Pantomimeteatret

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Pantomimeteatret
TivoliChinese.jpg
The Pantomime Theatre with its Peacock Curtain
Pantomimeteatret
Address Tivoli Gardens, Vesterbro
Copenhagen
Denmark
TypeOpen air theatre, with resident company
Capacity 120 (seated)
1,000 (standing)
Construction
Opened1874
Architect Vilhelm Dahlerup
Website
www.skuespilhus.dk/

The Pantomime Theatre (Danish : Pantomimeteateret) is an open-air theatre located in the Tivoli Gardens in Copenhagen, Denmark. As indicated by the name, it is primarily used for pantomime theatre in the classical Italian commedia dell'arte tradition which is performed daily. Besides this original function, the theatre leads a second life as a venue for ballet and modern dance.

Contents

History

The first Pantomime Theatre Tivolis forste pantomimeteater.jpg
The first Pantomime Theatre
The new Pantomime Theatre Det nye Teater i Tivoli.png
The new Pantomime Theatre

When the Tivoli Gardens first opened in 1874, a small theatre was already found at the site of the current building just inside the main entrance. It was made out of timber and painted canvas and after a series of rebuilding and major repairs, it was finally decided to replace it with a more up-to-date building in 1873. The architect Vilhelm Dahlerup, at that time working on the design of the Royal Danish Theatre was commissioned to make a proposal and the year after in 1874, the same year as the Royal Theatre, the present Peacock Theatre in Chinese style was inaugurated. Dahlerup had never been to China but he sought inspiration from pictures of buildings, borrowed from an engineer who had been stationed in the Far East. [1] The technical side of the project was constructed by the theatre's director and Pierrot Niels Hendrik Volkersen and timber and assistance with the cordage was obtained from the Holmen Naval Base. [1]

Architecture

The stage with the Peacock Curtain Pantomimeteatret, Tivoli Gardens.jpg
The stage with the Peacock Curtain

It is a toy-like Historicist theatre built in Chinese style and noted for its mechanical front curtain that takes five men to operate and unfold the peacock.

Repertoire

The repertoire consists of a mixture of traditional pantomimes, ballet performances and contemporary and more experimental performances.

Pantomime

Harlekin and Columbine at The Pantomime Theatre Harlekin Columbine Tivoli Denmark.jpg
Harlekin and Columbine at The Pantomime Theatre

The pantomime tradition of the theatre is a mixture of many elements that are apparently quite unrelated. When the peacock folds down its wings, the stage is obviously set somewhere in old Copenhagen, at the home of stodgy Cassander who lives alone with his beautiful daughter, Columbine. It remains unclear what has happened to her mother.

Cassander is assisted by his servant, Pierrot, who has a white face like the clown he really is. And Cassander's adversary with whom he is constantly struggling is Harlequin – a charming, masked scoundrel with little money to his name but who is deeply in love with Columbine and often well-connected to a friendly sorcerer or fairy.

Like the characters, the music comes from many different sources. Musical sources include Strauss, Mozart and Gounod and Hans Christian Lumbye, Tivoli's in-house composer during the 1800s. Music has been selected to underpin the plot and movements of each pantomime.

Ballet

The programme also include ballet performances, including examples of the distinctive Danish Bournonville style and modern dance. HM Queen Margrethe created costumes and scenography several times, including for ballets based on Hans Christian Andersen's The Little Match Girl and The Swineherd in 2007 [2] and 2009. Choreographers who have created works for the Pantomimeteatret include Dinna Bjørn, Louise Midjord, Paul James Rooney and Tim Rushton

Other performances

Since 2003 the programme has also involved more contemporary genre like jazz dance and hip hop pantomimes.

Artists

Artists who have worked with the Pantomime Theatre include:

Further reading

Annett Ahrends and Henrik Lyding, The Pantomime Theatre - the life behind the Peacock Curtain in Tivoli, Forlaget Vandkunsten, 2008 (text in English and Danish and photographs by Annett Ahrends) [2]

See also

Tivoli Gardens

Related Research Articles

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Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Many cultural movements found him amenable to their respective causes: Decadents turned him into a disillusioned foe of idealism; Symbolists saw him as a lonely fellow-sufferer; Modernists converted him into a Whistlerian subject for canvases devoted to form and color and line.

References

  1. 1 2 "Pantomimes". Erik Østergaard. Retrieved 2009-06-22.
  2. 1 2 "Ind bag fugletæppet i Tivoli". Berlingske. Retrieved 2009-06-22.

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