Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Much of the style overlaps with 1960s garage punk, proto-metal, and early heavy, blues-based hard rock.
The Psychedelic Sounds of the 13th Floor Elevators is the debut studio album by the 13th Floor Elevators. The album's sound, featuring elements of psychedelia, hard rock, garage rock, folk, and blues, is notable for its use of the electric jug, as featured on the band's only hit, "You're Gonna Miss Me", which reached number 55 on the Billboard Charts with "Tried to Hide" as a B-side. Another single from the album, "Reverberation (Doubt)", reached number 129 on the Billboard's Bubbling Under Chart.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as 5-MeO-DMT, DMT, LSD, psilocybin mushrooms, and mescaline, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Trash Box is a 5-CD box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. This box set is similar to the earlier Pebbles Box and includes almost all of the same recordings in that box set, along with numerous bonus tracks at the end of each disc. Supposedly, the Trash Box collects the first five volumes of the CDs in the Pebbles series. However, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely. Overall, there are 109 tracks in the box set as compared to 101 songs on the individual CDs and 72 tracks in the Pebbles Box. Although most of the recordings on the Trash Box were released at some point on one of the individual Pebbles albums, several of the songs have not appeared elsewhere in the Pebbles series. Inexplicably, one of these songs is the well-known hit "I Fought the Law " by the Bobby Fuller Four – which is also included in the Pebbles Box – in place of the much rarer "Wine Wine Wine" by Bobby Fuller that appears on Pebbles, Volume 2.
Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Essential Pebbles, Volume 1 is the first compilation album in the Essential Pebbles series. Although subtitled Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
Garage Beat '66 Volume 3: Feeling Zero... is a compilation album featuring rare material recorded by American psychedelic and garage rock bands that were active in the 1960s. The album's contents are sourced from the original master tapes. It is the third installment of the Garage Beat '66 series and was released on April 27, 2004, on Sundazed Records.
Green Crystal Ties is an extensive series of compilation albums focusing on obscure and relatively unknown psychedelic and garage rock musical artists that recorded during the 1960s and early 1970s. Released on Collectables Records, Green Crystal Ties features ten total albums, all of which were issued in 1998. For the most part, the albums expand on past series distributed by Collectables Records and its contemporary Cicadelic Records, and as with Nuggets employ original master source elements when possible and arrange the various installments along contextual and conceptual lines. The music tends to be more refined in the earlier volumes of the series, progressively venturing out into more obscure and unknown material later much in the same fashion as the Pebbles or Back from the Grave series. The various installments are not ordered chronologically, but instead place emphasis on certain regions or musical styles. Although most of the music was recorded by American groups, there are a few exceptions such the heavy metal band Black Sabbath and King Richard and the Knights. Green Crystal Ties pays homage to the band the Zakary Thaks and their song of the same name. All of the entries are housed highly colorful packaging designed by Nicole Ruhl Fichera and each features a photograph one of one of the compiled bands on the front cover. The packaging for all entries includes well-researched liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 10: 60s Garage Band Flasback is a compilation album featuring psychedelic and garage rock musical artists that recorded in the 1960s and early 1970s. It is the tenth and final installment of the Green Crystal Ties series and was released on Collectables Records on April 7, 1998. The album arguably features the most obscure musical artists featured in the series.
Green Crystal Ties, Volume 9: The Great Lost Psychedelic Garage Bands is a compilation album featuring obscure American psychedelic rock musical artists that recorded in the 1960s. It is the ninth installment of the Green Crystal Ties series and was released on Collectables Records on April 7, 1998. The album is considered one of the series best showings of psychedelic music.
Green Crystal Ties, Volume 6: Rarities from the Psychedelic Vaults is a compilation album featuring obscure psychedelic rock bands that recorded in the 1960s. It is the sixth installment of the Green Crystal Ties series and was released on Collectables Records on April 7, 1998. Though Volume 6 focuses specifically on psychedelia, the album is commended for featuring a wide-diversity of musical styles intertwined in the genre.
Green Crystal Ties, Volume 7: Mind-Expanding Punk of the 60s is a compilation album featuring American psychedelic and garage rock musical artists that recorded in the 1960s. It is the seventh installment of the Green Crystal Ties series and was released on Collectables Records on April 7, 1998. The album is not so "Mind-Expanding"—alluding to psychedelic music -- Volume 7 does offer the most hard-edged musical stance within the series.
Green Crystal Ties, Volume 1: Garage Band Rebels is the first installment in the Green Crystal Ties series of psychedelic and garage rock compilations issued by Collectables Records. It was released on April 7, 1998 and focuses on bands from Texas who were active in the 1960s and early 1970s such as the Zakary Thaks, The Bad Seeds, the Liberty Bell from Corpus Christi. Like all of the entries in the series, the highly colorful packaging is designed by Nicole Ruhl Fichera and on this occasion features a photograph of the Zakary Thaks on front. The inner sleeve includes through liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 2: The Best of the 60s Garage Band Scene is the second installment in the Green Crystal Ties series of psychedelic and garage rock compilations issued by Collectables Records. It was released on April 7, 1998 and features songs by obscure American musical artists who recorded in the 1960s and early 1970s. Like all of the entries in the series, the highly colorful packaging is designed by Nicole Ruhl Fichera and features a picture of the Basement Wall from Baton Rouge, Louisiana on front. The inner sleeve includes well-researched liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 3: Gloria Meets 96 Tears is the third installment in the Green Crystal Ties series of psychedelic and garage rock compilations issued by Collectables Records. It was released on April 7, 1998 and features songs by obscure American musical artists who recorded in the 1960s. Like all of the entries in the series, the highly colorful packaging is designed by Nicole Ruhl Fichera and on this occasion features a front cover photograph of Yesterday's Children, who are included in this set. The inner sleeve includes well-researched liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 5: Gems from the Garage Band Vaults is the fifth installment in the Green Crystal Ties series of psychedelic and garage rock compilations issued by Collectables Records. It was released on April 7, 1998 and like volume 1 features songs by obscure bands who recorded in the 1960s. The series is known for good quality mastering and sound quality. Like all of the entries in the series, the highly colorful packaging is designed by Nicole Ruhl Fichera. The inner sleeve includes well-researched liner notes written by Steve Kaplan and Matt Wendelken which provide helpful biographical information about the bands and their songs.
Green Crystal Ties, Volume 8: Stomping Garage Band Legends is a compilation album featuring garage rock musical artists that recorded in the 1960s. It is the eighth installment of the Green Crystal Ties series and was released on Collectables Records April 7, 1998. The album, for what it lacks in complex lyricism, centers around frantic performances alluding to teenage alienation and angst toward society.
The North Atlantic Invasion Force was an American garage rock band from New Haven, Connecticut who were active in the 1960s. They were led by vocalist and principal songwriter George Morgio, many of whose song lyrics were concerned with interpersonal relationships or were otherwise topical in nature, focusing issues such as free speech and the ongoing war in Vietnam.
