The Greek pavilion houses Greece's national representation during the Venice Biennale arts festivals.
The Venice Biennale is an international art biennial exhibition held in Venice, Italy. Often described as "the Olympics of the art world", the Biennale is a prestigious event for contemporary artists known for propelling career visibility. The festival has become a constellation of shows: a central exhibition curated by that year's artistic director, national pavilions hosted by individual nations, and independent exhibitions throughout Venice. The Biennale parent organization also hosts regular festivals in other arts: architecture, dance, film, music, and theater. [1]
Outside of the central, international exhibition, individual nations produce their own shows, known as pavilions, as their national representation. Nations that own their pavilion buildings, such as the 30 housed on the Giardini, are responsible for their own upkeep and construction costs as well. Nations without dedicated buildings create pavilions in venues throughout the city. [1]
Architect M. Papandréou designed the pavilion, which was built between 1933 and 1934. Brenno Del Giudice, who led the Biennale's Sant'Elena expansion, also collaborated on the project. The pavilion's simple layout includes a T-shaped hall. Greek and diamond patterns adorn the brickwork, and Greco-Byzantine round arches line the portico. [2]
The exhibitions at the pavilion are commissioned by the Hellenic Ministry of Culture and Tourism.[ citation needed ]
The cinema of Greece has a long and rich history. Though hampered at times by war or political instability, the Greek film industry dominates the domestic market and has experienced international success. Characteristics of Greek cinema include a dynamic plot, strong character development and erotic themes. Two Greek films, Missing (1982) and Eternity and a Day (1998), have won the Palme d'Or at the Cannes Film Festival. Five Greek films have received nominations for the Academy Award for Best Foreign Language Film.
The German pavilion houses Germany's national representation during the Venice Biennale arts festivals.
The Austrian pavilion is a national pavilion of the Venice Biennale. It houses Austria's official representation during the Biennale.
The French pavilion houses France's national representation during the Venice Biennale arts festivals.
The Swiss pavilion houses Switzerland's national representation during the Venice Biennale arts festivals.
The Belgian pavilion houses Belgium's national representation during the Venice Biennale arts festivals.
The Spanish pavilion houses Spain's national representation during the Venice Biennale arts festivals.
The Brazilian pavilion houses Brazil's national representation during the Venice Biennale arts festivals.
The Korean pavilion houses South Korea's national representation during the Venice Biennale arts festivals.
The Venezuelan pavilion houses Venezuela's national representation during the Venice Biennale arts festivals. It is located in the Giardini della Biennale.
The Uruguayan pavilion houses Uruguay's national representation during the Venice Biennale arts festivals.
The Serbian pavilion is a national pavilion of the Venice Biennale arts festivals. It houses Serbia's national representation.
The Russian pavilion houses Russia's national representation during the Venice Biennale arts festivals.
The Romanian pavilion houses Romania's national representation during the Venice Biennale arts festivals.
The Japanese pavilion houses Japan's national representation during the Venice Biennale arts festivals.
The Dutch pavilion houses the Netherlands's national representation during the Venice Biennale arts festivals.
The Hungarian pavilion houses Hungary's national representation during the Venice Biennale arts festivals.
The Finnish pavilion houses Finland's national representation during the Venice Biennale arts festivals.
The Danish pavilion houses Denmark's national representation during the Venice Biennale arts festivals. The building was designed by Carl Brummer and constructed between 1930 and 1932, and restored and expanded by Peter Koch in the 1950s.