnography, the film follows the struggles of the Inuk man named Nanook and his family in the Canadian Arctic. It is written and directed by Robert J. Flaherty, who also served as cinematographer, editor, and producer.
Chang: A Drama of the Wilderness, also known simply as Chang is a 1927 American silent documentary film about a poor farmer in northern Nan Province and his daily struggle for survival in the jungle. The film was directed by Merian C. Cooper and Ernest B. Schoedsack. It was released by Famous Players–Lasky, a division of Paramount Pictures.
Merian Caldwell Cooper was an American filmmaker, actor, and producer, as well as a former aviator who served as an officer in the United States Army Air Service and Polish Air Force. In film, his most famous work was the 1933 movie King Kong, and he is credited as co-inventor of the Cinerama film projection process. He was awarded an honorary Oscar for lifetime achievement in 1952 and received a star on the Hollywood Walk of Fame in 1960. Before entering the movie business, Cooper had a distinguished career as the founder of the Kościuszko Squadron during the Polish–Soviet War and was a Soviet prisoner of war for a time. He got his start in film as part of the Explorers Club, traveling the world and documenting adventures. He was a member of the board of directors of Pan American Airways, but his love of film took priority. During his film career, he worked for companies such as Pioneer Pictures, RKO Pictures, and Metro-Goldwyn-Mayer. In 1925, he and Ernest B. Schoedsack went to Iran and made Grass: A Nation's Battle for Life, a documentary about the Bakhtiari people.
Kevin Brownlow is a British film historian, television documentary-maker, filmmaker, author, and film editor. He is best known for his work documenting the history of the silent era, having become interested in silent film at the age of eleven. This interest grew into a career spent documenting and restoring film. Brownlow has rescued many silent films and their history. His initiative in interviewing many largely forgotten, elderly film pioneers in the 1960s and 1970s preserved a legacy of early mass-entertainment cinema. He received an Academy Honorary Award at the 2nd Annual Governors Awards given by the Academy of Motion Picture Arts and Sciences on 13 November 2010. This was the first occasion on which an Academy Honorary Award was given to a film preservationist.
Dr. Cyclops is a 1940 American science fiction horror film from Paramount Pictures, produced by Dale Van Every and Merian C. Cooper, directed by Ernest B. Schoedsack, and starring Thomas Coley, Victor Kilian, Janice Logan, Charles Halton, Frank Yaconelli and Albert Dekker.
Robert William Armstrong was an American film and television actor noted for playing Carl Denham in the 1933 version of King Kong by RKO Pictures. He delivered the film's famous final line: "It wasn't the airplanes. It was beauty killed the beast."
Ernest Beaumont Schoedsack was an American motion picture cinematographer, producer, and director. Schoedsack worked as a cameraman in World War I, where he served in the U.S. Army Signal Corps. At the conclusion of the war, he stayed in Europe to further his career. He worked on several films with Merian C. Cooper including King Kong, Chang: A Drama of the Wilderness, and The Most Dangerous Game. He also collaborated with screenwriter and actress Ruth Rose, whom he later married. Schoedsack died on December 23, 1979, at age 86.
Marguerite Elton Harrison Blake (1879–1967) was an American socialite who became a reporter and author, spy, filmmaker and translator. Although now known for her undercover work as well as her extensive writings, she considered her main contributions as founding the Children's Hospital School near Baltimore as a young wife, and decades later helping to found the Society of Woman Geographers.
The Most Dangerous Game is a 1932 American pre-Code horror film, directed by Ernest B. Schoedsack and Irving Pichel, starring Joel McCrea, Fay Wray and Leslie Banks.
The Last Outpost is a 1935 American adventure film directed by Charles Barton and Louis J. Gasnier and written by Charles Brackett, Frank Partos and Philip MacDonald. It is based on F. Britten Austin's novel The Drum. The film stars Cary Grant, Claude Rains, Gertrude Michael, Kathleen Burke, Colin Tapley, Margaret Swope and Billy Bevan. The film was released on October 11, 1935, by Paramount Pictures.
Hugo Riesenfeld was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action. Riesenfeld composed about 100 film scores in his career.
The Four Feathers is a 1929 American sound war film directed by Merian C. Cooper and starring William Powell, Richard Arlen, Clive Brook and Fay Wray. This was the third of numerous film versions of the 1902 novel The Four Feathers written by A. E. W. Mason. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The 1929 version of The Four Feathers premiered at the Criterion Theatre in New York City on June 12, 1929.
Ruth Rose was a writer who worked on several films in the 1930s and the 1940s, most famously the original 1933 classic King Kong.
The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB's inception in 1988.
Bahman Maghsoudlou is a film scholar, critic, author and independent film producer/director. Maghsoudlou has, in the words of Cinema Without Borders editor-in-chief Bijan Tehrani, "dedicated his life [to] recording valuable information about Iran’s contemporary art and culture."
Heroes All is a 1920 American World War I documentary film that was released by the American Red Cross.
Wild Cargo was Frank Buck's second book, a bestseller. Buck, was born on March 17, 1884, in a wagon yard owned by his father at Gainesville, When he was five, his family moved to Dallas. After attending public schools in Dallas, Buck left home at the age of eighteen to take a job handling a trainload of cattle being sent to Chicago. In 1911, he made his first expedition to South America. He eventually also traveled to Malaya, India, Borneo, New Guinea, and Africa. From these and other expeditions, he brought back many exotic species that he sold to zoos and circuses, and he ultimately acquired the nickname "Bring 'Em Back Alive". Buck continued his tales of his adventures capturing exotic animals. Writing with Edward Anthony, Buck related many of his experiences working with and transporting jungle creatures.
The Vanishing American is a 1925 American silent Western film produced by Famous Players–Lasky and distributed through Paramount Pictures. The film was directed by George B. Seitz and starred Richard Dix and Lois Wilson, recently paired in several screen dramas by Paramount. The film is based on the 1925 novel The Vanishing American by Zane Grey. It was remade as a 1955 film starring Scott Brady and Audrey Totter.
David O. Selznick (1902–1965) was an American motion picture producer whose work consists of three short subjects, 67 feature films, and one television production made between 1923 and 1957. He was the producer of the 1939 epic Gone with the Wind. Selznick was born in Pittsburgh and educated in public schools in Brooklyn and Manhattan. He began working in the film industry in New York while in his teens as an assistant to his father, jeweler-turned-film producer Lewis J. Selznick. In 1923, he began producing films himself, starting with two documentary shorts and then a minor feature, Roulette (1924). Moving to Hollywood in 1926, Selznick became employed at Metro-Goldwyn-Mayer (MGM), where he produced two films before switching to Paramount in early 1928. After helping to guide Paramount into the sound era, Selznick moved to RKO Radio in 1931 where he served as the studio's executive producer. During his time at RKO he oversaw the production of King Kong (1933) and helped to develop Katharine Hepburn and Myrna Loy into major film stars.
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