Erechtheus in Greek mythology was a king of Athens, the founder of the polis and, in his role as god, attached to Poseidon, as "Poseidon Erechtheus". The name Erichthonius is carried by a son of Erechtheus, but Plutarch conflated the two names in the myth of the begetting of Erechtheus.
Pandrosos or Pandrosus was known in Greek myth as one of the three daughters of Kekrops, the first king of Athens, and Aglaurus, daughter of King Actaeus.
Cecrops was a mythical king of Attica which derived from him its name Cecropia, having previously borne the name of Acte or Actice. He was the founder and the first king of Athens itself though preceded in the region by the earth-born king Actaeus of Attica. Cecrops was a culture hero, teaching the Athenians marriage, reading and writing, and ceremonial burial.
In Greek mythology, Cranaus or Kranaos was the second King of Athens, succeeding Cecrops I.
Jacob (Jacques) Jordaens was a Flemish painter, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Rubens and Anthony van Dyck, he became the leading Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. He also remained largely indifferent to Rubens and van Dyck's intellectual and courtly aspirations. This attitude was expressed in his art through a lack of idealistic treatment which contrasted with that of these contemporaries.
In Greek mythology, King Erichthonius was a legendary early ruler of ancient Athens. According to some myths, he was autochthonous and adopted or raised by the goddess Athena. Early Greek texts do not distinguish between him and Erechtheus, his grandson, but by the fourth century BC, during Classical times, they are distinct figures.
In Greek mythology, Pandion I was a legendary King of Athens, the son and heir to Erichthonius of Athens and his wife, the naiad Praxithea. Through his father, he was the grandson of the god Hephaestus.
In Greek mythology, Pandion II was a legendary King of Athens, the son and heir of King Cecrops II and his wife Metiadusa, daughter of Eupalamus.
Events from the year 1616 in art.
In Greek mythology, Aglaurus or Agraulus was an Athenian princess.
Charles Emmanuel Biset or Karel Emmanuel Biset was a Flemish painter who had a peripatetic career working in various cities and countries including his hometown Mechelen, Paris, Annonay, Brussels, Antwerp and Breda. He worked in many genres including genre scenes of interiors with merry companies and gallery paintings, history painting, still life and portraiture.
Erichthonios discovered by the daughters of Cecrops is a 1616 painting by Peter Paul Rubens. It shows Erichthonius of Athens discovered by the daughters of Cecrops, first king of Attica. It is now in the Liechtenstein Museum. In 1632, Rubens made another painting with the same theme; this painting is on display at the Nationalmuseum in Stockholm, Sweden.
The Finding of Erichthonius is a fragment of a larger painting by Peter Paul Rubens, produced around 1632 or 1633. It is now held at the Allen Memorial Art Museum in Oberlin, Ohio. It shows the discovery of Erichthonius in a basket by one of the daughters of Cecrops.
Herse was a figure in Greek mythology, the Athenian princess as the daughter of King Cecrops of Athens and Aglaurus, daughter of King Actaeus.
Erichthonius Discovered by the Daughters of Cecrops may refer to:
Triumph of Frederick Henry, Prince of Orange is a painting by the Flemish painter Jacob Jordaens, signed and dated at the bottom left "J JOR fec / 1652". It is located in the Oranjezaal in the Huis ten Bosch in The Hague, The Netherlands.
The King Drinks is a 1640 oil painting on canvas by the Flemish Baroque artist Jacob Jordaens, now in the Royal Museum of Fine Arts of Belgium in Brussels. It shows the Twelfth Night king.
Meleager and Atalanta is a 1618 oil-on-canvas painting by the Flemish artist Jacob Jordaens, now in the Royal Museum of Fine Arts Antwerp. Jordaens returned to the same subject of Meleager and Atalanta in a 1620-1650 painting, now in the Museo del Prado.
Meleager and Atalanta is a 1620–1623 painting by Jacob Jordaens, now in the Museo del Prado in Madrid.
Pallene was a celebrated deme of ancient Athens, frequently mentioned by ancient writers and in inscriptions.
