Helen Hunt (hair stylist)

Last updated

Helen Hunt was a hair stylist in Hollywood movies from the 1930s up to 1967, when she worked on Guess Who's Coming to Dinner . She was the chief hair stylist for Columbia Pictures. [1]

Contents

Hunt fell into her career by accident. She was working as a stenographer for a costume company in Omaha, Nebraska. [2] She began washing and arranging the company's wigs on her own time because they were being neglected. When she went into a shop to look over a display of wigs, she was offered a job by the owner, George Westmore of Hollywood. This eventually led to a position with Columbia Pictures. [2] According to IMDb, the first film with which she was involved (uncredited) was the 1935 Party Wire , starring Jean Arthur.

She worked with Rita Hayworth before the latter became a star. According to some sources, it was Hunt who came up with the idea to dye Hayworth's black hair auburn. [3] [4] She also arranged for the painful, lengthy electrolysis that raised Hayworth's hairline. For the 1946 film noir Gilda , Hunt stated, "I got fan mail - and hate mail - about Rita's hair! Some clergymen declared that I would go to hell for contributing to evil because of Rita's hair in Gilda!" [5] When Orson Welles insisted on shortening the actress's long hair (and dyeing it blonde) for The Lady from Shanghai (1947), Hunt was flown in from New York, where she was on her honeymoon, to do the cutting. [1]

During the course of her career, she also styled such stars as Irene Dunne, [6] Rosalind Russell, [6] Loretta Young [6] and Evelyn Keyes. [7] Cult movie actress Pamela Duncan credited Hunt with bringing her to the attention of the casting department of Columbia. [8]

Selected filmography

Related Research Articles

<span class="mw-page-title-main">Rita Hayworth</span> American actress, dancer, pin-up girl (1918–1987)

Rita Hayworth was an American actress, dancer, and pin-up girl. She achieved fame in the 1940s as one of the top stars of the Golden Age of Hollywood, and appeared in 61 films in total over 37 years. The press coined the term "The Love Goddess" to describe Hayworth, after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II. It is also rumored she was disturbed by how her face was painted on atomic bombs during testing. America's reasoning was because, "She's a bombshell." She called for a press conference to condemn these actions but was convinced by Harry Cohn her objection would undermine her career.

<span class="mw-page-title-main">Glenn Ford</span> Canadian actor (1916–2006)

Gwyllyn Samuel Newton Ford, known as Glenn Ford, was a Canadian-American actor. He was most prominent during Hollywood's Golden Age as one of the biggest box-office draws of the 1940s, 1950s, and 1960s, and had a career that lasted more than 50 years.

<span class="mw-page-title-main">Harry Cohn</span> Co-founder of Columbia Pictures Corporation (1891–1958)

Harry Cohn was a co-founder, president, and production director of Columbia Pictures Corporation.

<i>Gilda</i> (film) 1946 American film noir by Charles Vidor

Gilda is a 1946 American film noir directed by Charles Vidor and starring Rita Hayworth and Glenn Ford.

<span class="mw-page-title-main">Cleo Moore</span> American actress (1920s – 1973)

Cleouna Moore was an American actress, usually featured in the role of a blonde bombshell in Hollywood films of the 1950s, including seven films with Hugo Haas. She also became a well-known pin-up girl.

<i>Born Yesterday</i> (1950 film) 1950 film by George Cukor

Born Yesterday is a 1950 American comedy-drama film directed by George Cukor, based on the 1946 stage play of the same name by Garson Kanin. The screenplay was credited to Albert Mannheimer. According to Kanin's autobiography, Cukor did not like Mannheimer's work, believing it lacked much of the play's value, so he approached Kanin about adapting a screenplay from his own play. Because of legal entanglements, Kanin did not receive screen credit.

<span class="mw-page-title-main">Adele Jergens</span> American actress (1917–2002)

Adele Jergens was an American actress.

<i>Cover Girl</i> (film) 1944 film by Charles Vidor

Cover Girl is a 1944 American musical romantic comedy film directed by Charles Vidor, and starring Rita Hayworth and Gene Kelly. The film tells the story of a chorus girl given a chance at stardom when she is offered an opportunity to be a highly paid cover girl. It was one of the most popular musicals of the war years.

<span class="mw-page-title-main">Bombshell (slang)</span> Forerunner to the term "sex symbol"

The term bombshell is a forerunner to the term "sex symbol" used to describe popular women regarded as very attractive. The Online Etymology Dictionary by Douglas Harper attests the usage of the term in this meaning since 1942. Bombshell has a longer history in its other, more general figurative meaning of a "shattering or devastating thing or event" since 1860.

<span class="mw-page-title-main">Jean Louis</span> French costume designer (1907–1997)

Jean Louis was a French-American costume designer. He won an Academy Award for The Solid Gold Cadillac (1956).

<i>The Loves of Carmen</i> (1948 film) 1948 film by Charles Vidor

The Loves of Carmen is a 1948 American adventure drama romance film directed by Charles Vidor. The film stars Rita Hayworth as the gypsy Carmen and Glenn Ford as her doomed lover Don José.

<i>Miss Sadie Thompson</i> 1953 film by Curtis Bernhardt

Miss Sadie Thompson is a 1953 3-D American musical romantic drama film directed by Curtis Bernhardt and starring Rita Hayworth, José Ferrer, and Aldo Ray. The film was released by Columbia Pictures. The film is based on W. Somerset Maugham's 1921 short story "Miss Thompson". Other film versions include Sadie Thompson (1928) starring Gloria Swanson, Rain (1932) starring Joan Crawford, and Dirty Gertie from Harlem U.S.A. (1946).

<i>Pal Joey</i> (film) 1957 American musical film directed by George Sidney

Pal Joey is a 1957 American musical comedy film directed by George Sidney, loosely adapted from the Rodgers and Hart musical play of the same name, and starring Rita Hayworth, Frank Sinatra, and Kim Novak.

<span class="mw-page-title-main">Anita Ellis</span> American actress and singer (1920 -2015)

Anita Ellis was a Canadian-born American singer and actress. She famously dubbed Rita Hayworth's songs in Gilda.

Katherine Joan Greer, known professionally as Jo Ann Greer, was an American singer.

<span class="mw-page-title-main">Black dress of Rita Hayworth</span> Iconic dress worn by Rita Hayworth in the film Gilda

In the 1946 film Gilda, Rita Hayworth wore a black dress made by American costume designer Jean Louis. It was used in a scene in which the character of Gilda sings the song "Put the Blame on Mame", improvising a quick striptease, choreographed by Jack Cole. The dress has helped consolidate the image of the femme fatale, as well as being universally recognized as an icon of fashion and cinema. The Independent named it as one of the Ten Best Fashion Moments in Film.

<span class="mw-page-title-main">Virginia Van Upp</span> American screenwriter

Virginia Van Upp was an American film producer and screenwriter.

<i>Rita Hayworth: The Love Goddess</i> 1983 television film directed by James Goldstone

Rita Hayworth: The Love Goddess is a 1983 American made-for-television biographical film directed by James Goldstone. Based on the 1977 biography Rita Hayworth by John Kobal, it deals with real events in the life of actress Rita Hayworth from 1931 to 1952. It was broadcast by CBS on November 2, 1983.

Sydney Guilaroff was a British-American hair stylist during Hollywood's Golden Age, and the first to receive on-screen credit in films. He worked for more than 40 years at Metro Goldwyn Mayer studios, on more than 1,000 films. He was instrumental in creating many of the hairstyles that became signature looks for film stars.

Marlin Skiles (1906–1981) was an American composer of film and television scores. Pianist, arranger and composer Skiles was born in Harrisburg, Pennsylvania, in December 1906. He studied music at his local conservatory, later perfecting his training under Ernst Toch in Los Angeles. By the 1920's, he was employed as a pianist, arranger and orchestrator with big name dance bands like those of Paul Whiteman and Irving Aaronson and His Commanders. In Hollywood from 1932, he was under contract at Republic and Columbia (1944–1948), often writing incidental music for second features. He occasionally composed original soundtracks for better productions, like A Thousand and One Nights (1945) or Dead Reckoning (1946). Skiles served as musical director for Columbia's mega-hit Gilda (1946), starring Rita Hayworth in her most famous role. He became a member of ASCAP that same year. Skiles worked as a free-lancer from the 1950s and retired in 1971. From Marlin Skiles at IMDb.

References

  1. 1 2 Sargeant, Winthrop (November 10, 1947). "The Cult of the Love Goddess in America". Life . p. 86.
  2. 1 2 "Presto! Blond Is Brunet-It's All Done With Wigs". Toledo Blade . March 8, 1940.
  3. Friedrich, Otto (1986). City of Nets: A Portrait of Hollywood in the 1940s. University of California Press. p. 149. ISBN   9780520209497.
  4. Ovalle, Priscilla Pena (2011). Dance and the Hollywood Latina: race, sex, and stardom . Rutgers University Press. p.  76. helen hunt hair stylist.
  5. John Miller. "Behind the Camera on Gilda". Turner Classic Movies . Retrieved May 18, 2013.
  6. 1 2 3 "Hollywood Hair Styles". The Liverpool News . October 24, 1940.
  7. "Style Notes". The Border Watch . March 17, 1942.
  8. Weaver, Tom (2010). Sci-Fi Swarm and Horror Horde: Interviews with 62 Filmmakers. McFarland. p. 178. ISBN   9780786458318.