Hearts and Fists | |
---|---|
Directed by | Lloyd Ingraham |
Written by | |
Produced by | H.C. Weaver |
Starring | |
Cinematography | Abe Scholtz |
Edited by | Peter L. Shamray |
Production company | H.C. Weaver Productions |
Distributed by | Associated Exhibitors |
Release date |
|
Running time | 6 reels |
Country | United States |
Language | Silent (English intertitles) |
Hearts and Fists is a 1926 American silent drama film directed by Lloyd Ingraham and starring John Bowers, Marguerite De La Motte, and Alan Hale. [1]
As described in a film magazine review, [2] Larry Pond, a young man whose father dies and leaves him a failing lumbering business, falls in love with Alexia Newton, the fiancé of his crooked business rival. His rival attempts to ruin his plant. His blocking the attempt proves to the young woman which is the better man, and an unusual marriage ceremony follows.
Daughters Who Pay is a 1925 American silent drama film directed by George Terwilliger, starring Marguerite De La Motte and John Bowers, and featuring Béla Lugosi as Serge Romonsky.
The Girl Who Wouldn't Work is an extant 1925 American silent drama film produced by B. P. Schulberg and starring Lionel Barrymore and Marguerite De La Motte. Preferred Pictures and Al Lichtman handled the distribution of this film directed by Marcel De Sano.
Hearts and Spurs is a 1925 American silent Western film directed by W.S. Van Dyke and starring Buck Jones, Carole Lombard, and William B. Davidson. The film was partly shot on location in San Bernardino County. It received mixed reviews on its release.
The Hope is a 1920 American silent drama film directed by Herbert Blache and starring Jack Mulhall, Marguerite De La Motte, and Ruth Stonehouse. It was produced and distributed by the Metro Pictures company.
The Clean Heart is a 1924 American silent drama film directed by J. Stuart Blackton and starring Percy Marmont, Otis Harlan and Marguerite De La Motte.
Fifth Avenue is a lost 1926 American silent drama film directed by Robert G. Vignola and starring Marguerite De La Motte, Allan Forrest, and Louise Dresser.
What a Wife Learned is a 1923 American drama film directed by John Griffith Wray and starring John Bowers, Milton Sills, Marguerite De La Motte, Evelyn McCoy, Harry Todd, and Aggie Herring. Written by Bradley King, the film was released on January 28, 1923, by Associated First National Pictures.
When a Man's a Man is a 1924 American silent Western film directed by Edward F. Cline and starring John Bowers, Marguerite De La Motte, and Robert Frazer.
Flattery is a 1925 American silent drama film directed by Tom Forman and starring John Bowers, Marguerite De La Motte, and Alan Hale.
The Business of Love is a 1925 American silent comedy film directed by Irving Reis and Jess Robbins and starring Edward Everett Horton, Barbara Bedford, and Zasu Pitts.
East of Broadway is a 1924 American silent comedy film directed by William K. Howard and starring Owen Moore, Marguerite De La Motte, and Mary Carr.
Children of the Whirlwind is a 1925 American silent crime drama film directed by Whitman Bennett and starring Lionel Barrymore, Johnnie Walker, and Marguerite De La Motte.
The People vs. Nancy Preston is a 1925 American silent drama film directed by Tom Forman and starring Marguerite De La Motte, John Bowers, and Frankie Darro.
Broadway Madness is a 1927 American silent romantic drama film directed by Burton L. King and starring Marguerite De La Motte, Donald Keith, and Betty Hilburn.
Ragtime is a 1927 American silent drama film directed by Scott Pembroke and starring John Bowers, Marguerite De La Motte and Robert Ellis. It is considered lost.
Desire is a 1923 American silent drama film directed by Rowland V. Lee and starring Marguerite De La Motte, John Bowers, and Estelle Taylor. The film's sets were designed by art director John Hughes.
Those Who Dare is a 1924 American silent drama film directed by John B. O'Brien and starring John Bowers, Marguerite De La Motte, and Joseph J. Dowling. Though some reference books consider it a horror film, it is not known how overt the voodoo element was, since the film no longer exists. The film co-stars a couple of actors however who were associated with the 1920s horror film genre, Sheldon Lewis, and Cesare Gravina. Director O'Brien quit directing in 1926, and spent the last ten years of his life acting in bit parts.
The Final Extra is a 1927 American silent crime film directed by James P. Hogan and starring Marguerite De La Motte, Grant Withers and John Miljan.
Crinoline and Romance is a 1923 American silent comedy film directed by Harry Beaumont and starring Viola Dana, Claude Gillingwater, and John Bowers.
Sealed Lips is a lost 1925 American silent drama film directed by Tony Gaudio and starring Dorothy Revier, Cullen Landis, and Lincoln Stedman.