Heavy Metal Hippies | ||||
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Studio album by | ||||
Released | December 21, 1994 | |||
Studio | Music Inn Yamanakako Studio, Yamanakako, Yamanashi, Japan | |||
Genre | Heavy metal, speed metal, hard rock | |||
Length | 56:45 | |||
Label | Warner Music Japan | |||
Producer | Akira Takasaki | |||
Loudness chronology | ||||
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Singles from Heavy Metal Hippies | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Heavy Metal Hippies is the eleventh studio album by Japanese heavy metal band Loudness. It was recorded and mixed by Chris Tsangarides and released in 1994 only in Japan. After the defection of bassist Taiji Sawada, Akira Takasaki played both the lines of bass and guitar on the album. In addition, drummer and band co-founder Munetaka Higuchi was replaced by Hirotsugu Homma. [2]
All music by Akira Takasaki. Lyrics by Masaki Yamada, Stephan Galfas and Kayla Ritt Yamada
Loudness is a Japanese heavy metal band formed in 1981 by guitarist Akira Takasaki and drummer Munetaka Higuchi. They were the first Japanese metal act signed to a major label in the United States, releasing 26 studio albums and nine live albums by 2014 and reaching the Billboard Top 100 in their moment of maximum international popularity, as well as charting on Oricon dozens of times. Despite numerous changes in their roster, with Takasaki the sole constant member, the band continued their activities throughout the 1990s, finally reuniting the original line-up in 2001. This incarnation released a further seven albums until November 30, 2008, when original drummer Munetaka Higuchi died from liver cancer at a hospital in Osaka at age 49. He was replaced with Masayuki Suzuki.
EZO was a Japanese heavy metal band originally formed as Flatbacker in the spring of 1982 in Sapporo, Japan out of the remnants of two high school bands, Power-Station and Scrap. EZO has been named a "seminal influence by such artists as Steve McDonald of Redd Kross and Michael Steele of The Bangles."
EZO is the American self-titled debut album from the Japanese metal band Ezo. It was released in 1987 on Geffen Records and co-produced by Gene Simmons of KISS fame. Songwriters from the Kiss' entourage, such as Adam Mitchell and Jaime St. James, contributed heavily to the songs of the album. Jody Gray, co-writer of the song "Destroyer", co-wrote and co-produced the band's second album, Fire Fire.
Fire Fire is the second studio album released by Japanese metal band Ezo. It was released in 1989 on Geffen Records.
Anthem is a Japanese heavy metal band that was formed during the early 1980s in Tokyo. They are among the handful of heavy metal bands founded in Japan during that time and are considered to be one of the most successful and influential, alongside Loudness and Earthshaker.
In Search of Sanity is the third studio album by English thrash metal band Onslaught, released in 1989. This album was originally recorded with Sy Keeler, but London Records were not impressed with the final product from a commercial point of view and enforced a re-mix and a complete re-recording of the vocals by Grim Reaper frontman Steve Grimmett, being the only album featuring him. It features their longest song to date "Welcome to Dying". The album contains a more polished sound than previous Onslaught albums, meeting mixed reviews by their fans. Despite this, In Search of Sanity was moderately successful, peaking at #46 on the UK charts while the single "Let There Be Rock" peaked at #50 in that country. It was also Onslaught's last album before disbanding in 1991, only to reform in 2004 and the release of their fourth album Killing Peace in 2007.
Soldier of Fortune is Japanese heavy metal band Loudness' eighth studio album, and their first with American vocalist Mike Vescera. It's the third Loudness album produced by Max Norman after Thunder in the East in 1985 and Lightning Strikes in 1986. The album is co-produced by Fates Warning's producer Roger Probert. Despite the good critical reception and the strong support given by the label, the album failed to chart in the USA. The CD contains heavy and fast tracks like Soldier of Fortune, You Shook Me, Red Light Shooter, Running for Cover, Faces in the Fire and Demon Disease.
On the Prowl is the ninth studio album released by the Japanese heavy metal band Loudness. It is also their second and last album with American vocalist Mike Vescera, before his leaving to join Yngwie Malmsteen's band for the album The Seventh Sign (1994). On the Prowl is mainly a compilation of self-covers of songs from early Loudness' albums, containing only three new songs written by the band (♠). However, Mike Vescera translated and adapted the lyrics of the old songs written by former vocalist Minoru Niihara, to be sung in English.
Heavy Metal Anthem is Japanese heavy metal band Anthem's return album, released nearly 8 years since their disbandment in the early 1990s, it's the eighth studio album. Most of the former members play on the album, but the original vocalist, Eizo Sakamoto, did not return until the next album . The album was released on April 21, 2000 and was a joint collaboration between the band and singer Graham Bonnet. Most of the songs are Anthem's older releases, which have been remixed and sung in English by Bonnet.
Disillusion is the fourth studio album by Japanese heavy metal band Loudness. It was recorded, mixed and mastered in London, England, in 1983 and released at the beginning of 1984. The sound engineer chosen for the recording sessions was the expert Julian Mendelsohn, who had previously worked with acts like Yes, Elton John, Jimmy Page and Bob Marley. The original Japanese version was licensed and released by Music for Nations in the UK and Roadrunner Records in Europe. Attention by major US labels for the band and the need to make their work accessible to Western audiences, prompted a new release of the album with vocal tracks sung in English on July 1, 1984. The English version opened the album with the instrumental "Anthem " by Akira Takasaki, which was missing in the original Japanese release.
Jealousy is an EP by Japanese band Loudness. It was released in May 1988 only in Japan, a market that the band felt to have neglected in favour of American audiences. It would also mark the final recording with the classic line-up, until Spiritual Canoe in 2001. Singer Minoru Niihara left the band after the end of the domestic tour promoting this release. The song "Long Distance Love" would later be reworked for the On the Prowl album, with vocals by American singer Mike Vescera.
Loudness is the tenth studio album by Japanese band Loudness. It was released in 1992 only in Japan, after the band had terminated the recording contracts with US labels. Original bass player Masayoshi Yamashita was replaced with Taiji Sawada and the American vocalist Mike Vescera with former Ezo singer Masaki Yamada.
Ghetto Machine is the twelfth studio album by the Japanese heavy metal band Loudness. It was released in 1997 only in Japan and recorded at the famous Fantasy Studios in Berkeley, California. This was the first album to feature bassist Naoto Shibata. Only the instrumental "Katmandu Fly" was recorded in 1995 at ESP Guitars rehearsal studio.
Dragon is the thirteenth studio album by Japanese heavy metal band Loudness. It was released in 1998 only in Japan.
Engine is the fourteenth studio album by Japanese heavy metal band Loudness. Released in 1999, it was the third and final album to feature the lineup of guitarist Akira Takasaki, lead vocalist Masaki Yamada, bassist Naoto Shibata, and drummer Hirotsugu Homma before Takasaki reunited the original lineup in 2001.
Loud 'n' Raw is the fourth live album by the Japanese band Loudness. It was released in 1995 only in Japan. "Speed King" is a cover of the Deep Purple's song from the album Deep Purple in Rock.
Tusk of Jaguar is the first solo studio album by Japanese guitarist Akira Takasaki, best known for his work in the bands Loudness and Lazy. It was released in 1982 only in Japan and reissued in 2005. The album is actually a joint effort of Takasaki and keyboard player Masanori Sasaji, who composed three tracks and arranged and co-produced the recording. A large contribution was given to the album by Takasaki's bandmates in Loudness, who play in most tracks and collaborated to the musical arrangements. However, the music of Tusk of Jaguar is much more varied than in any Loudness' album, with its music ranging from hard rock to progressive rock to jazz fusion, reminiscing of some Dixie Dregs' and Al Di Meola's works. The precise and fast guitar playing by Takasaki is anyway always present in every track and he even takes the lead vocal spot in the song "Ebony Eyes".
The Sun Will Rise Again is the twenty-sixth studio album by Japanese heavy metal band Loudness, released on June 3, 2014. A US mix of the album was released on October 7, 2015, in which the songs were remixed, and the album cover shows a blue-and-white rising sun design, instead of the traditional red-and-white. The tracks "Nourishment of the Wind" and "Got to Be Strong" are only released on the Japanese edition of the album, while "Rock Will Never Die" is only released on the US edition.
Terror is the eighteenth studio album by the Japanese heavy metal band Loudness. It was released only in Japan, in January 2004. The album is one of the heaviest released by the band, and was created with a theme of horror and terror. This theme is also reflected in the album artwork. The band display influences from Black Sabbath, and the album overall has a doom metal type sound.
Aestetica is the 20th studio album by Japanese singer/songwriter Mari Hamada, released on February 17, 2010 by Meldac/Tokuma Japan. It was Hamada's first studio release in nearly two years, and it marked her return to her heavy metal roots, with Loudness guitarist Akira Takasaki as a guest musician.
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