Bubblegum is pop music with an upbeat sound that is considered to be disposable, contrived, or marketed for children and adolescents. The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles released in the mid-to-late 1960s. It was assembled by Lenny Kaye, who at the time was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye worked on Nuggets under the supervision of Jac Holzman, founder of Elektra Records. Kaye initially conceived the project as a series of approximately eight individual LP installments, each focusing on US geographical regions, but Elektra convinced him that one 2-disc LP would be a more commercially viable format. The resulting double album was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Pebbles, Volume 8 is a compilation album among the LP's in the Pebbles series. The music on this album has no relation to Pebbles, Volume 8 that was released on CD many years later.
Pebbles, Volume 6: Chicago Pt. 1, also known as Chicago 1, is a compilation album featuring American garage and psychedelic rock musical artists from the 1960s that were associated with the Chicago music scene. It is a compact disc installment of the Pebbles series, and was released on AIP Records in 1994.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
Love at Psychedelic Velocity is a retrospective album by the American garage rock band the Human Expression that was released on the compact disc format.
The Lemon Drops were an American psychedelic pop band from Chicago, Illinois that formed in 1966. The band, originally established by high school students, produced one single in their heyday that reached regional success, but also recorded several other unreleased material that garnered the group's re-interest in the 1980s. During their existence, the band was an essential piece in the development of psychedelic pop in Illinois.
The Morning Dew was an American garage rock band formed in Topeka, Kansas, and active between 1966 and 1971. In the group's existence, they became a popular attraction, spearheading the growth of psychedelic music in the region. They produced one now sought after studio album that exemplifies their experimental transition into psychedelic rock.
Garage Beat '66! is a series of garage rock compilation albums issued by Sundazed Records. The series currently consists of seven CDs, each of which is officially designated by its volume number, which appears in the upper left hand corner of the front cover, and a corresponding "catch phrase" title, which appears as a subheading under the large Garage Beat '66 logo below. The Garage Beat '66 series attempts to represent the breadth and variety of the genre, including not only rawer hard-rocking numbers, but also songs displaying folk rock and psychedelic influence, as well as pop. All of the currently existing installments were released between 2004 and 2007. The series is recognized for good sound quality: all of the song selections were mastered from the original studio source elements. All of the volumes follow the packaging format employed by other garage compilation series such as Pebbles. Each volume includes detailed and fully researched liner notes, which include biographical sketches about each song and group, as well as other information such as origin and recording date, as well as photographs of the bands.
Garage Beat '66 Volume 5: Readin' Your Will,"is the fifth installment in the Garage Beat 66 series of garage rock compilations issued by Sundazed Records, which is available exclusively on compact disc. This volume was released on June 21, 2005 and consists of a mixture of raw up-tempo numbers as well as some psychedelic. Like all of the entries in the series, which is noted for good sound quality, all of the tracks are mastered from the original studio master sources and contain well-researched liner notes written by knowledgeable authorities. Volume 5 is mentioned by AllMusic as perhaps the best collection in the series.
Green Crystal Ties is an extensive series of compilation albums focusing on obscure and relatively unknown psychedelic and garage rock musical artists that recorded during the 1960s and early 1970s. Released on Collectables Records, Green Crystal Ties features ten total albums, all of which were issued in 1998. For the most part, the albums expand on past series distributed by Collectables Records and its contemporary Cicadelic Records, and as with Nuggets employ original master source elements when possible and arrange the various installments along contextual and conceptual lines. The music tends to be more refined in the earlier volumes of the series, progressively venturing out into more obscure and unknown material later much in the same fashion as the Pebbles or Back from the Grave series. The various installments are not ordered chronologically, but instead place emphasis on certain regions or musical styles. Although most of the music was recorded by American groups, there are a few exceptions such the heavy metal band Black Sabbath and King Richard and the Knights. Green Crystal Ties pays homage to the band the Zakary Thaks and their song of the same name. All of the entries are housed highly colorful packaging designed by Nicole Ruhl Fichera and each features a photograph one of one of the compiled bands on the front cover. The packaging for all entries includes well-researched liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 10: 60s Garage Band Flasback is a compilation album featuring psychedelic and garage rock musical artists that recorded in the 1960s and early 1970s. It is the tenth and final installment of the Green Crystal Ties series and was released on Collectables Records on April 7, 1998. The album arguably features the most obscure musical artists featured in the series.
Green Crystal Ties, Volume 6: Rarities from the Psychedelic Vaults is a compilation album featuring obscure psychedelic rock bands that recorded in the 1960s. It is the sixth installment of the Green Crystal Ties series and was released on Collectables Records on April 7, 1998. Though Volume 6 focuses specifically on psychedelia, the album is commended for featuring a wide-diversity of musical styles intertwined in the genre.
Green Crystal Ties, Volume 7: Mind-Expanding Punk of the 60s is a compilation album featuring American psychedelic and garage rock musical artists that recorded in the 1960s. It is the seventh installment of the Green Crystal Ties series and was released on Collectables Records on April 7, 1998. The album is not so "Mind-Expanding"—alluding to psychedelic music -- Volume 7 does offer the most hard-edged musical stance within the series.
Green Crystal Ties, Volume 1: Garage Band Rebels is the first installment in the Green Crystal Ties series of psychedelic and garage rock compilations issued by Collectables Records. It was released on April 7, 1998 and focuses on bands from Texas who were active in the 1960s and early 1970s such as the Zakary Thaks, The Bad Seeds, the Liberty Bell from Corpus Christi. Like all of the entries in the series, the highly colorful packaging is designed by Nicole Ruhl Fichera and on this occasion features a photograph of the Zakary Thaks on front. The inner sleeve includes through liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 2: The Best of the 60s Garage Band Scene is the second installment in the Green Crystal Ties series of psychedelic and garage rock compilations issued by Collectables Records. It was released on April 7, 1998 and features songs by obscure American musical artists who recorded in the 1960s and early 1970s. Like all of the entries in the series, the highly colorful packaging is designed by Nicole Ruhl Fichera and features a picture of the Basement Wall from Baton Rouge, Louisiana on front. The inner sleeve includes well-researched liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 5: Gems from the Garage Band Vaults is the fifth installment in the Green Crystal Ties series of psychedelic and garage rock compilations issued by Collectables Records. It was released on April 7, 1998 and like volume 1 features songs by obscure bands who recorded in the 1960s. The series is known for good quality mastering and sound quality. Like all of the entries in the series, the highly colorful packaging is designed by Nicole Ruhl Fichera. The inner sleeve includes well-researched liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 8: Stomping Garage Band Legends is a compilation album featuring garage rock musical artists that recorded in the 1960s. It is the eighth installment of the Green Crystal Ties series and was released on Collectables Records April 7, 1998. The album, for what it lacks in complex lyricism, centers around frantic performances alluding to teenage alienation and angst toward society.
The North Atlantic Invasion Force was an American garage rock band from New Haven, Connecticut who were active in the 1960s. They were led by vocalist and principal songwriter George Morgio, many of whose song lyrics were concerned with interpersonal relationships or were otherwise topical in nature, focusing issues such as free speech and the ongoing war in Vietnam.
