Hercules in the Haunted World | |
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![]() Italian film poster for Hercules in the Haunted World | |
Directed by | Mario Bava |
Screenplay by |
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Story by | Mario Bava [1] |
Produced by | Achille Piazzi [1] |
Starring | |
Cinematography |
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Edited by | Mario Serandrei [1] |
Music by | Armando Trovajoli [1] |
Color process | Technicolor |
Production company | SpA Cinematografica [3] |
Distributed by | Imperialcine [4] Woolner Brothers (US) |
Release date |
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Running time | 93 minutes [3] |
Country | Italy [3] |
Language | Italian |
Box office | ₤398 million [5] |
Hercules in the Haunted World (Italian: Ercole al centro della terra, lit. "Hercules at the Center of the Earth") is a 1961 Italian sword-and-sandal film directed by Mario Bava. British bodybuilder Reg Park plays Hercules while British actor Christopher Lee appears as Hercules' nemesis Lico. Shooting at Cinecittà, director Mario Bava used some of the same sets from the earlier Hercules and the Conquest of Atlantis which also stars Park. [6]
Upon his return to Italy from his many adventures, the great warrior Hercules learns that his lover, Princess Deianira, has lost her senses. According to the oracle Medea (Gaia Germani), Daianara's only hope is the Stone of Forgetfulness which lies deep in the realm of Hades. Hercules, with two companions, Theseus and Telemachus, embarks on a dangerous quest for the stone, while he is unaware that Deianira's guardian, King Lico, is the one responsible for her condition and plots to murder the girl to make himself immortal. Although promising to be her guardian, Lico is in fact in league with the dark forces of the underworld, and it is up to Hercules to stop him.
The climax has Hercules smashing Lico with a giant boulder and throwing similarly large rocks at an army of zombies.
Hercules in the Haunted World was released in Italy on November 16, 1961. [3] In Italy, the film grossed a total of 398 million Italian lira. [5]
It received a theatrical release in the United States in April 1964. [3] Christopher Lee's voice was dubbed by another actor for the English-language version of the film. [6] Meiazotide was renamed Persephone for this version.
In a contemporary review, The Globe and Mail referred to the film as a "particularly awful Italian movie", specifying Reg Parks' acting and the film plays "havoc with the mythology". [7] The review also noted the English dub which was described as "corny almost beyond belief". [7]
From retrospective reviews, the Monthly Film Bulletin stated, "Bava's film today contrives not to look too much like a cheap imitation of itself. Partly this is thanks to the resourcefulness with which the director creates a visual splendour from little except smoke and light, and partly it's the result of an almost arrogantly complex plot from which fragments of meaning seem to escape in all directions." [2] Allmovie wrote "Hercules in the Haunted World is about as good a film as could be made on a budget in the 'mythic hero' subgenre of action films. If that sounds like faint praise, it isn't intended to be, for while overall Hercules can't totally rise above the many limitations of its genre (and budget), it nevertheless will thrill fans of such movies and even give non-devotees a number of very worthwhile elements to ponder." [8] In his book Italian Horror Film Directors, Louis Paul described the film as "a colorful combination of the athletic muscleman peplum revival and Bava's own fascination with gothic imagery." [9]
The film started a short-living subgenre of films trying to combine the peplum genre with horror elements. Films considered belonging to this subgenre include Riccardo Freda's The Witch's Curse and Sergio Corbucci's and Giacomo Gentilomo's Maciste contro il vampiro . [10]
The Opera Theater Oregon commissioned composer Patrick Morganelli to write a companion piece to the film, Hercules vs. Vampires , which premiered in Portland in 2010. [11] In April 2015 the work was staged by the Los Angeles Opera. [12]
Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.
Colossus and the Headhunters, is a 1963 Italian peplum film written and directed by Guido Malatesta, and starring Kirk Morris.
The Loves of Hercules is a 1960 international co-production film starring Jayne Mansfield and her then husband Mickey Hargitay. The film was distributed internationally as Hercules vs. the Hydra.
Hercules in the Vale of Woe, a.k.a. Hercules in the Valley of Woe, is a 1961 Italian Franco and Ciccio comedy film directed by Mario Mattoli and starring Kirk Morris as Maciste and Frank Gordon as Hercules. The film is a comical take on the popular sword-and-sandal epics of the 1950s and 1960s.
Hercules the Avenger is a 1965 Italian adventure film directed by Maurizio Lucidi. It was composed mostly of re-edited stock footage from Reg Park's two 1961 Hercules films, Hercules at the Conquest of Atlantis and Hercules in the Haunted World.
Hercules and the Conquest of Atlantis is a 1961 film directed by Vittorio Cottafavi and starring Reg Park in his film debut as Ercole/Hercules. It was originally released in Super Technirama 70.
Devil of the Desert Against the Son of Hercules is a 1964 international co-production filmed in Italy and directed by Anthony Dawson.
Goliath and the Dragon is a 1960 sword-and-sandal film directed by Vittorio Cottafavi and starring Mark Forest and Broderick Crawford.
Fire Monsters Against the Son of Hercules is a 1962 film directed by Guido Malatesta that was filmed in Yugoslavia and Italy.
Mole Men Against the Son of Hercules is a 1961 Italian peplum film directed by Antonio Leonviola and starring Mark Forest.
Goliath and the Vampires is a 1961 Italian peplum film directed by Sergio Corbucci and Giacomo Gentilomo. The film features the famed superhero Maciste as its main character, although the American release changes his name to Goliath, as American International Pictures felt that the name "Maciste" was not significant to American audiences.
Hercules Against Rome is a 1964 peplum film directed by Piero Pierotti.
Hercules, Prisoner of Evil is a 1964 Italian peplum film directed by Anthony Dawson and an uncredited Ruggero Deodato. Deodato, the official assistant director, replaced Margheriti as he was busy with the completion of the film The Fall of Rome. Deodato actually directed most of the film in actuality but Margheriti was credited as the director. The film is filled with a variety of horrific themes and elements, featuring a killer werewolf, and is as much a horror film as it is a peplum.
The Fury of Hercules is a 1962 peplum film written and directed by Gianfranco Parolini.
Ulysses Against the Son of Hercules is a 1962 peplum film directed by Mario Caiano.
Hercules vs. Moloch is a 1963 Italian/French international co-production peplum film written and directed by Giorgio Ferroni and starring Gordon Scott. The film reuses battle scenes from Ferroni's 1961 film The Trojan Horse.
Gladiators Seven is a 1964 Italian peplum film directed by Alberto De Martino and starring Tony Russel.
Messalina vs. the Son of Hercules is a 1964 peplum film directed by Umberto Lenzi and starring Richard Harrison and Lisa Gastoni.
Venus Against the Son of Hercules is a 1962 Italian peplum film written and directed by Marcello Baldi and starring Roger Browne and Jackie Lane.
Ely Drago was an Italian film actress.