No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Fugazi was an American post-hardcore band formed in Washington, D.C., in 1986. The band consisted of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
13 Songs is a compilation album by the American post-hardcore band Fugazi, released on September 1, 1989 by Dischord Records. The album consists of all the songs from the band's first two EPs, Fugazi and Margin Walker.
Fever to Tell is the debut studio album by American indie rock band Yeah Yeah Yeahs, released on April 29, 2003, by Interscope Records. It was produced by David Andrew Sitek and mixed by Alan Moulder. Four singles were issued, the first being "Date with the Night" followed by "Pin", "Maps" and "Y Control".
James George Thirlwell, styled as JG Thirlwell and also known as Clint Ruin, Frank Want, and Foetus, among other pseudonyms, is an Australian musician, composer, and record producer known for his use of a variety of different musical styles.
Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
Teenage Jesus and the Jerks were an American no wave band, based in New York City, who formed part of the city's no wave movement.
End Hits is the fifth studio album by American post-hardcore band Fugazi, released on April 28, 1998, by Dischord Records. It was recorded at Inner Ear Studios from March 1997 to September 1997 and produced by the band and Don Zientara, and saw the band continuing with and expanding upon the in-studio experimentation of their previous album Red Medicine (1995). Due to the title, rumors began circulating at the time that it was to be their last release.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Dance-punk is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements. The genre is characterized by mixing the energy of punk rock with the danceable rhythms of funk and disco. It was most prominent in the New York City punk movement.
Post-punk revival is a genre or movement of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock inspired by the original sounds and aesthetics of post-punk, new wave and garage rock. It is closely associated with new wave revival and garage rock revival.
Gossip is an American indie rock band formed in Searcy, Arkansas. For most of their career, the band has consisted of singer Beth Ditto, multi-instrumentalist Nathan "Brace Paine" Howdeshell, and drummer Hannah Blilie. After releasing several recordings, the band broke through with their 2006 studio album, Standing in the Way of Control. A follow-up, Music for Men, was released in 2009. The band played a mix of post-punk revival, indie rock, and dance-rock. Their fifth album, A Joyful Noise, was released in May 2012. They disbanded in 2016 but reformed to embark on an anniversary tour for Music for Men in 2019 and released the album Real Power in 2024.
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are often but not always screamed or growled and resemble an additional instrument.
The Violets were an English post punk/indie/pop band from the New Cross area of London, England. Formed initially as a bassless garage punk trio, The Violets early gigs saw them playing stark, spiky and minimalist punk that evoked early art-school punk bands such as Delta 5, Prag Vec, and Siouxsie and the Banshees, as well as more contemporary acts such as Yeah Yeah Yeahs.
The Delta 72 were an American alternative music band formed in Washington, DC in the summer of 1994, later relocated to Philadelphia, Pennsylvania. They created a frenetic and honest style channeling post-punk sensibilities with 1960s British Invasion R&B.
The Black Ryder is songwriting duo Aimee Nash and Scott Von Ryper, who originate from Sydney, Australia.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
The Underground was a music club located in the Allston neighborhood of Boston that featured local, national and international acts performing independent and post-punk music. Although the emerging acts who played there included Mission of Burma, The Cure and New Order, its lifespan was short, from February 1980 until June 1981.
Scott B and Beth B were among the best-known New York No Wave underground film makers of the late 1970s and early 1980s.
