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Group Portrait is a c. 1650, titled Allegorical Family Portrait by the Hermitage Museum, is an oil on canvas painting by the Flemish artist Jacob Jordaens (1593-1678). It entered the collection of the Hermitage Museum, St Petersburg, Russia in 1774. This allegorical group portrait is of betrothal or marriage scene with Cupid, the god of love, pointing an arrow at the chest of the young woman in the center. [1]
It shows four figures symbolising married love. The seated woman holds a parrot on her left hand and a floral crown (symbolic of marriage) in her right hand. A small Cupid touches the woman on the breast with his arrow while she rests her head on the breast of the man behind her. To the right a young woman runs another floral crown down her arm. Both women wear pearl bracelets.
Jacob (Jacques) Jordaens was a Flemish painter, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Rubens and Anthony van Dyck, he became the leading Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. He also remained largely indifferent to Rubens and van Dyck's intellectual and courtly aspirations. This attitude was expressed in his art through a lack of idealistic treatment which contrasted with that of these contemporaries.
Venus, Cupid, Folly and Time is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery, London. Scholars do not know for certain what the painting depicts.
The Portrait of a Young Woman is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is in the Galleria Nazionale d'Arte Antica in Palazzo Barberini, Rome.
Jacob Huysmans was a Flemish portrait painter who, after training in his native Antwerp, immigrated to England before the Restoration. He became a feted court painter and attracted the patronage of the Portuguese born queen Catherine of Braganza, a Catholic like himself, of whom he painted several portraits. With his exuberant style, he was during his lifetime regarded as an important rival of the court painter Peter Lely who favored a more sober treatment of his sitters.
Laura, sometimes known as Portrait of a Young Bride, is a 1506 oil on canvas painting by the Italian Renaissance master Giorgione. It is the only known painting of the author that was signed and dated by him. This work marked Giorgione's abandonment of Giovanni Bellini's models to embrace a Leonardesque style. It hangs in the Kunsthistorisches Museum in Vienna, Austria.
Sacred and Profane Love is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten, whose coat of arms appears on the sarcophagus or fountain, to celebrate his marriage to a young widow, Laura Bagarotto. It perhaps depicts a figure representing the bride dressed in white, sitting beside Cupid and accompanied by the goddess Venus.
Jacob Adriaensz Backer was a Dutch Golden Age painter. He produced about 140 paintings in twenty years, including portraits, religious subjects, and mythological paintings. In his style, he was influenced by Wybrand de Geest, Rubens and Abraham Bloemaert. He is also noted for his drawings of male and female nudes.
Pietro Paolini, called il Lucchese was an Italian painter of the Baroque period. Working in Rome, Venice and finally his native Lucca, he was a follower of Caravaggio to whose work he responded in a very personal manner. He founded an Academy in his hometown, which formed the next generation of painters of Lucca.
Theodoor Rombouts was a Flemish painter who is mainly known for his Caravaggesque genre scenes depicting lively dramatic gatherings as well as religiously-themed works. He is considered to be the primary and most original representative of Flemish Caravaggism. These Caravaggisti were part of an international movement of European artists who interpreted the work of Caravaggio and the followers of Caravaggio in a personal manner.
Theodoor Boeyermans, Theodor Boeyermans or Theodor Boeijermans was a Flemish painter active in Antwerp who painted Baroque history paintings and group portraits informed by the tradition of Peter Paul Rubens and Anthony van Dyck.
In Greek mythology, Eros is the Greek god of love and sex. His Roman counterpart was Cupid ('desire'). In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods.
Charles Emmanuel Biset or Karel Emmanuel Biset was a Flemish painter who had a peripatetic career working in various cities and countries including his hometown Mechelen, Paris, Annonay, Brussels, Antwerp and Breda. He worked in many genres including genre scenes of interiors with merry companies and gallery paintings, history painting, still life and portraiture.
The Garden of Love is a painting by Rubens, produced in around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. In early inventories, the painting was called The Garden Party.
The Banquet of Cleopatra is a 1653 painting by Jacob Jordaens. With Group Portrait (1650), The Apostles Paul and Barnabas at Lystra (c.1618) and Portrait of the Artist with his Family (c.1615), it is one of four works by the artist in the Hermitage Museum in St Petersburg. It shows Cleopatra receiving Mark Antony aboard her barge.
Portrait of the Artist with his Family, also known as Self-Portrait with Parents, Brothers and Sisters is a c. 1615 painting by the Flemish artist Jacob Jordaens of himself with his parents and siblings. With Group Portrait, The Apostles Paul and Barnabas at Lystra (c.1618) and The Banquet of Cleopatra, it is one of four works by the artist in the Hermitage Museum.
The Signs of the Zodiac is a series of twelve allegorical paintings of the signs of the Zodiac, originally painted around 1640 by Jacob Jordaens and bought by the French Senate in 1802 for the ceiling of the East Gallery of the Palais du Luxembourg in Paris. The paintings represent the signs of the zodiac through stories from Greek and Roman mythology.
Triumph of Frederick Henry, Prince of Orange is a painting by the Flemish painter Jacob Jordaens, signed and dated at the bottom left "J JOR fec / 1652". It is located in the Oranjezaal in the Huis ten Bosch in The Hague, The Netherlands.
Venus Verticordia (1864–1868) by Dante Gabriel Rossetti is a semi-nude depiction of the goddess Venus, portrayed as a young woman with a golden halo and flowing auburn hair, surrounded by pink flowers in a dark, lush green garden. Her left breast is visible, while the right is obscured by the golden apple she holds in her left hand. In her right hand she holds an arrow, the point directed towards her own heart, and on which rests a small yellow butterfly. Other similar butterflies ring the halo surrounding her head, and another sits on top of the apple she holds.
Moses and his Ethiopian wife Zipporah, c. 1645–1650, is a painting by the Flemish Baroque painter Jacob Jordaens. The painting is a half-length depiction of the biblical prophet Moses, and his African wife.
Nocturnal appearance or Night vision is a painting made by Jacob Jordaens around 1650. It is in the collection of the Staatliches Museum Schwerin. The title of the painting is also given as A dream. The meaning and subject of the painting depicting a nude woman seen from the back in a dark bedroom with a man asleep on a bed and two onlookers behind a half open door are still a matter of contention among art historians. A second version of the painting was at the Thore (Burger) sale in Paris on 1892, then in the van Hall sale in Antwerp in 1836 and finally in 1905 it was in Paris with art dealer Franz Kleinberger who exhibited it in Antwerp.
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