Gregor Herzfeld (born in 1975) is a German musicologist.
Herzfeld studied musicology and philosophy at the Ruprecht-Karls-Universität Heidelberg and at the Scuola di Paleografia musicale [1] from 1996 to 2001. In 2001 he obtained the Magister Artium with a thesis on the US-American composers Elliott Carter and Morton Feldman. From 2002 to 2005 he was research fellow at the Musicology Department of the University of Heidelberg. From 2005 to 2006 he worked as a research assistant at Yale University in New Haven, Connecticut, with funding from the German Academic Exchange Service. In 2006 he was awarded a doctorate at the Heidelberg University with a thesis on experimental American music. Afterwards he was visiting lecturer at the State University of Music and Performing Arts Stuttgart and received scholarships from the Paul-Sacher Foundation in Basel and the Fritz Thyssen Foundation.
From 2007 to 2015 Herzfeld was a research assistant at the Department of musicology of the Freie Universität Berlin with Albrecht Riethmüller and contributing editor of the journal Archiv für Musikwissenschaft . In 2012 Herzfeld gained his habilitation with a thesis on Edgar Allan Poe in music. In the winter semester 2012/2013 he represented the chair of historical musicology of Wolfgang Rathert at the Ludwig-Maximilians-Universität München. [2] 2017 he habilitated at the University of Basel. [3] Since 2018 he has been academic professor of historical musicology at the University of Vienna. [4]
From 2015 to 2018 Herzfeld was dramaturge of the Freiburger Barockorchester and also responsible for press and public relations. [5]
Herzfeld publishes technical essays and book contributions on American music, especially of the 20th century, on music and philosophy, on aesthetics of music and on musical analysis of the 19th and 20th centuries. He lectured at universities and cultural institutions in Germany, Austria, Belgium, France, the Czech Republic, Switzerland and the United States.
Winfried Fluck studied German, English and American literature at Freie Universität Berlin, Harvard University and the University of California, Berkeley. In 1972, he got his doctoral degree from Freie Universität Berlin with a dissertation on aesthetic premises in the literary criticism of Mark Twain’s Adventures of Huckleberry Finn. For his Habilitation, the European qualification for a professorship, he wrote a study on American realism as a form of “staged reality” (Inszenierte Wirklichkeit). After visiting scholarships at Harvard and Yale University, he got his first appointment as a professor at the University of Constance in Germany before he became Professor and Chair of North American Culture at the John F. Kennedy-Institute for North American Studies at Freie Universität Berlin. Winfried Fluck taught as a guest professor at Princeton University and the Universidad Autonoma Barcelona, and he was a research fellow at the National Humanities Center in North Carolina, the Advanced Studies Center of the Rockefeller Foundation in Bellagio, and the Internationales Kulturwissenschaftliches Zentrum in Vienna. From 2005-2008, he was chair of the Research Reviewing Committee of the German Research Council on the humanities. He is a founding member of the Graduate School of North American Studies at Freie Universität Berlin, funded by the German Universities Excellence Initiative, and is directing it together with Ulla Haselstein. He is also co-director of the Futures of American Studies Institute at Dartmouth College established and directed by Donald E. Pease.
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