Hercules in the Haunted World

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Hercules in the Haunted World
Ercole al centro della terra film poster.jpg
Italian film poster for Hercules in the Haunted World
Directed by Mario Bava
Screenplay by
Story byMario Bava [1]
Produced byAchille Piazzi [1]
Starring
Cinematography
Edited by Mario Serandrei [1]
Music by Armando Trovajoli [1]
Color process Technicolor
Production
company
SpA Cinematografica [3]
Distributed byImperialcine [4]
Woolner Brothers (US)
Release date
  • 16 November 1961 (1961-11-16)(Italy)
Running time
93 minutes [3]
CountryItaly [3]
LanguageItalian
Box office 398 million [5]

Hercules in the Haunted World (Italian: Ercole al centro della terra, lit. "Hercules at the Center of the Earth") is a 1961 Italian sword-and-sandal film directed by Mario Bava. British bodybuilder Reg Park plays Hercules while British actor Christopher Lee appears as Hercules' nemesis Lico. Shooting at Cinecittà, director Mario Bava used some of the same sets from the earlier Hercules and the Conquest of Atlantis which also stars Park. [6]

Contents

Plot

Upon his return to Italy from his many adventures, the great warrior Hercules learns that his lover, Princess Deianira, has lost her senses. According to the oracle Medea (Gaia Germani), Daianara's only hope is the Stone of Forgetfulness which lies deep in the realm of Hades. Hercules, with two companions, Theseus and Telemachus, embarks on a dangerous quest for the stone, while he is unaware that Deianira's guardian, King Lico, is the one responsible for her condition and plots to have the girl for himself as his bride upon her revival. Lico is in fact in league with the dark forces of the underworld, and it is up to Hercules to stop him.

The climax has Hercules smashing Lico with a giant boulder and throwing similarly large rocks at an army of zombies.

Cast

Release

Hercules in the Haunted World was released in Italy on November 16, 1961. [3] It received a theatrical release in the United States in April 1964. [3] Christopher Lee's voice was dubbed by another actor for the English-language version of the film. [6]

Critical reception

In a contemporary review, The Globe and Mail referred to the film as a "particularly awful Italian movie", specifying Reg Parks' acting and the film plays "havoc with the mythology". [7] The review also noted the English dub which was described as "corny almost beyond belief" [7]

From retrospective reviews, the Monthly Film Bulletin stated, "Bava's film today contrives not to look too much like a cheap imitation of itself. Partly this is thanks to the resourcefulness with which the director creates a visual splendour from little except smoke and light, and partly it's the result of an almost arrogantly complex plot from which fragments of meaning seem to escape in all directions." [2] Allmovie wrote "Hercules in the Haunted World is about as good a film as could be made on a budget in the 'mythic hero' subgenre of action films. If that sounds like faint praise, it isn't intended to be, for while overall Hercules can't totally rise above the many limitations of its genre (and budget), it nevertheless will thrill fans of such movies and even give non-devotees a number of very worthwhile elements to ponder." [8] In his book Italian Horror Film Directors, Louis Paul described the film as "a colorful combination of the athletic muscleman peplum revival and Bava's own fascination with gothic imagery." [9]

Legacy

The film started a short-living subgenre of films trying to combine the peplum genre with horror elements. Films considered belonging to this subgenre include Riccardo Freda's The Witch's Curse and Sergio Corbucci's and Giacomo Gentilomo's Maciste contro il vampiro . [10]

The Opera Theater Oregon commissioned composer Patrick Morganelli to write a companion piece to the film, Hercules vs. Vampires , which premiered in Portland in 2010. [11] In April 2015 the work was staged by the Los Angeles Opera. [12]

See also

Related Research Articles

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Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or Biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.

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References

Footnotes

  1. 1 2 3 4 5 Kinnard & Crnkovich 2017, p. 89.
  2. 1 2 3 "Ercole al centro della terra (Hercules in the Centre of the Earth)". Monthly Film Bulletin . Vol. 53, no. 624. British Film Institute. 1986. p. 17.
  3. 1 2 3 4 5 Kinnard & Crnkovich 2017, p. 90.
  4. "Ercole al centro della terra (1961)". Archivo del Cinema Italiano. Retrieved 22 November 2020.
  5. Pohle, Hart & Pohle Baldwin 2017, p. 109.
  6. 1 2 Hughes 2011, p. 8f.
  7. 1 2 Morriss, Frank (September 10, 1964). "Castle of Blood Fraying To Nerves". The Globe and Mail . The Globe and Mail. p. 11.
  8. Craig Butler. "Hercules in the Haunted World (1961)". Allmovie . Retrieved 2 July 2012.
  9. Paul 2005, p. 22.
  10. Paul 2005, p. 23.
  11. James McQuillen (May 17, 2010). "Opera review: 'Hercules vs. Vampires' shines light on link to low-budget film genre". The Oregonian .
  12. Simon Williams (April 25, 2015). "Hercules vs. Vampires: Los Angeles Opera". Opera News .

Sources

  • Hughes, Howard (2011). Cinema Italiano - The Complete Guide From Classics To Cult. London - New York: I.B.Tauris. ISBN   978-1-84885-608-0.
  • Johnson, Tom; Miller, Mark A. (2009). The Christopher Lee Filmography: All Theatrical Releases, 1948–2003. McFarland. ISBN   978-1476608969.
  • Kinnard, Roy; Crnkovich, Tony (2017). Italian Sword and Sandal Films, 1908-1990. McFarland. ISBN   978-1476662916.
  • Paul, Louis (2005). Italian Horror Film Directors. McFarland. ISBN   978-0-7864-8749-3.
  • Pohle, Robert W. Jr.; Hart, Douglas C.; Pohle Baldwin, Rita (2017). The Christopher Lee Film Encyclopedia. Rowman & Littlefield. ISBN   9780810892705.