Hartwig Fischer | |
---|---|
Born | |
Nationality | German |
Education | Ph.D. in History of Art |
Alma mater | Munich University of Applied Sciences University of Bonn |
Occupation | Art historian |
Known for | Director of the British Museum |
Predecessor | Neil MacGregor |
Successor | Nicholas Cullinan |
Hartwig Fischer (born 14 December 1962) is a German art historian and museum director. From April 2016 until his resignation in August 2023 following a theft scandal, he was the director of the British Museum, the first non-British head of the museum since 1866. From 2012 to 2016, he was director of the Dresden State Art Collections (Staatliche Kunstsammlungen Dresden).
Fischer was born on 14 December 1962 in Hamburg, West Germany. [1] His father came from Mecklenburg. As a child, Fischer glimpsed art galleries while visiting relatives farther to the south, in Dresden in then-separate East Germany. [2] He undertook postgraduate research on Hermann Prell, [3] for which he received a doctorate degree from the University of Bonn (Universität Bonn) in 1994. [4] He is a German native speaker and fluent in English, French and Italian. [5]
Fischer began his career at the Kunstmuseum Basel, an art museum in Basel, Switzerland. There, between 2001 and 2006, he was curator of 19th-century and modern art. [1] He became director of the Museum Folkwang in Essen in 2006 where he presided over a period of expansion. [6] [7] In December 2011, he was appointed director of the Dresden State Art Collections (Staatliche Kunstsammlungen Dresden). [4] Subsequently, he succeeded Martin Roth, after Roth left to take charge at the Victoria and Albert Museum in London. [8]
On 25 September 2015, the trustees of the British Museum announced that Fischer would be the museum's next director. [9] [10] He is the first non-British head of the museum since the Italian Sir Anthony Panizzi stood down in 1866. [11] He took up the appointment on 4 May 2016. [1] [12]
In his role as director, Fischer supported the museum's continued ownership of the Elgin Marbles, which were removed from the Acropolis in Athens by agents of Lord Elgin from 1799 to 1810. [13] In January 2019, Fischer gave an interview to a Greek newspaper (in English) in which he called the removal of the marbles a "creative act", reaffirmed the British Museum's position of not loaning them to other museums, and stated that they were owned by the museum's trustees, rather than by the people of Athens. [14] The Greek Minister of Culture and Sports, Myrsini Zorba, said in response that Fischer's comments "ignore the international debate and the Declarations of Unesco", [15] while George Vardas, the secretary of the International Association for the Reunification of the Parthenon Sculptures, described Fischer's views as "astonishing historical revisionism and arrogance". [14] In December 2022, it was reported in the British press that the British Museum had entered into talks with the Greek government for the permanent return of the Parthenon Marbles to Athens. [16] [17]
In July 2023, Fischer announced that he would step down as director in 2024. [18] In August 2023, he resigned due to the museum's response to thefts and announced that he would step down once the museum had set up an interim director. [19] A staff member had previously been dismissed over the theft over several years of small works of art, mostly classical engraved gems. [20]
The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word Acropolis is from the Greek words ἄκρον and πόλις. The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops, the supposed first Athenian king.
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present. The British Museum was the first public national museum to cover all fields of knowledge.
The Parthenon is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena. Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and Western civilization.
The Elgin Marbles are a collection of Ancient Greek sculptures from the Parthenon and other structures from the Acropolis of Athens, removed from Ottoman Greece and shipped to Britain by agents of Thomas Bruce, 7th Earl of Elgin, and now held in the British Museum in London. The majority of the sculptures were created in the 5th century BC under the direction of sculptor and architect Phidias.
Maria Amalia "Melina" Mercouri was a Greek actress, singer, activist, and politician. She came from a political family that was prominent over multiple generations. She received an Academy Award nomination and won a Cannes Film Festival Best Actress Award for her performance in the film Never on Sunday (1960). Mercouri was also nominated for one Tony Award, three Golden Globes and two BAFTA Awards in her acting career. In 1987 she was awarded a special prize in the first edition of the Europe Theatre Prize.
Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.
The Dresden Green Diamond, also known as the Dresden Green, is a 41-carat (8.2 g) natural green diamond which originated in the mines of India. The Dresden Green is a rare Type IIa, with a clarity of VS1 and it is said to be potentially internally flawless, if slightly recut.
Robert Neil MacGregor is a British art historian and former museum director. He was editor of the Burlington Magazine from 1981 to 1987, then Director of the National Gallery, London, from 1987 to 2002, Director of the British Museum from 2003 to 2015, and founding director of the Humboldt Forum in Berlin until 2018.
Sir Richard Peter Lambert is a British journalist and business executive. He served as director-general of the CBI, chancellor of the University of Warwick, editor of the Financial Times newspaper and chairman of the board of the British Museum.
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners.
Staatliche Kunstsammlungen Dresden is a cultural institution in Dresden, Germany, owned by the State of Saxony. It is one of the most renowned and oldest museum institutions in the world, originating from the collections of the Saxon electors in the 16th century.
Sir David Mackenzie Wilson, FBA is a British archaeologist, art historian, and museum curator, specialising in Anglo-Saxon art and the Viking Age. From 1977 until 1992 he served as the Director of the British Museum, where he had previously worked, from 1955 to 1964, as an assistant keeper. In his role as director of the museum, he became embroiled in the controversy over the ownership of the Elgin Marbles with the Greek government, engaging with a "disastrous" televised debate with Greek Minister of Culture Melina Mercouri.
The Acropolis Museum is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. The Acropolis Museum also lies over the ruins of part of Roman and early Byzantine Athens.
Luc Delahaye is a French photographer known for his large-scale color works depicting conflicts, world events or social issues. His pictures are characterized by detachment, directness and rich details, a documentary approach which is however countered by dramatic intensity and a narrative structure.
Sir Mark Ellis Powell Jones is a British art historian, numismatist and museum director. He was Master of St Cross College, Oxford, from 2011-2016. Previously, from 2001 to 2011, he was director of the Victoria and Albert Museum.
Greek–British relations are foreign relations between Greece and the United Kingdom. Greece and the United Kingdom maintain excellent and cordial relations and consider each other an ally with the Greek Prime Minister, Kyriakos Mitsotakis, paying an official visit to London in 2021. Greece and the United Kingdom are both members of the United Nations, NATO and the Council of Europe.
Kikuji Kawada is a Japanese photographer. He co-founded the Vivo photographic collective in 1959. Kawada's books include Chizu and The Last Cosmology (1995). He was included in the New Japanese Photography exhibition at the Museum of Modern Art, New York in 1974 and was awarded the Lifetime Achievement Award from the Photographic Society of Japan in 2011.
The Palermo fragment, also known as Fagan slab from the name of the artist and British consul Robert Fagan who owned it, is a 2,500-year-old marble sculpture fragment of the foot and dress of the ancient Greek goddess Artemis.
Ian Dennis Jenkins was a Senior Curator at the British Museum who was an expert on ancient Greece and specialised in ancient Greek sculpture. Jenkins published a number of books and over a hundred articles. He led the British Museum's excavations at Cnidus and was involved in the debate over the ownership of the Elgin Marbles.
Archaeological looting is the illicit removal of artifacts from an archaeological site. Such looting is the major source of artifacts for the antiquities market. Looting typically involves either the illegal exportation of artifacts from their country of origin or the domestic distribution of looted goods. Looting has been linked to the economic and political stability of the possessing nation, with levels of looting increasing during times of crisis, but it has been known to occur during peacetimes and some looters take part in the practice as a means of income, referred to as subsistence looting. However, looting is also endemic in so-called "archaeological countries" like Italy, Greece, Turkey, Cyprus and other areas of the Mediterranean Basin, as well as many areas of Africa, South East Asia and Central and South America, which have a rich heritage of archaeological sites, a large proportion of which are still unknown to formal archaeological science. Many countries have antique looting laws which state that the removal of the cultural object without formal permission is illegal and considered theft. Looting is not only illegal; the practice may also threaten access to cultural heritage. Cultural heritage is knowledge about a heritage that is passed down from generation to generation.