| Charity Castle | |
|---|---|
 Advertisement for film | |
| Directed by | Lloyd Ingraham |
| Written by | Doty Hobart |
| Starring | Mary Miles Minter |
Production company | |
| Distributed by | Mutual Film |
Release date |
|
Running time | 5 reels |
| Country | United States |
| Language | Silent (English intertitles) |
Charity Castle is a 1917 American silent comedy-drama film directed by Lloyd Ingraham and starring Mary Miles Minter. As is the case with many of Minter's features, it is thought to be a lost film. [1]
As described and illustrated in various film magazines, [2] [3] [4] when the mother of Charity (Minter) and her little brother, whom she calls "The Prince," passes away, they are left in the care of her tenant, Merlin Durand (Forrest). He is the son of a millionaire, but his miserly father, who disapproves of his extravagant lifestyle, has banished him from home until he can produce his first week's pay-check.
When Merlin's bills pile up, Charity takes pity on him, and decides that she and her brother will talk his father into taking him back. They go to the father's house and find it deserted; Simon Durand has gone to "take the waters" and the servants have seized the opportunity to take the night off. Charity and the Prince promptly move into the house and call it their castle, as they wait for the father's return.
That night, Bill the burglar (Turner) breaks into the house, but Charity charms him into becoming their protector. To complete this unconventional household, Sam the bum (Russell) and Lucius (Aitken), a stranded actor, soon join them. When Simon Durand returns, he is at first furious to find these strangers in his home; Charity, however, soon wins him over, and he decides to keep on Bill, Sam and Lucius in place of his absent servants.
Merlin, meanwhile, has managed to secure a job. With his first pay-check in hand, he goes to see his father, where he is overjoyed to find his wards safe and sound. Father and son are reconciled, and all live happily in the newly-renamed "Charity Castle."
Frank Spottiswoode Aitken was a Scottish-American actor of the silent era. He played Dr. Cameron in D. W. Griffith's epic drama The Birth of a Nation.
Melissa of the Hills is a 1917 American silent film directed by James Kirkwood and starring Mary Miles Minter. As is the case with many of Minter's features, it is thought to be a lost film.
Periwinkle is a 1917 American silent film directed by James Kirkwood and starring Mary Miles Minter. It was based on the 1910 novel Periwinkle; an Idyl of the Dunes written by William Farquhar Payson. As with many of Minter's features, it is thought to be a lost film.
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Her Country's Call is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, along with George Periolat and Allan Forrest. The film is the final instalment in a series a films written by Abraham Lincoln impersonator Benjamin Chapin, who also appeared in the film as Lincoln. It was one of many films of the time that catered to the vogue for patriotic pictures after America joined World War 1, with ample shots of soldiers and the American flag. As with many of Minter's features, it is thought to be a lost film.
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Beauty and the Rogue is a 1918 American silent comedy crime drama film directed by Henry King and starring Mary Miles Minter. It was filmed under the working title of "Mademoiselle Tiptoe," based on a story by Arthur Berthelet and adapted for the screen by Elizabeth Mahoney, who was the screenwriter for many of Minter's Mutual Film features. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
The Eyes of Julia Deep is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Lloyd Ingraham. The film is based on the short story by the same name, written by Kate L. McLaurin. It is one of the few films starring Minter which are known to have survived, and one of even fewer readily available for the general public to view.
Social Briars is a 1918 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. The story was by Jeanne Judson, and it was filmed under the working title of "The Greater Call." As with many of Minter's features, it is thought to be a lost film.
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. As with many of Minter's features, it is thought to be a lost film.
The Heart Specialist is a 1922 American silent romantic comedy film directed by Frank Urson and starring Mary Miles Minter and Allan Forrest. It was adapted by Harvey Thew from a story by Mary Morrison. As with many of Minter's features, it is thought to be a lost film.
On the Level is a lost 1917 American silent Western film directed by George Melford and written by Marion Fairfax and Charles Kenyon. The film stars Fannie Ward, Jack Dean, Harrison Ford, Lottie Pickford, James Cruze, and Jim Mason. The film was released on September 10, 1917, by Paramount Pictures.
The Prince Chap is a 1920 American silent drama film directed by William C. deMille and written by Olga Printzlau based upon the play of the same name by Edward Peple. The film stars Thomas Meighan, Charles Ogle, Kathlyn Williams, Casson Ferguson, Ann Forrest, Peaches Jackson, and Mae Giraci. The film was released in August 1920, by Paramount Pictures.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Rosemary Climbs the Heights is a 1918 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, Allan Forrest, and Margaret Shelby. It is the only one of Minter's feature films not listed in the Library of Congress American Silent Feature Film Database, making its survival status difficult to ascertain.
Yvonne from Paris is a 1919 American silent comedy film directed by Emmett J. Flynn and starring Mary Miles Minter, Allan Forrest, and Vera Lewis. It was Minter's last film with the American Film Company; she signed a contract with Realart, part of Famous Players–Lasky, in June 1919.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
The Ghost of Rosy Taylor is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Edward Sloman. The film is based on a Saturday Evening Post story of the same name, written by Josephine Daskam Bacon. It is one of approximately a dozen Minter films which are known to have survived - a print was found in New Zealand in the 1990s which is in possession of the BFI National Archive - and one of even fewer readily available for the general public to view.
A Bachelor's Wife is a 1919 silent drama film directed by Emmett J. Flynn and starring Mary Miles Minter. As with many of Minter's films, the film is thought to be a lost film. In the weeks before its release, some film magazines listed the feature under its working title “Mary O’Rourke.”
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