A Precocious Girl is a 1934 Austrian comedy film directed by Max Neufeld and Richard Eichberg and starring Franciska Gaal, Leopoldine Konstantin and Herbert Hübner. The film's sets were designed by art director Julius von Borsody.
Urlaub auf Ehrenwort is a 1955 West German drama film directed by Wolfgang Liebeneiner and starring Claus Biederstaedt, Eva Ingeborg Scholz and Reinhard Kolldehoff. It is a remake of the 1939 film Urlaub auf Ehrenwort about German soldiers granted leave during the Second World War.
Third from the Right is a 1950 West German musical crime film directed by Géza von Cziffra and starring Vera Molnar, Robert Lindner and Peter van Eyck. It was made by the Hamburg-based company Real Film at the Wandsbek Studios in the city. The film's sets were designed by the art director Herbert Kirchhoff.
A Mother's Love or Mother Love is a 1939 drama film directed by Gustav Ucicky and starring Käthe Dorsch, Paul Hörbiger and Wolf Albach-Retty.
Gentlemen Among Themselves is a 1929 German silent comedy film directed by Rudolf Walther-Fein and starring Hermann Picha, Lydia Potechina and Maria Paudler. It was shot at the Staaken Studios in Berlin. The film's sets were designed by Botho Hoefer and Hans Minzloff.
Such a Charade is a 1953 West German comedy film directed by Erik Ode and starring Josefin Kipper, Joachim Brennecke and Heli Finkenzeller.
Amico is a 1949 West German comedy film directed by Gerhard T. Buchholz and starring Otto Wernicke, Margarete Haagen, and Kirsten Heiberg. It was shot at the Göttingen Studios and on location around Kassel in Hesse. The film's sets were designed by the art director Walter Haag.
The Great Test is a 1954 West German drama film directed by Rudolf Jugert and starring Luise Ullrich, Hans Söhnker and Karin Dor. It was shot at the Spandau Studios in West Berlin and on location around the city. The film's sets were designed by the art director Gabriel Pellon.
Anonymous Letters is a 1949 German drama film directed by Arthur Maria Rabenalt, and starring Käthe Haack, Tilly Lauenstein, and O.E. Hasse. It was shot at the Tempelhof Studios in West Berlin and on location in the city at the time of the Berlin Blockade. The film's sets were designed by the art director Willi Herrmann.
Count Cohn is a 1923 German silent film directed by Carl Boese and starring Hermann Vallentin, Frida Richard and Bernd Aldor.
Our Doctor is the Best is a 1969 West German comedy film directed by Harald Vock and starring Roy Black, Helga Anders and Peter Weck.
The Red Hand is a 1960 West German crime thriller film directed by Kurt Meisel and starring Paul Hubschmid, Hannes Messemer and Eleonora Rossi Drago.
Crime After School is a 1959 West German drama film directed by Alfred Vohrer and starring Peter van Eyck, Christian Wolff and Heidi Brühl. It was based on a novel by Walter Ebert.
Life Begins at Eight is a 1962 West German drama film directed by Michael Kehlmann and starring O.E. Hasse, Johanna Matz and Helmut Wildt. It is an adaptation of the 1940 play The Light of Heart by Emlyn Williams, previously adapted into a 1942 Hollywood film Life Begins at Eight-Thirty. The action is moved from the play's setting of London to Berlin.
Susanne Cleans Up is a 1930 musical comedy film directed by Eugen Thiele and starring Truus Van Aalten, Francis Lederer and Albert Paulig. The film's sets were designed by the art director Willi Herrmann.
Master of Life and Death is a 1955 West German drama film directed by Victor Vicas and starring Maria Schell, Ivan Desny and Wilhelm Borchert. It was shot at the Spandau Studios in West Berlin and on location around the city and in Brittany. The film's sets were designed by the art directors Hans Ledersteger and Ernst Richter. It is based on the 1938 novel of the same title by Carl Zuckmayer.
The Forest House in Tyrol or The Lodge in Tyrol is a 1955 West German drama film directed by Hermann Kugelstadt and starring Wera Frydtberg, Helmuth Schneider and Dorothea Wieck. Location shooting took place around Mittenwald, Innsbruck and Kitzbühel. Interiors were shot at temporary studio in Mittenwald. The film's sets were designed by the art director Max Seefelder. It was part of the boom in heimatfilm in post-war West Germany.
As Long as There Are Pretty Girls is a 1955 West German musical comedy film directed by Arthur Maria Rabenalt and starring Georg Thomalla, Alice Kessler and Ellen Kessler. It was based on the play Okay Mama by Annemarie Artinger. It was shot at the Bavaria Studios and Carlton Studios in Munich. The film's sets were designed by the art directors Kurt Herlth and Robert Herlth.
One Woman Is Not Enough? is a 1955 West German drama film directed by Ulrich Erfurth and starring Hilde Krahl, Hans Söhnker and Rudolf Forster. It was shot at the Tempelhof Studios in West Berlin and on location in Munich and around Lake Starnberg. The film's sets were designed by the art directors Erich Kettelhut and Johannes Ott.
Vanished Melody is a 1952 Austrian musical comedy film directed by Eduard von Borsody and starring Elfie Mayerhofer, Robert Lindner and Evelyn Künneke. It was shot at the Sievering Studios and Schönbrunn Studios in Vienna. The film's sets were designed by the art director Julius von Borsody. It was distributed in East Germany by Progress Film and in West Germany by Herzog Filmverleih.
