Halifu Osumare

Last updated
Halifu Osumare
Halifu.jpg
Osumare in 2025
Born
Janis Miller

(1946-11-27) November 27, 1946 (age 78)
Galveston, Texas, U.S.
NationalityAmerican
EducationM.A. in Dance Ethnology, San Francisco State University; PhD in American Studies, University of Hawaiʻi at Mānoa
Occupation(s)Author, educator, dancer, choreographer, cultural activist, scholar
Employer University of California, Davis
Known forWork in global hip-hop studies and Dunham Technique
Notable workThe Hiplife in Ghana, Dancing in Blackness, The Africanist Aesthetic in Global Hip-Hop
Awards American Book Award, Fulbright Fellowship, Dance Studies Association Award

Halifu Osumare (born November 27, 1946) is an African American author, educator, dancer, choreographer, cultural activist, and scholar involved in dance and black popular culture internationally for over fifty years. She is a UC Davis professor emerita of African American and African studies and was the Director of AAS from 2011 to 2014. She is recognized for her global hip-hop studies books and her contributions to bringing attention to the impact African culture has had on U.S. popular culture and around the world. She is also a protégé of the late dancer-anthropologist Katherine Dunham and a certified instructor of Dunham Dance Technique. [1] [2]

Contents

Osumare has served on review panels for the California Arts Council, National Endowment for the Arts, The Pew Center for Arts & Heritage, and the Haas Creative Fund. [3]

Early life and education

Osumare was born Janis Miller in Galveston, Texas. She earned an MA in Dance ethnology from San Francisco State University and a PhD in American studies from the University of Hawaiʻi at Mānoa. In 2008, she was a Fulbright Scholar at the University of Ghana, Legon, where she taught in the Department of Dance Studies and conducted research on hip-hop culture in Accra. [4] [5]

While at San Francisco State University, she became involved with the Black Arts Movement, which influenced her approach to dance as a form of activism. She later spent three years in Europe, working, teaching, and performing in cities including Barcelona, Paris, Amsterdam, Copenhagen, and Stockholm. [6] After returning to the United States, she continued her choreographic work in Boston and later moved to New York to perform with Rod Rodgers Dance Company. In 1973, she relocated to Oakland, where playwright Ntozake Shange gave her the name Halifu Osumare. During this period, she developed The Evolution of Black Dance, a performance-lecture that she presented in various formats over the years. [7]

Osumare collaborated with Shange in dance-poetry improvisations that contributed to the early development of For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf. She was active in the West Coast Black Arts Movement during the 1970s. After a period studying dance in Ghana, she returned to Oakland and co-founded Everybody's Creative Arts Center (later Malonga Casquelourd Center for the Arts), focusing on arts education and administration. [8]

Her later work included participation in the 1983 Dance Black America festival organized by the Brooklyn Academy of Music, coordinating the Katherine Dunham Residency at Stanford University, and serving as a dance consultant to the United States Information Agency, which included work with the Kwacha Cultural Troupe in Malawi. [9]

Career

Author

Osumare is the author of four books. [10] The Hiplife in Ghana: West African Indigenization of Hip-Hop (2012) examines the evolution of hiplife, a Ghanaian music genre blending hip-hop and highlife. The book explores the genre's development as a localized adaptation of hip-hop culture and its broader cultural impact. [11] [12]

Her earlier work, The Africanist Aesthetic in Global Hip-Hop: Power Moves (2007), discusses hip-hop as a global cultural form and introduces the concept of "connective marginalities" to explain its global resonance. The book includes case studies from the United Kingdom, France, Russia, Japan, and Hawaiʻi. [13]

Osumare's first memoir, Dancing in Blackness: A Memoir (2018), recounts her four-decade career in dance across three continents. It received the Selma Jeanne Cohen Prize in Dance Aesthetics and the American Book Award in 2019. [14] Her second memoir, Dancing the Afrofuture: Hula, Hip-Hop and the Dunham Legacy (2024), continues her narrative from the 1990s onward, exploring Afrofuturism in dance and Black cultural expression. [15]

In addition to her books, Osumare has written refereed scholarly journal articles and book chapters on hip-hop, African American dance, Black choreographers, and the work of Katherine Dunham. [16]

Artist and dance activist

In the 1970s, Osumare was a soloist with the Rod Rodgers Dance Company in New York. From 1989 to 1995, she led Black Choreographers Moving Toward the 21st Century, a multi-city initiative promoting underrepresented Black choreographers. She also served as co-director of the Institute for Dunham Technique Certification. [17]

Choreographer

Osumare has directed and choreographed theatrical works by Ntozake Shange, including productions of For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, From Okra to Greens, Spell No. 7, and Boogie Woogie Landscape. Her choreography credits also include work for the American Conservatory Theater in San Francisco, such as Miss Evers' Boys (1988), Joe Turner's Come and Gone (1989), and Pecong (1993), for which she received a Bay Area Drama Critics Circle Award. [18] [19]

Following her retirement from UC Davis in 2016, Osumare choreographed in the Eye of the Storm and Resistance/Resilience (2019), the latter produced by Sacramento State University in response to contemporary civil rights issues. [20]

Awards and recognition

References

  1. ↑ "Osumare (Halifu) papers". California Digital Library .
  2. ↑ Zimmer, Elizabeth (6 March 2024). "Doing the Intercontinental With 'Dancing the Afrofuture: Hula, Hip-Hop, and the Dunham Legacy'". The Village Voice . Archived from the original on March 6, 2024.
  3. ↑ "For Halifu Osumare, dance is life | SF State News". San Francisco State University .
  4. ↑ Picard, Jen. "UC Davis Professor Shares Memoir On 'Dancing in Blackness'". KXJZ .
  5. ↑ "Black Dance Stories". blackdancestories.org.
  6. ↑ Osumare, Halifu (19 September 2010). "Dancing the Black Atlantic: Katherine Dunham's Research-to-Performance Method". AmeriQuests. 7 (2). doi: 10.15695/amqst.v7i2.165 .
  7. ↑ Sturm, Sylvie. "SF State alumni reminisce over founding first ever Black Student Union". Golden Gate Xpress.
  8. ↑ Lim, Andy (25 April 2019). "Halifu Osumare | African American & African Studies". University of California, Davis .
  9. ↑ "Dr. Halifu Osumare". Camille A. Brown. 25 July 2020.
  10. ↑ Barrow, Genoa (6 March 2024). "Local Dance Scholar On National Book Tour". The Sacramento Observer .
  11. ↑ "SPECIAL GUEST | Halifu Osumare, PhD". Stanford University .
  12. ↑ Sestito, Maria (21 March 2024). "From the Stage to the Page | lettersandsciencemag". lettersandsciencemag.ucdavis.edu.
  13. ↑ "Halifu Osumare | Global Affairs". globalaffairs.ucdavis.edu.
  14. ↑ "Bibliograph". link.dclibrary.org.
  15. ↑ "Dancing the Afrofuture: A Lecture by Dr. Halifu Osumare | International Center University of Florida". internationalcenter.ufl.edu.
  16. ↑ "READ: An excerpt from Halifu Osumare's "The Hiplife In Ghana"". BoldAsLove.us. 26 September 2012.
  17. ↑ "A Fluid Constant: Dr. Halifu Osumare's Dancing in Blackness | Leslie Bush | thINKingDANCE". thinkingdance.net.
  18. ↑ "Professor Dr. Halifu Osumare". Dr. Carol Marie Webster, PhD. 4 September 2023.
  19. ↑ Akyeampong, Emmanuel (June 2020). "Highlife Music, Hiplife, and Leisure in Ghana – Nate Plageman. Highlife Saturday Night: Popular Music and Social Change in Urban Ghana. Bloomington: Indiana University Press, 2013. xvi + 318 pp. Map. Illustrations. Notes. Bibliography. Index. $28.95. Paper. ISBN 978-0-8223-5366-9". African Studies Review: 436–440. doi:10.1017/asr.2019.86.
  20. ↑ "AUTHORS IN CONVERSATION | Dancing in Blackness: A Memoir by Halifu Osumare | MoAD". www.moadsf.org.
  21. ↑ "Dickson Emeritus Professorship Award – By Year". CUCEA :: THE COUNCIL OF UNIVERSITY OF CALIFORNIA EMERITI ASSOCIATIONS.
  22. ↑ "ASA 2019 Prize". Aesthetics Online.
  23. ↑ Fernandes, Sujatha (2008). "Review of The Africanist Aesthetic in Global Hip-Hop: Power Moves". Dance Research Journal: 97–99. JSTOR   20527613.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.