Don Mike | |
---|---|
Directed by | Lloyd Ingraham |
Written by | Frances Marion Lloyd Ingraham |
Produced by | Joseph P. Kennedy |
Starring | |
Cinematography | Ross Fisher |
Production company | |
Distributed by | Film Booking Offices of America |
Release date |
|
Running time | 60 minutes |
Country | United States |
Language | Silent (English intertitles) |
Don Mike is a 1927 American silent Western film directed by Lloyd Ingraham and starring Fred Thomson, Ruth Clifford, and Noah Young. [1] It is set in Old California.
With no prints of Don Mike located in any film archives, [2] it is a lost film.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
The Loves of Carmen is a 1927 American silent romantic drama film directed by Raoul Walsh. The film, based on the novella Carmen by Prosper Mérimée, stars Dolores del Río in the title role, and Don Alvarado as Jose. Due to the public apathy towards silent films, a sound version was also prepared in 1928. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Josette is a 1938 American comedy film directed by Allan Dwan and starring Don Ameche, Simone Simon and Robert Young. Two brothers fall in love with the same nightclub singer.
Her Husband's Secret is a 1925 American silent drama film directed by Frank Lloyd and starring Antonio Moreno, Patsy Ruth Miller, and Ruth Clifford.
The Yellow Dog is a 1918 American silent drama film directed by Colin Campbell and starring Arthur Hoyt, Antrim Short, and Clara Horton.
Stepping Lively is a 1924 American silent action film directed by James W. Horne and starring Richard Talmadge, Mildred Harris and Norval MacGregor.
Puppets of Fate is a 1921 American silent drama film directed by Dallas M. Fitzgerald and starring Viola Dana, Francis McDonald, and Jackie Saunders.
Thundering Hoofs is a 1924 American silent Western film directed by Albert S. Rogell and starring Fred Thomson, Ann May, and William Lowery.
The Silent Stranger is a 1924 American silent Western film directed by Albert S. Rogell and starring Fred Thomson, Hazel Keener, and Frank Hagney.
The Wild Bull's Lair is a 1925 American silent Western film directed by Del Andrews and starring Fred Thomson, Catherine Bennett, and Herbert Prior.
Ridin' the Wind is a 1925 American silent Western film directed by Del Andrews and starring Fred Thomson, Jacqueline Gadsdon, and David Dunbar.
All Around Frying Pan is a 1925 American silent Western film directed by David Kirkland and starring Fred Thomson, James A. Marcus, and Clara Horton.
The Tough Guy is a 1926 American silent Western film directed by David Kirkland and starring Fred Thomson, Lola Todd, and Robert McKim.
The Two-Gun Man is a 1926 American silent Western film directed by David Kirkland and starring Fred Thomson, Spottiswoode Aitken, and Olive Hasbrouck.
Lone Hand Saunders is a 1926 American silent Western film directed by B. Reeves Eason and starring Fred Thomson, Bess Flowers, and Frank Hagney.
A Regular Scout is a 1926 American silent Western film directed by David Kirkland and starring Fred Thomson, Olive Hasbrouck, and William Courtright.
Silver Comes Through is a 1927 American silent Western film directed by Lloyd Ingraham and starring Fred Thomson, Edna Murphy, and William Courtright.
Arizona Nights is a 1927 American silent Western film directed by Lloyd Ingraham and starring Fred Thomson, Nora Lane, and William Courtright.
The Whispered Name is a 1924 American silent drama film directed by King Baggot and starring Ruth Clifford, Charles Clary, and W.E. Lawrence. It was based on a Broadway play that had previously been made into the 1917 film The Co-Respondent.
Through Thick and Thin is a 1927 American silent crime film directed by B. Reeves Eason and starring William Fairbanks, Ethel Shannon and George Periolat.