Hazel Terry | |
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![]() Terry in 1938 | |
Born | Hazel M. Neilson-Terry 23 January 1918 London, England |
Died | 12 October 1974 56) London, England | (aged
Occupation | Actress |
Years active | 1935–1965 |
Spouses |
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Children | 1 |
Parents |
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Relatives | Sir John Gielgud (cousin) |
Hazel M. Neilson-Terry (23 January 1918 – 12 October 1974) was an English actress. A member of the theatrical dynasty the Terry family she had a successful stage career, and also made some cinema films. Among her roles was Ophelia in Hamlet opposite her cousin John Gielgud.
Terry was born in London, the daughter of the actor Dennis Neilson-Terry and his wife, actress Mary Glynne. [1] Her only sibling was her sister Monica Julia Glassborow née Neilson-Terry (died 1984). [2] [3] Hazel's first role was at the age of 17 as the page in Henry IV, Part I with George Robey as Falstaff at His Majesty's in 1936. Later in that year she played Beauty in Everyman . [1]
As her cousin John Gielgud had done early in his career, [4] she joined the Oxford Repertory company; her roles included Olivia in Twelfth Night . In 1938 she made her New York debut playing Hazel in J B Priestley's Time and the Conways , later repeating the role on tour in Britain. She made her film debut in 1935 in The Marriage of Corbal . [1]
In the 1938 Malvern Festival season she appeared in The Last Trump, which transferred to the West End. Following what The Times called "various unremarkable engagements" she starred in a year-long ENSA tour as Amanda in Noël Coward's Private Lives . [5] In 1944 she understudied Peggy Ashcroft as Ophelia in Gielgud's last London Hamlet , and had the chance to play the role in Manchester and London. [1]
After World War II, her roles included Lydia in Coward's Peace in Our Time (1947), the Queen in Terence Rattigan's Adventure Story (1949), and Mesita in The Seagull (1949). The obituarist in The Times wrote, "After absence from the theatre during much of the fifties, she was uncommonly good as the housekeeper, an exacting part, in the fine cast (John Gielgud and Ralph Richardson among it) that brought Enid Bagnold's The Last Joke to the Phoenix in September, 1960." In 1961 she played Rachel in The Irregular Verb To Love in the West End. [1]
Terry was married, first to the actor Geoffrey Keen and then to David Evans. [5] Her daughter, Jemma Hyde (1941–2017), [6] became an actress. Hazel Terry died in London, aged 56, from undisclosed causes. [5]
Ann Terry, who is the couple's great-niece – the niece of Dorothy's husband ...... Dame Ellen Terry's nephew, Dennis Neilson-Terry....daughter Hazel .....(grandfather) of Maurice Glassborow and Monica Nielson-Terry's's daughter Matita Glassborow at Chapel Allerton Nursing Home on 12 ..... Dame Ellen was the sister of (Sir John) Gielgud's grandmother Kate and Monica's...
...Hazel and Monica Julia Nielson-Terry (married name Glassborow - died 1984)
Sir Arthur John Gielgud, was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.
Dame Alice Ellen Terry was a leading English actress of the late 19th and early 20th centuries.
Dame Edith Mary Evans, was an English actress. She was best known for her work on the stage, but also appeared in films at the beginning and towards the end of her career. Between 1964 and 1968, she was nominated for three Academy Awards.
The Noël Coward Theatre, formerly known as the Albery Theatre, is a West End theatre in St. Martin's Lane in the City of Westminster, London. It opened on 12 March 1903 as the New Theatre and was built by Sir Charles Wyndham behind Wyndham's Theatre which was completed in 1899. The building was designed by the architect W. G. R. Sprague with an exterior in the classical style and an interior in the Rococo style.
Dame Agnes Sybil Thorndike, Lady Casson, was an English actress whose stage career lasted from 1904 to 1969.
Glencairn Alexander "Glen" Byam Shaw, CBE was an English actor and theatre director, known for his dramatic productions in the 1950s and his operatic productions in the 1960s and later.
Joyce Carey, OBE was an English actress, best known for her long professional and personal relationship with Noël Coward. Her stage career lasted from 1916 until 1987, and she was performing on television in her 90s. Although never a star, she was a familiar face both on stage and screen. In addition to light comedy, she had a large repertory of Shakespearean roles.
Madge Titheradge was an Australian-born actress who became a leading actress in the West End of London and on Broadway.
Julia Emilie Neilson was an English actress best known for her numerous performances as Lady Blakeney in The Scarlet Pimpernel, for her roles in many tragedies and historical romances, and for her portrayal of Rosalind in a long-running production of As You Like It.
Fred Terry was an English actor and theatrical manager. After establishing his reputation in London and in the provinces for a decade, he joined the company of Sir Herbert Beerbohm Tree where he remained for four years, meeting his future wife, Julia Neilson. With Neilson, he played in London and on tour for 27 further years, becoming famous in sword and cape roles, such as the title role in The Scarlet Pimpernel.
Violet Vanbrugh, born Violet Augusta Mary Barnes, was an English actress with a career that spanned more than 50 years. Despite her many successes, her career was overshadowed by that of her more famous sister, Dame Irene Vanbrugh.
Marion Bessie Terry was an English actress. In a career spanning half a century, she played leading roles in more than 125 plays. Always in the shadow of her older and more famous sister Ellen, Terry nevertheless achieved considerable success in the plays of W. S. Gilbert, Oscar Wilde, Henry James and others.
Leontyna Aniela Aszpergerowa, known professionally as Aniela Aszpergerowa, was a Polish stage actress who achieved wide fame in Poland and in the former Grand Duchy of Lithuania. She also took part in the January Uprising against Imperial Russia in 1863 and was sent to prison. Her great-grandson was John Gielgud.
Kate Terry was an English actress. The elder sister of the actress Ellen Terry, she was born into a theatrical family, made her debut when still a child, became a leading lady in her own right, and left the stage in 1867 to marry. In retirement she commented that she was 20 years on the stage, yet left it when she was only 23. Her grandson was John Gielgud.
Mabel Gwynedd Terry-Lewis was an English actress and a member of the Terry-Gielgud dynasty of actors of the 19th and 20th centuries.
The Terry family was a British theatrical dynasty of the late 19th century and beyond. The family includes not only those members with the surname Terry, but also Neilsons, Craigs and Gielguds, to whom the Terrys were linked by marriage or blood ties.
Phyllis Neilson-Terry was an English actress. She was a member of the third generation of the theatrical dynasty the Terry family. After early successes in the classics, including several leading Shakespearean roles, she spent more than four years in the US, in generally lightweight presentations.
Nora Nicholson was an English actress. Known for her portrayal of character roles, she achieved her greatest success in the later years of her career. She played in classics by Shakespeare and Chekhov and in new plays by authors including Noël Coward and Alan Bennett. Many of her best-regarded performances were as eccentric or even unhinged characters.
Robin Fox MC was an English actor, theatrical agent, and chairman of the English Stage Company, best remembered as the founder of a family of actors. His sons are Edward, James, and Robert Fox. His grandchildren include Emilia, Laurence, Jack and Freddie Fox.
Raymond Mander and Joe Mitchenson were theatre historians and joint founders of a large collection of theatrical memorabilia.