Thomas G. Lingham was an American stage performer and then a film actor during both the silent and early sound eras. He appeared in more than 100 motion pictures between 1914 and 1934, often portraying villains, which in the film industry at that time were also called "heavies". During his 20-year screen career, Lingham was cast in productions for Kalem Company, Signal Film Corporation, Pathé, Universal Pictures, Mascot Pictures, Lone Star Film Company, and for other studios in and around Hollywood.
The Locked Door is a 1929 American pre-Code drama film directed by George Fitzmaurice, and starring Rod LaRocque, Barbara Stanwyck, William "Stage" Boyd and Betty Bronson. It is based on the 1919 play The Sign on the Door by Channing Pollock. The play was first adapted for the screen in 1921 as The Sign on the Door, starring Norma Talmadge. It was Stanwyck's first starring role and first talking film.
Twin Beds is a lost 1920 American silent film comedy directed by Lloyd Ingraham and starring Carter DeHaven and Flora Parker DeHaven. It was based on a 1914 Broadway play Twin Beds by Salisbury Field and Margaret Mayo. Carter DeHaven produced the film, and it was released by First National Pictures.
Sky High Corral is a 1926 American silent Western film directed by Clifford Smith and starring Art Acord, Marguerite Clayton, and Duke R. Lee.
The Border Sheriff is a 1926 American silent Western film directed by Robert N. Bradbury and starring Jack Hoxie, Olive Hasbrouck, and S.E. Jennings.
The Set-Up is a 1926 American silent Western film directed by Clifford Smith and starring Art Acord, Alta Allen, and Albert Schaefer.
With Davy Crockett at the Fall of the Alamo is a 1926 American silent Western film directed by Robert N. Bradbury and starring Cullen Landis, Kathryn McGuire, and Edward Hearn. The battle scenes of the silent film would be reused for the 1937 movie Heroes of the Alamo.
The Bantam Cowboy is a 1928 American silent Western film directed by Louis King and starring Buzz Barton, Frank Rice and Nancy Drexel.
Splitting the Breeze is a 1927 American silent Western film directed by Robert De Lacey and starring Tom Tyler, Harry Woods and Peggy Montgomery.
The Freckled Rascal is a 1929 American silent Western film directed by Louis King and starring Buzz Barton, Milburn Morante and Lotus Thompson.
Into the Night is a 1928 American silent crime film directed by Duke Worne and starring Agnes Ayres, Forrest Stanley and Corliss Palmer.
Fangs of the Wild is a 1928 American silent action film directed by Jerome Storm and starring Nancy Drexel and Sam Nelson.
Trail of Courage is a 1928 American silent Western film directed by Wallace Fox and starring Bob Steele, Marjorie Bonner, and Thomas G. Lingham.
The Girl in the Taxi is a 1921 American silent comedy film directed by Lloyd Ingraham and starring Flora Parker DeHaven, Carter DeHaven, King Baggot, Grace Cunard, and Otis Harlan. It is based on the 1912 English-language adaptation of German play by Frederick Fenn and Arthur Wimperis. The film was released by Associated First National Pictures in April 1921.
Riders of the Law is a 1922 American silent Western film directed by Robert N. Bradbury and starring Jack Hoxie, Marin Sais and Frank Rice.
Riders of Mystery is a 1925 American silent Western film directed by Robert N. Bradbury and starring Bill Cody, Frank Rice, and Thomas G. Lingham.
Daring Deeds is a 1927 American silent comedy film directed by Duke Worne and starring Billy Sullivan, Molly Malone and Earl Metcalfe.
Heartless Husbands is a 1925 American silent drama film directed by Bertram Bracken and starring Gloria Grey, Thomas G. Lingham and Vola Vale.
Itching Palms is a 1923 American silent comedy horror film directed by James W. Horne and starring Tom Gallery, Herschel Mayall and Virginia Fox.
Marry the Poor Girl is a 1921 American silent comedy film directed by Lloyd Ingraham and starring Carter DeHaven and Flora Parker DeHaven. It was based on the 1920 Broadway play of the same name by Owen Davis.The Exhibitor's Trade Review noted that the "excellent" supporting cast were not credited onscreen "possibly because it was intended to keep only the two principals in the limelight".
