Guild Hall of East Hampton

Last updated

Guild Hall of East Hampton in the incorporated Village of East Hampton on Long Island's East End, is one of the United States' first multidisciplinary cultural institutions. Opened in 1931, it was designed by architect Aymar Embury II and includes a visual art museum with three galleries and the John Drew Theater, a 360 seat proscenium stage. It is historically significant for its role in exhibiting the works of the American Abstract expressionists Jackson Pollock, Willem de Kooning, Lee Krasner, John Ferren, and Robert Motherwell; performances by Helen Hayes, Thornton Wilder, Douglas Fairbanks, Jr., Bob Fosse and Gwen Verdon, Eli Wallach and Anne Jackson, and hundreds of other world-class stars of stage and screen; and involvement by the literary figures George Plimpton, Peter Matthiessen, Gore Vidal, Edward Albee, and John Steinbeck. It holds a permanent collection of 2,400 works of art and continues to build on important relationships in the worlds of film, theatre, dance, music, and visual art. The museum's current director is Andrea Grover, who was previously Curator of Special Projects of the Parrish Art Museum.

Contents

History

Conceived of and mainly funded by the philanthropist Mrs. Lorenzo E. Woodhouse, Guild Hall opened to great fanfare on August 19, 1931 [1] ("East Hampton has never known a celebration like that"), when 1,000 people crammed into the theater and gallery. [2] The building site, on Main Street, was the former homestead of Samuel Miller, a farmer, between the First Presbyterian Church of East Hampton and Mulford Farm, a homestead which dates back to pre-Revolutionary War times. [1]

As stated in the legal documents granting permission for the forming of Guild Hall, its mission has been, from the outset, to "encourage and cultivate a taste for music, drama, and the arts through the presentation of musical, dramatic and other intellectual and instructive opinions; to furnish galleries for art entertainments; for the exchange of and objects of [ sic ] historical interest; to furnish a meeting place for various organizations; in short to promote and encourage a higher type of citizenship". [2]

Guild Hall's early trustees were predominantly members of the conservative social elite with token representation from the year-round community. Eventually, the "rebels in their own social set" persuaded the reluctant board to agree to a regional invitational visual arts show that would bring some of the most prominent artists of the day—as well as an embracing of more broad and avant garde criteria—to Guild Hall. [1]

Visual arts

In 1973, Guild Hall Museum was among the earliest institutions in the United States to receive formal accreditation from the American Alliance of Museums. Of the 35,000 museums nationwide, Guild Hall is still one of approximately 1,000 to hold this distinction. The museum mounts eight to ten exhibitions per year, including an East End–wide student art exhibition. One of two galleries at Guild Hall is named for its founder, Mrs. Lorenzo E. Woodhouse; another for the painter Thomas Moran, who is credited with "colonizing" the Village of East Hampton as an artists' community in the mid-19th century. The third, smallest, gallery is named for the East Hampton artist and collector Tito Spiga, whose bequest funded the building of the gallery upon his death in 1988. [1]

There have been many notable artists of historical interest who have been exhibited at Guild Hall, such as Roy Lichtenstein, Lee Krasner, Jackson Pollock, Childe Hassam, Franz Kline, Robert Dash, Fairfield Porter, Thomas Moran, and Robert Motherwell. In recent years, art by area artists who are also internationally celebrated has included that of Larry Rivers, Ross Bleckner, Eric Fischl, April Gornik, Miriam Schapiro, Esteban Vicente, Barbara Kruger, Audrey Flack, Elaine de Kooning, Andy Warhol, Dan Flavin, Elliott Erwitt, Hans Namuth, Julian Schnabel, and Jane Wilson.

Notable exhibitions

17 Artists of Eastern Long Island: In 1949, the Board reluctantly agreed to the first Guild Hall regional invitational show, which installed works by Jackson Pollock, Lee Krasner, Balcomb Greene and Nat Werner, among others. Attendance of the preview was one of the largest on record. [1] The show coincided with an August 8, 1949, four-page spread in Life magazine, "Jackson Pollock: Is He the Greatest Living Painter in the United States?", [3] which introduced Pollock to the world and solidified his role as an international sensation. Pollock and his wife, the artist Lee Krasner, had been living and working at their famed studio in Springs, outside the Village, since 1945, which is now the Pollock-Krasner House.

New Additions to the Guild Hall Permanent Collection: In 2014, the museum held a major exhibition of works of area artists that had recently been added to its permanent collection. The exhibit reflected "the abundance and diversity of artistic practice on the East End of Long Island" and was "a thought-provoking exhibition that beckons revisiting ...". [4] Works by Jennifer Bartlett, Chuck Close, Carolyn Conrad, Robert Dash, Eric Fischl, Cornelia Foss, Ralph Gibson, April Gornik, Mary Heilmann, William King, Barbara Kruger, Thomas Moran, Costantino Nivola, Alfonso Ossorio, Betty Parsons, Clifford Ross, David Salle, and Carol Saxe were included.

Robert Motherwell: The East Hampton Years, 1944–1952: Curated by Phyllis Tuchman and accompanied by a book with the same title, the 2014 show of approximately 25 works brought together Motherwell’s fusion of gestural abstraction and Color Field painting, while also including some of his collages and published examples of his work as an editor. [5]

Annual Artist Members Exhibition: First mounted in 1938, the sole criterion is membership in Guild Hall. The exhibit has been noted for its non-jury policy which, in an area historically known for the visual arts and its close proximity to New York City, creates a mix of "prestigious area professionals showing next to those less well known and hoping to be discovered". [1]

Theater arts

The John Drew Theater at Guild Hall produces more than 100 programs each year, including plays, concerts, dance performances, film screenings, simulcasts, and literary readings. It was posthumously named for the matinee idol John Drew Jr., a member of the Barrymore family who summered in East Hampton from the late 19th century to the early 20th century. The theater has an octagonal shape, a jewel-box proscenium stage, and a blue and white striped trompe-l'œil circus-tent ceiling that sweeps up to a chandelier of glass balloons.

In its early years, the theater served as a summer testing ground for productions en route to Broadway. Legendary playwrights such as Tennessee Williams and Eugene O’Neill credited Guild Hall with helping to establish their reputations, and Edward Albee had a lifelong relationship with the John Drew Theater, where he was an active member of the Guild Hall Academy of the Arts. Performers have included the Academy, Emmy, Grammy, and Tony Award–winning luminaries Alec Baldwin, Matthew Broderick, Blythe Danner, James Earl Jones, Patti LuPone, Wynton Marsalis, Liza Minnelli, Leslie Odom Jr., Audra McDonald, Laurie Metcalf, Mercedes Ruehl, Steve Martin, and Marlo Thomas; the dance companies Alvin Ailey American Dance Theater, New York City Ballet, and Pilobolus; the performance artists Laurie Anderson and Meredith Monk; the directors Robert Wilson, Susan Stroman, Tony Walton, Harris Yulin, Bob Fosse, Gwen Verdon, and Julie Taymor; the jazz greats Winton Marsalis, Branford Marsalis, Sonny Rollins, Earl Klugh and Regina Carter; the comedians Jay Leno, Joy Behar, John Leguizamo, Jerry Seinfeld, and Martin Short; and the legendary musicians Mavis Staples, Patti Smith, Philip Glass, Billy Joel, and The Beach Boys.

The theater underwent a detailed renovation in 2007, supervised by the architect Robert A. M. Stern, restoring the original 1931 details while installing new AV and mechanical systems, digitized lighting controls, motorized rigging and moving lights, and upgraded technical booth. [6] The tradition of providing a testing ground for artists to make work continues today with the John Drew Theater Lab. and a strong emphasis on developmental readings. The John Drew Theater's current artistic director, Josh Gladstone, has programmed and produced the performing arts programming at Guild Hall since 2000.

Notable productions

The longest-running off-Broadway musical, The Fantasticks , was produced at Guild Hall’s John Drew Theater before starting its historic New York run. Nora Ephron and Delia Ephron debuted Love, Loss, and What I Wore at Guild Hall before taking the play Off Broadway. Tennessee Williams's The Glass Menagerie , starring Amy Irving and Ebon Moss-Bachrach, was the inaugural play after the two-year John Drew Theater renovation. [7] Alec Baldwin and Laurie Metcalf starred in a revival of Arthur Miller's All My Sons in 2015.

Hamptons Film Festival

Since the inception of the Hamptons International Film Festival (HIFF), Guild Hall has played a role in the festival. The theater screens films during the festival, as well as offering special programming and screening during the year in partnership with HIFF. Academy Award–winning films that have premiered at the festival and screened at Guild Hall have included Gods and Monsters , Black Swan , Pollock , and Moonlight .

Education and community

Academy of the Arts

Past recipients of the Academy of the Arts award have included the actor Lauren Bacall, playwright Joe Pintauro, the artist Paul Davis, and the author John Irving. The artist Eric Fischl is the current Academy of the Arts president. The academy has expanded its charter to support and mentor emerging artists with the mission of sustaining the legacy of the Hamptons as an arts colony with the Artist in Residence (AIR) program.

Hamptons Institute

The Hamptons Institute, originally formed in 2010 by board chairman Melville "Mickey" Straus, [8] was revived by actor Alec Baldwin and institute director Tracy Marshall in 2016 to present a range of intellectual and professional perspectives on challenging issues and to engage in thoughtful debate and deliberation on subjects ranging from economics and business to politics and public policy, and from arts and culture to the role of the media. Panel discussions in recent years have featured panelists Amy Goodman, Nicholas Lemann, Bob Garfield, Jonathan Alter, Sen. Kirsten Gillibrand, Dr. Paul Farmer, Elizabeth Warren, Van Jones, Ken Auletta, Katie Couric, John Podhoretz, and Monica Crowley.

According to Baldwin, {{quote|What Tracy Marshall and I did was revive, at the request of Andrea Grover, executive director at Guild Hall, the old Hamptons Institute that Mickey Straus had put together. ... We did it with a little bit of trepidation, because I thought it's [something] where you live or die by who you cast. Who are you going to get to do this? Are they well known or are they really just these dazzling authorities? Who’s going to show up, and therefore what kind of a program are we going to have? How are we going to be received? ... The final one [this year], "The New Normal in News: Ideology vs. Fact," which I am moderating, is all about the discussion of fake news versus mainstream media. [9]

Education programs

Guild Hall's founding principle in 1931 was to be a gathering place where an appreciation for the arts would serve "to promote a finer type of citizenship", [2] with educational programs championing a vigorous, growing network of intergenerational artists who would, in turn, extend the legacy of the region as one of the country’s most storied arts colonies. Guild Hall offers a variety of educational programs in the visual and performing arts for children aged 5–18. The Guild Hall Teen Arts Council (GHTAC) is a newly launched program that offers ten teenagers per year the opportunity to work for Guild Hall as content producers, curators, and programmers. Modeled after the Walker Art Center's pioneering program, the GHTAC meets bimonthly with a GH coordinator to generate programming for their peers. GHTAC members are chosen each semester by an application process and are paid for their work.

Related Research Articles

<span class="mw-page-title-main">Jackson Pollock</span> American abstract painter (1912–1956)

Paul Jackson Pollock was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled Number 17A was reported to have fetched US$200 million in a private purchase.

Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris.

<span class="mw-page-title-main">Visual art of the United States</span>

Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

<span class="mw-page-title-main">Lee Krasner</span> American abstract expressionist painter (1908-1984)

Lenore "Lee" Krasner was an American abstract expressionist painter, with a strong speciality in collage. She was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner's training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock's more intuitive and unstructured output.

<span class="mw-page-title-main">Elaine de Kooning</span> American expressionist painter (1918–1988)

Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.

<span class="mw-page-title-main">Ian Hornak</span> American painter

Ian Hornak was an American draughtsman, painter and printmaker. He was one of the founding artists of the Hyperrealist and Photorealist fine art movements; credited with having been the first Photorealist artist to incorporate the effect of multiple exposure photography into his landscape paintings; and the first contemporary artist to entirely expand the imagery of his primary paintings onto the frames.

<span class="mw-page-title-main">James Brooks (painter)</span> American painter

James David Brooks was an American Abstract Expressionist, muralist, abstract painter, art teacher, and winner of the Logan Medal of the Arts.

<span class="mw-page-title-main">Eric Fischl</span> American painter and sculptor

Eric Fischl is an American painter, sculptor, printmaker, draughtsman and educator. He is known for his paintings depicting American suburbia from the 1970s and 1980s.

The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.

Dorothea Rockburne DFA is an abstract painter, drawing inspiration primarily from her deep interest in mathematics and astronomy. Her work is geometric and abstract, seemingly simple but very precise to reflect the mathematical concepts she strives to concretize. "I wanted very much to see the equations I was studying, so I started making them in my studio," she has said. "I was visually solving equations." Rockburne's attraction to Mannerism has also influenced her work.

<span class="mw-page-title-main">April Gornik</span> American painter

April Gornik is an American artist who paints American landscapes. Her realist yet dreamlike paintings and drawings embody oppositions and speak to America's historically conflicted relationship with nature. While she doesn't categorize herself as an environmental artist, she is a passionate supporter of environmental causes and has said, "I have no problem with people reading an ecological message into my work."

<span class="mw-page-title-main">Parrish Art Museum</span>

The Parrish Art Museum is an art museum designed by Herzog & de Meuron Architects and located in Water Mill, New York, whereto it moved in 2012 from Southampton Village. The museum focuses extensively on work by artists from the artist colony of the South Shore and North Shore.

Ellen Eve Frank is an American artist, writer, and educator, currently based in New York, known for her illuminated manuscripts, which often incorporate precious metals, such as gold leaf, on murals and scrolls, linens and panels. She founded the Ellen Frank Illumination Arts Foundation which promotes the art of illumination and the creation of new works of art in the genre.

Yvonne Thomas was an American abstract artist.

Philip Pavia (1911-2005) was a culturally influential American artist of Italian descent, known for his scatter sculpture and figurative abstractions, and the debate he fostered among many of the 20th century's most important art thinkers. A founder of the New York School of Abstract Expressionism, he "did much to shift the epicenter of Modernism from Paris to New York," both as founding organizer of The Club and as founder, editor and publisher of the short-lived but influential art journal It Is: A Magazine for Abstract Art. Reference to the magazine appears in the archives of more than two dozen celebrated art figures, including Picasso, Peggy Guggenheim, and art critic Clement Greenberg. The Club is credited with inspiring art critic Harold Rosenberg’s influential essay “The American Action Painters" and the historic 9th Street Show.

<span class="mw-page-title-main">Harry Kramer (American artist)</span> American painter

Harry Kramer is an American abstract painter, born in Philadelphia, Pennsylvania. In 1962 he received a BFA from The University of Arts and earned an MFA from Yale University in 1965.

Susan Tepper was an American Neo-Expressionist and Figurative painter.

Charlotte Park, also known as Charlotte Park Brooks (1918–2010) was an American abstract painter. She began work as a professional artist soon after the close of World War II, working in studios first in Manhattan and then in eastern Long Island. She was associated with and drew both support and inspiration from her husband James Brooks and other first-generation abstract expressionist artists, including particularly her neighbors, Jackson Pollock, and Lee Krasner. During most of her career she neither sought nor received praise from critics and collectors, but late in life was celebrated for the quality of her artistic achievements and had her work shown in prestigious solo and group exhibitions. At the end of her life a critic said, "Hers was a major gift all but stifled by a happily embraced domesticity and by the critical bullying of a brutally doctrinaire art world."

<span class="mw-page-title-main">Eric Dever</span> American painter

Eric Dever is an American painter. His paintings are held in the collections of Grey Art Gallery New York University, the Parrish Art Museum, Guild Hall Museum, and the Heckscher Museum of Art. Dever has exhibited throughout the United States since the early 1990s, including exhibitions in France, Hong Kong and Helsinki.

Francis Valentine O’Connor was an American art historian who was an expert on the contemporary artist Jackson Pollock as well as a pioneering scholar of the visual art of the New Deal.

References

  1. 1 2 3 4 5 6 Whipple, Enez (1993). Guild Hall: An Adventure in the Arts . Harry N. Abrams, Inc. ISBN   0-8109-3384-5.
  2. 1 2 3 "Guild Hall Formally Opened". The East Hampton Star. August 21, 1931.
  3. "Jackson Pollock: Is He the Greatest Living Painter in the United States?". Life. August 8, 1949.
  4. de Troy, Stephanie (November 20, 2014). "New Additions to Guild Hall Permanent Collection on View". Dan's Papers.
  5. Schwendener, Martha (October 3, 2014). "Review: Arts (Abstract) and Letters: Robert Motherwell in East Hampton". The New York Times.
  6. Hinkle, Annette (April 23, 2008). "East Hampton's Guild Hall: Rebirth of a Theatre". The Sag Harbor Express.
  7. Siegel, Naomi (July 17, 2009). "Menagerie Moves in as Theater Reopens". The New York Times.
  8. "Obituary:Melville Straus". The New York Times. May 3, 2014.
  9. Yanks, Samantha (August 9, 2017). "Alec Baldwin Talks About Giving Back to the Hamptons Community & What Inspired His New Memoir". Hamptons Magazine.

Coordinates: 40°57′28″N72°11′25″W / 40.9578°N 72.1903°W / 40.9578; -72.1903