Helgi Tomasson | |
---|---|
Born | |
Nationality | Icelandic |
Education | School of American Ballet |
Known for | Ballet |
Awards | 1st International Ballet Competition (Moscow) silver medal |
Helgi Tomasson (born October 8, 1942) is an Icelandic choreographer, and a former professional ballet dancer. He served as artistic director and principal choreographer for San Francisco Ballet.
Tomasson was born in Vestmannaeyjar, Iceland to Tómas Bergur Snorrason and Dagmar Helgadóttir. He began his ballet training in Reykjavik with a local teacher and went on to join the National Theatre’s affiliated school, which at the time was led by Erik and Lisa Bidsted. [1] He has a younger half brother, [2] graphic designer Guðjón Ingi Hauksson.
Tomasson's professional dance career started at age 15 with the Pantomime Theatre in Copenhagen’s Tivoli Gardens. At age 17, he was discovered in his homeland by choreographer Jerome Robbins, who arranged a scholarship for Tomasson to study at the School of American Ballet' in New York City. [3]
Tomasson went on to join the Joffrey Ballet, where he met his future wife Marlene, a fellow dancer. Two years later he joined the Harkness Ballet, staying for six years and becoming one of the company’s most celebrated principal dancers.
In 1969, at age 27, Tomasson entered the First International Ballet Competition in Moscow, representing the United States. He was allowed by Jerome Robbins to dance a solo from Robbins' Dances at a Gathering and returned with the Silver Medal; the Gold Medal was awarded to Mikhail Baryshnikov. [4] During the course of the competition, the great ballerina Maya Plisetskaya, who was on the jury, whispered to him, "I gave you all my votes." [4]
A year later, Tomasson joined the New York City Ballet as a principal dancer. He danced with City Ballet for 15 years, garnering worldwide recognition and performing with many of City Ballet's leading ballerinas, including Violette Verdy, Patricia McBride, and Gelsey Kirkland. Of this time, Helgi recalls "Living for so long in New York, I grew up with the best, and I was a part of that time.” [4]
The company's founding balletmasters George Balanchine and Jerome Robbins both created roles expressly for Tomasson. Balanchine created a solo for him in Divertimento from Le Baiser de la Fée for the 1972 Stravinsky Festival. Tomasson, at age 42, performed this piece in his January 1985 farewell performance at the New York State Theater with ballerina and longtime partner Patricia McBride.
When reviewing this last performance, the New York Times wrote, “With his outstanding technique and elegance, Mr. Tomasson was the epitome of the classical male dancer. As the quintessential Robbins dancer, he knew how to filter the emotional through a crystal-clear classical prism. As the model of a Balanchine dancer, he enabled Balanchine, who had never before had dancers of Mr. Tomasson's caliber, to show off his own choreography for men at its most classical." [3]
In 1982, with the encouragement of Balanchine, Tomasson choreographed his first ballet for the School of American Ballet Workshop, Introduction, Theme with Variations Polonnaise, Op. 65, which was very well received and elicited encouragement for him to continue choreographing. [5] In 1983, his Ballet d'Isoline, was taken into the repertory of the New York City Ballet.
Following his retirement from New York City Ballet in 1985, Tomasson joined the San Francisco Ballet as artistic director. During his time with the company, he staged many full-length ballets, including Swan Lake in 1988, The Sleeping Beauty in 1990, Romeo and Juliet in 1994, Giselle in 1999, Don Quixote (in collaboration with principal dancer Yuri Possokhov) in 2003, and Nutcracker in 2004. [4]
Tomasson’s Nutcracker is notable for being the only uniquely San Francisco Nutcracker; it is set in San Francisco during the 1915 Panama–Pacific International Exposition. [6] Tony Award-winning designers Michael Yeargan and Martin Pakledinaz designed the sets and costumes, respectively. Upon its premiere, the New York Times called Tomasson’s Nutcracker “striking, elegant and beautiful.” [7]
In 1995, Tomasson conceived the UNited We Dance International Festival to celebrate the 50th anniversary of the signing of the United Nations Charter. During this event, twelve ballet companies from around the world joined San Francisco Ballet to present world premiere dances over a span of two weeks. [8]
In 2010, the Ballet’s opening night gala, Silver Celebration, honored Tomasson’s 25 years as artistic director of San Francisco Ballet. [9]
In 2012, Helgi Tomasson was named recipient of the Dance/USA Honor, acknowledging individuals’ contributions to dance in America and the role they play in the national dance community.
In January 2021, it was announced that Tomasson would step down from the San Francisco Ballet in 2022. [10]
Tomasson lives in San Francisco with his wife, Marlene, who was dancing with The Joffrey Ballet when they met. They have two sons. The couple own a 1-acre (4,000 m2) vineyard and cottage in California’s wine country (Napa Valley), which they have renovated for ten years. [4]
Tomasson is a prolific choreographer, having created more than 40 ballets for San Francisco Ballet and other leading companies around the world. [5] [12]
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
The Joffrey Ballet is an American dance company and training institution in Chicago, Illinois. The Joffrey regularly performs classical and contemporary ballets during its annual performance season at the Civic Opera House, including its annual presentation of The Nutcracker.
Peter Martins is a Danish former ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet.
San Francisco Ballet is the oldest ballet company in the United States, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, and effective December 2022 under the direction of Tamara Rojo. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today."
Lawrence Pech is a dancer, choreographer and teacher currently living and working in the San Francisco Bay Area.
John Taras was an American ballet master, repetiteur, and choreographer.
Tarantella is a ballet choreographed by George Balanchine to Grande Tarantelle by Louis Moreau Gottschalk, arranged by Hershy Kay. The ballet premiered on January 7, 1964, at the New York City Center, performed by New York City Ballet's Patricia McBride and Edward Villella.
Patricia McBride is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company's youngest principal. She danced with the company for 30 years, including roles created for her by choreographers George Balanchine and Jerome Robbins.
Gonzalo Garcia is a Spanish American ballet dancer. He joined the San Francisco Ballet in 1998, and was promoted to principal in 2002, at age 22. In 2007, he left the company and joined the New York City Ballet. He retired from performing in 2022 and remains in the company as a repertory director.
Symphony in Three Movements is a neoclassical ballet choreographed by George Balanchine to the music of the same name by Stravinsky. The ballet was made for the New York City Ballet Stravinsky Festival in 1972, a tribute to the composer following his death. The ballet premiered on June 18, 1972, at the New York State Theater.
Katita Waldo is a Spanish ballet dancer and ballet master. She joined the San Francisco Ballet in 1988, was promoted to principal dancer in 1994, and retired from performing in 2010, but remains in the company as a ballet master.
Tina LeBlanc is an American ballet dancer, teacher and ballet master. She joined the Joffrey Ballet in 1988. In 1992, she joined the San Francisco Ballet as a principal dancer. She retired in 2009, then joined the faculty of the San Francisco Ballet School, before returning to the San Francisco Ballet as a ballet master in 2019.
Who Cares? is a ballet choreographed by George Balanchine to songs by George Gershwin that were orchestrated by Hershy Kay. The ballet is split in two parts, the first danced by an ensemble, and the second focuses on four principal dancers. Who Cares? premiered on February 5, 1970, at the New York State Theater, danced by the New York City Ballet.
Ann Marie DeAngelo is an American choreographer, director, producer, teacher, consultant and former dancer - an expert in all areas of dance. She was leading ballerina with the Joffrey Ballet, where early on she was pegged by Time magazine as "one of America's most outstanding ballerinas" and where she later served as associate director at the time of the company's move to Chicago in 1995.
Molly Smolen is an American ballet dancer.
Tchaikovsky's now-classic 1892 ballet The Nutcracker received its first complete production in the U.S. on 24 December 1944, performed by the San Francisco Ballet. This production used the ballet's original plot and was choreographed by Willam Christensen, who danced the role of the Cavalier. Gisella Caccialanza, the wife of Lew Christensen, danced the role of the Sugar Plum Fairy. The staging was a huge success and one critic wrote: "We can't understand why a vehicle of such fantastic beauty and originality could be produced in Europe in 1892 with signal success [a factually erroneous claim] and never be produced in its entirety in this country until 1944. Perhaps choreographers will make up for lost time from now on." The company was the first in the U.S. to make the ballet an annual tradition, and for ten years, the only company in the United States performing the complete ballet, until George Balanchine's production opened in New York in 1954.
Christopher Stowell is an American ballet dancer and choreographer. He is currently the associate artistic director of the National Ballet of Canada. He was previously the artistic director of the Oregon Ballet Theatre. Before that, he danced professionally with the San Francisco Ballet for sixteen years.
Maria Calegari is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.