"Guitar Boogie" | |
---|---|
Single by the Rambler Trio featuring Arthur Smith | |
B-side | "Beaty Steel Blues" |
Released | Prior to January 5, 1946 [1] |
Recorded | Prior to September 15, 1945 [2] |
Genre | Hillbilly boogie |
Length | 3:22 |
Label | Super Disc |
Songwriter(s) | Arthur Smith |
"Guitar Boogie" is a guitar instrumental recorded by Arthur "Guitar Boogie" Smith in 1945. It was one of the first recordings in the style later dubbed "hillbilly boogie" to reach a widespread audience, and eventually sold nearly three million copies. [3] It was the first guitar instrumental to climb the country music charts, and then crossover and also gain high rankings on the popular music charts. [4] "Guitar Boogie" has been interpreted and recorded by a variety of musicians. It is among the songs discussed as the first rock and roll record. [3]
"Guitar Boogie" is an uptempo twelve-bar boogie-style instrumental and is patterned after older boogie-woogie piano pieces. Roosevelt Graves and His Brother recorded an instrumental "Guitar Boogie" in 1929, which was issued by Paramount Records. [5] It features a descending arpeggio based on "Pinetop's Boogie Woogie", a piano-based piece recorded by Pinetop Smith in 1928. [6] Music historian Larry Birnbaum describes it as "not the same as Arthur Smith's country hit by the same title". [5]
In his version, Smith performs the piano parts on guitar, alternating between boogie rhythmic patterns and soloing. Originally a jazz musician, Smith explained, "I guess I picked that [boogie-woogie] from Tommy Dorsey's 'Boogie Woogie', 'cause I didn't listen to country or blues, I listened to big band in those days". [5] Smith first recorded "Guitar Boogie" in 1945 with the Rambler Trio, with Don Reno on rhythm guitar and Roy Lear on bass. There has been conflicting information on the type of guitar Smith used for the recording; several sources identify it as an acoustic guitar [7] [8] [9] and others as an electric guitar. [10] [11] [12] The piece was released under the name "the Rambler Trio featuring Arthur Smith" by the independent Super Disc Records label. Regionally "Guitar Boogie" did well, due in part to Smith's appearances on popular radio programs, such as Charlotte, North Carolina WBT's Carolina Hayride.
In October 1948, MGM Records (which had purchased Super Disc and Smith's contract) re-released the instrumental under the name "Arthur (Guitar Boogie) Smith and His Cracker-Jacks". [13] By 1949, "Guitar Boogie" reached number eight during a stay of seven weeks on the Hot Country Songs chart and number 25 on the Billboard Hot 100 chart, [14] making it "the first guitar instrumental to climb the Country charts [then] crossover, and climb the Pop Charts". [4] As an early popular example of hillbilly boogie, it is a link between 1940s Western swing and honky-tonk and 1950s rockabilly. [5]
In the 1950s, rock and roll versions of "Guitar Boogie", usually titled "Guitar Boogie Shuffle" (but credited to Arthur Smith), were recorded. AllMusic critic Bruce Eder describes these renditions as having "new accents and a beat that took it out of country boogie and Western swing". [15] In 1953, a version by the Super-Sonics was titled "New Guitar Boogie Shuffle" [16] and another by the Esquire Boys with Danny Cedrone on guitar was titled "Guitar Boogie Shuffle". [17] In 1958, a Philadelphia band, Frank Virtue and the Virtues, recorded it as "Guitar Boogie Shuffle". [18] In 1959, the Virtues' single reached number five on the Billboard Hot 100 chart and number 27 on the Hot R&B Sides chart, which Eder calls "one of the most popular and influential instrumentals of its era". [15] Also in 1959, a version of "Guitar Boogie Shuffle" by Bert Weedon backed with "Bert's Boogie" [19] reached number ten in the UK charts. [20] A version of "Guitar Boogie Shuffle" (simply titled "Guitar Boogie") by New Zealand musician Peter Posa became a bit hit in his native country in 1962. Ten years later, a rendition appeared on the Ventures' 1972 album, Rock & Roll Forever [21] with Harvey Mandel guesting on lead guitar.
Numerous guitarists have interpreted and recorded "Guitar Boogie". Early versions of the song include those by the Les Paul Trio (1947) [22] and Alvino Rey (1946 and 1948). [23] In 1958, a different song titled "Guitar Boogie", with more chording and very different breaks, was included on Chuck Berry's second album One Dozen Berrys. (Jeff Beck, then with the Yardbirds later based his "Jeff's Boogie" on Berry's version). Freddie King's 1960 blues guitar instrumental "Hide Away" incorporates elements from various songs, including sections similar to those in "Guitar Boogie". Later renditions of "Guitar Boogie" include live versions by Tommy Emmanuel and Tom Petty.
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music. The genre had a significant influence on rhythm and blues and rock and roll.
Clarence "Pinetop" Smith, was an American boogie-woogie style blues pianist. His hit tune "Pine Top's Boogie Woogie" featured rhythmic "breaks" that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock and roll. The song was also the first known use of the term "boogie woogie" on a record, and cemented that term as the moniker for the genre.
The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western, and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mid-1960s, has been generally known simply as rock music.
Herbert Maurice William Weedon, OBE was an English guitarist whose style of playing was popular and influential during the 1950s and 1960s. He was the first British guitarist to have a hit record in the UK singles chart, in 1959, and his best-selling tutorial, Play in a Day, was a major influence on many leading British musicians, such as Eric Clapton, Brian May and Paul McCartney. He was awarded an OBE in 2001 for his "services to music".
Arthur Smith was an American musician, composer, and record producer, as well as a radio and TV host. He produced radio and TV shows; The Arthur Smith Show was the first nationally syndicated country music show on television. After moving to Charlotte, North Carolina, Smith developed and ran the first commercial recording studio in the Southeast.
Boogie is a repetitive, swung note or shuffle rhythm, "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916. By the 1930s, Swing bands such as Benny Goodman, Glenn Miller, Tommy Dorsey and Louis Jordan all had boogie hits. By the 1950s, boogie became incorporated into the emerging rockabilly and rock and roll styles. In the late 1980s and the early 1990s country bands released country boogies. Today, the term "boogie" usually refers to dancing to pop, disco, or rock music.
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.
Huey Pierce "Piano" Smith was an American R&B pianist and session musician whose sound was influential in the development of rock and roll.
"Sea Cruise" is a song written and originally recorded by Huey "Piano" Smith and His Clowns in 1959. However, this track was not released until 1971.
"Train Kept A-Rollin'" is a song first recorded by American jazz and rhythm and blues musician Tiny Bradshaw in 1951. Originally performed in the style of a jump blues, Bradshaw borrowed lyrics from an earlier song and set them to an upbeat shuffle arrangement that inspired other musicians to perform and record it. Johnny Burnette and the Rock and Roll Trio made an important contribution in 1956 – they reworked it as a guitar riff-driven song, which features an early use of intentionally distorted guitar in rock music.
"Rock Me Baby" is a blues standard that has become one of the most recorded blues songs of all time. It originated as "Rockin' and Rollin'", a 1951 song by Lil' Son Jackson, itself inspired by earlier blues. Renditions by Muddy Waters and B.B. King made the song well-known. When B.B. King's recording of "Rock Me Baby" was released in 1964, it became his first single to reach the Top 40 in Billboard magazine's Hot 100 chart.
"Pinetop's Boogie Woogie" is a song initially recorded by Clarence "Pinetop" Smith on December 29, 1928, in Chicago, Illinois, and released by Vocalion Records on March 1, 1929.
"Roll 'Em Pete" is a boogie-woogie song, originally recorded in December 1938 by singer Big Joe Turner and pianist Pete Johnson. The recording is regarded as one of the most important precursors of what later became known as rock and roll.
The Virtues were an early American rock and roll band from Philadelphia, Pennsylvania, United States.
"Ida Red" is an American traditional song of unknown origin, made famous in the upbeat 1938 version by Bob Wills and his Texas Playboys, the primary inspiration for Chuck Berry's first big hit "Maybellene." It is chiefly identified by variations of the chorus:
Boogie rock is a style of blues rock music that developed in the late 1960s. Its key feature is a repetitive driving rhythm, which emphasizes the groove. Although inspired by earlier musical styles such as piano-based boogie-woogie, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.
"Apache" is a song written by Jerry Lordan and first recorded by Bert Weedon. Lordan played the song on ukulele for the Shadows while on tour and, liking the song, the group released their own version which topped the UK Singles Chart for five weeks in mid-1960. The Shadows' guitarist Hank Marvin developed the song's distinctive echo and vibrato sound. After hearing the Shadows' version, Danish guitarist Jørgen Ingmann released a cover of the song in November 1960 which peaked at number 2 on the Billboard Hot 100 in the US.
John Alexander Barfield was an American country and old-time music performer, best known for his 1939 recording of "Boogie Woogie", the first country boogie.
Boogie Woogie Country Man is an album by Jerry Lee Lewis, released on Mercury Records in 1975.
Boogie Woogie is a compilation album containing four 10-inch, 78 rpm records of boogie-woogie music. The songs on the album were recorded over a period of three years from 1936 to 1939, then released in 1941 on this compilation album by Columbia Records (C44). Artists featured on the album include Harry James, Count Basie, Big Joe Turner, and the three prominent boogie-woogie pianists of the time, Albert Ammons, Pete Johnson, and Meade Lux Lewis.